Tag Archives: sky

Abandoned Buildings, Eastern Sierra

Abandoned Buildings, Eastern Sierra
Abandoned Buildings, Eastern Sierra

Abandoned Buildings, Eastern Sierra. Near Lee Vining, California. July 25, 2010. © Copyright G Dan Mitchell – all rights reserved.

Blood-red dawn light illuminates eastern Sierra Nevada peaks of Yosemite National Park and morning clouds above abandoned high desert cabins in the sage brush along highway 395.

Many who travel the eastern Sierra on highway 395 have no doubt seen these two abandoned buildings along the highway not far from Lee Vining, set against the background of the Sierra’s eastern escarpment along the border of Yosemite National Park. I’ve noticed them for years and have tried to photograph them a few times in the past.

On this late-July morning I had gotten up very early at my Tuolumne Meadows camp site and decided that there might be enough interesting clouds to warrant a trip down to the South Tufa area of Mono Lake for a sunrise shoot. However, I apparently didn’t get up quite early enough (actually, I miscalculated the time of dawn) since the sun began to rise above the horizon just before I turned east from 395 onto 120 to get to the lake. For a moment I vacillated – should I hurry on to get to Mono as soon after sunrise as possible (since the light gets there a few minutes later) or shoot whatever I could see right then and there? The intense red light made the decision for me and I quickly pulled over near these buildings and made a few exposures as the saturated and very red morning light hit the mountains and the clouds.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Morning Virga, Mono Lake

Morning Virga, Mono Lake
“Morning Virga, Mono Lake” —Isolated Mono Lake tufa towers stand in the morning light below clouds dropping morning virga.

Early in the morning, Mono Lake is often a very still and quiet place and the sense of empty space and the scale of the landscape are palpable. Down close to the water the only sound comes from the gulls and the water is often nearly glass-smooth. (For a while – later in the day the wind often rises and the things become more agitated.)

I had spent an hour or more photographing at the shoreline in and around tufa towers and had finished for the morning. I had packed everything up and loaded the car and was actually starting to drive away when I saw this scene composed almost entirely of blue tones, with the clouds dropping virga (rain that doesn’t reach the ground) above the distant mountains, and a few isolated tufas offshore.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Morning Squall, South Tufa

Thunderhead builds above Mono Lake
“Morning Squall, South Tufa” — The shoreline of Mono Lake as a morning squall drops rain over the Sierra Crest near Lee Vining, California.

This photograph is, in a number of ways, a sort of happy accident. I had been camped in the Tuolumne Meadows area for several days, photographing in that part of the Yosemite National Park Sierra Nevada high country. On the previous day I had been caught out on a hike in a surprise thunderstorm without rain gear, so I was very conscious of the weather. That evening it occurred to me that, given the approach of some monsoonal moisture and the already wet weather, it was possible that interesting clouds might form in the Mono Lake area the next morning.

That night I peered out of my tent from time to time to see if any clouds were interrupting the light of the full moon, thinking that this might be enough to get me to change my plans for morning photography and make the drive to Mono Lake. At one point a few clouds did dim the moon light, and a bit later a few showers came through. At this point I decided to get up earlier and drive to the lake.

I thought I got up early enough. However, as I drove down highway 395 south of Lee Vining I realized that I had miscalculated and that the sun was already hitting the clouds! I experienced a classic photographer’s dilemma – shoot what I see here now, or race on hoping to shoot the planned thing. I decided to stop and photograph the first light on the Sierra crest from 395 before heading on — but now my original plan for a pre-dawn visit to Mono was out the window. After finishing here I made my way to Mono just as the first sun was striking the lake. I quickly made it out to the shoreline and saw (how could anyone miss it!?) this giant cloud cell blowing up over the Sierra crest just north of Lee Vining.

This post was revised in April, 2025.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sidewalk, Brick Building, Hotel Sign

Sidewalk, Brick Building, Hotel Sign
Sidewalk, Brick Building, Hotel Sign

Sidewalk, Brick Building, Hotel Sign. San Francisco, California. July 14,2010. © Copyright 2010 G Dan Mitchell – all rights reserved.

Black and white photograph of a street scene in San Francisco containing slanting sidewalk, brick and other buildings, and a hotel sign.

The geometric forms of this scene caught my attention as I walked up a street where many art students seem to hang out. The image is obviously full of all sorts of tall rectangles of varying sizes and colors, ranging from the small windows to the white column of the far building in the center to the bulky and dark form of the brick building on the right side of the frame. A couple of little elements also intrigued me: the juxtaposition of the parking meter and surrounding shadows and fire valves on the wall, and the parallel and slightly diagonal lines of the curb and the streetcar wires overhead.

G Dan Mitchell Photography
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