Tag Archives: sky

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Geese, Sunset Sky

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Geese, Sunset Sky
Geese settle in for the evening as dusk sky comes to the San Joaquin Valley

Geese, Sunset Sky. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Geese settle in for the evening as dusk sky comes to the San Joaquin Valley

The approach of winter in California’s Great Central Valley reminds me of a number of great seasonal cycles — the days shorten, temperatures drop, mornings are again often foggy, and the monumental migration of birds brings geese and cranes and more back to the state. This area, which can be less than compelling in the visual sense during the summer (though it has its attractions then, too) becomes one of the most special places in California if you know when and where to look. Yesterday I made this season’s first trip back to this landscape.

We can make some predictions about things like the birds and the weather in this place, but there will still be many surprises. Yesterday’s visit brought two such wonderful surprises. I had been watching weather forecast, hoping for tule fog, but had been consistently disappointed to see nothing but predictions of clear weather. But as I left the last small town before my destination the fog appeared, and by the time I arrived it was so thick that driving was a challenge and the rising sun was invisible. Then, late in the day, I felt that my photographic opportunities were ending, and I stopped at an out-of-the-way corner to just watch the sky after sunset. Suddenly a huge flock of geese rose noisily into the air far across the ponds, circled for a moment… and then suddenly landed directly in front of me in the fading light!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspens, Earth Shadow, Morning

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Aspens, Earth Shadow, Morning
“Aspens, Earth Shadow, Morning” — The earth’s shadow and predawn light on aspen groves east of the Sierra Nevada

On a cold and clear morning in mid-September earlier this year I left my camp in the Sierra and headed east, past Mono Lake and on out into the mountains east of the Sierra Nevada and east of US 395. I did not have a specific goal in mind, but I thought I would do a bit of early season aspen color reconnaissance in preparation for planned visits to photograph fall color a few weeks later. I gradually worked my way further out from the Sierra, stopping from time to time and poking around the ends of various gravel roads. Finally I found one that looked promising and took it.

I knew that I had previously seen aspens atop ridges in the general area of this road, and I had made a note to come back this way in the fall. I don’t typically expect to see much fall color by mid-September in the Sierra, but I soon found quite a bit of it — a whole mountain top was covered with small trees that were beginning to turn colors almost uniformly. I took a short spur road to an overlook and parked — from here there was an almost unobstructed view of a big section of the Sierra crest. It was cold enough to let me know that autumn wasn’t far away as I waited for the sun, beginning to photograph in that lovely predawn period of warm colors when the earth’s shadow can be seen in the darkened atmosphere just above the horizon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Photographs: Mono Lake Basin, Photographs: Nature

Still Water, Clouds

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Still Water, Clouds
A few scattered clouds are reflected in the surface of Mono Lake on a windless day

Still Water, Clouds. Mono Lake, California. September 16, 2016. © Copyright 2013 G Dan Mitchell – all rights reserved.

A few scattered clouds are reflected in the surface of Mono Lake on a windless day

As I have returned to Mono Lake over the years, my orientation to the place has changed. (I guess that is a sort of general theme with me, now that I think of it — repeated visits to a familiar place over long periods of time are rewarded with a continually evolving knowledge of the place.) First it is just a very big lake. They one usually discovers tufa towers, followed perhaps by birds. My concept of the place has now come to center on quiet immensity, with open sky above, perhaps interrupted by the sounds of birds.

Mono Lake is often a windy place, but at times, especially early in the day, the winds can die down or even stop, and the stillness becomes palpable. On this day I traveled out to a shoreline area I had not visited before, and one that is not particularly popular or well-known. I parked and walked down a slope towards the water, where I found its surface almost still and reflecting the shapes of a few clouds to the north.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Italy

Lamp, Cloud, Stone Walls

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Lamp, Cloud, Stone Walls
“Lamp, Cloud, Stone Walls” — Midday light at Castello di Ama, Italy

While visiting a vineyard/winery here I learned some things I would not have expected about this part of Italy. I’m used to California’s wine country, especially the areas in northern California where a lot of the vineyards seem to be either on hillsides of quite often in flat river valleys. Here, at least among the vineyards around the area where I made this photograph, the vineyards are on relatively steep hillsides and, as I discovered, on soil that is more rock than dirt. There was a place where the path was well below the level of the soil surface and a section of the rock wall had been removed to show the earth down perhaps 6-8 feet deep… and it was almost entirely rock.

Speaking of these paths, I made this photograph along an old, narrow, winding “road” between the buildings of a now-isolated village. It was midday, when the light becomes much brighter and sharper, though still with that bit of softness that seems to be the norm here. The high sun angle and bright light cast a strong shadow across the wall at the left and part of the part, while a few scattered clouds floated by overhead.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.