Tag Archives: sky

Light Beams Over the Panamint Mountains

Light Beams Over the Panamint Mountains

Light Beams Over the Panamint Mountains. Death Valley National Park, California. April 2, 2008. © Copyright G Dan Mitchell – all rights reserved.

Light beams over the east face of the Panamint Mountains above Death Valley. Viewed from the east side of the Valley near Badwater.

I’ve been very lucky to encounter this phenomenon more than once when I’ve been in Death Valley. Although I know that most of the time it can be perfectly (too perfectly) clear there, I’ve seen clouds build over the Panamints in the afternoon during my April visits and then thin just enough late in the day to let these light beams shine through and illuminate the lower reaches of the Panamint Range.

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Rhyolite School and Bank Ruins

Rhyolite Bank and School Ruins
Rhyolite Bank and School Ruins. Rhyolite, Nevada. April 2, 2008. © Copyright G Dan Mitchell – all rights reserved.

Ruins of the school and bank at sunrise in the ghost town of Rhyolite, Nevada. Rhyolite is a mining ghost town just east of the California/Nevada border between Death Valley National Park and Beatty, Nevada.

When we arrived at Rhyolite just before dawn, it looked like the light was perhaps not going to cooperate. While parts of the sky were quite blue, there was a layer of clouds to the east where the sun was rising. At times the light turned out to be flat and gray, but every so often it would come through the clouds and wash the scene in this wonderful warm light.

keywords: ruins, school, bank, building, ghost, town, rhyolite, nevada, usa, desert, mine, mining, desert, sky, death valley, national park, mountains, wall, rocks, sunrise, morning, stock, historic, landscape, travel, stock

Stovepipe Dunes, Tucki Mountain, and Morning Clouds

Stovepipe Dunes, Tucki Mountain, and Morning Clouds

Stovepipe Dunes, Tucki Mountain, and Morning Clouds. Death Valley National Park, California. April 4, 2008. © Copyright G Dan Mitchell – all rights reserved.

Stovepipe Wells Dunes, Tucki Mountain, and morning clouds, Death Valley National Park, California. After shooting early farther out in the dunes, I encountered this scene while starting my hike back to my car.

It is interesting to note the number of ways in which this photograph was the result of serendipity. First, I went to the back side of the dunes rather than the more typical sections. Second, I had pretty much finished my shooting (yeah, right!) and was heading back to the car. Third, I just happened to wander up on this particular dune – almost didn’t go there at all. Fourth, the light was nothing like this when I first saw it – this section was mostly in shadow. Fifth, those wonderful clouds that mirror the texture of the dune surface just happened to float into the scene as the light came across the top of the dune to illuminate this section of the sand.

(This photograph brings to mind an Ansel Adams quote: “Sometimes I do get to places just when God’s ready to have somebody click the shutter.” Adams also offer a critique of God: “Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships!” ;-)

keywords: Tucki, mountain, sky, clouds, stovepipe, wells, sand, dune, peak, desert, morning, ripples, death valley, national park, california, usa, travel, scenic, landscape, black and white, stock

Building 65 and Alley, Night – Mare Island Naval Shipyard

Building 65 and Alley, Night. Mare Island Naval Shipyard, Vallejo, California. March 22, 2008. © Copyright G Dan Mitchell – all rights reserved.

Building 65 lit by garish sodium vapor lamps, with a dark alley in the background and stars above.

This photo prompts me to post something about night photography and color that I’ve been thinking about for awhile. A scene like this one is lit by a variety of light sources – some natural light from moon and sky, tungsten lights, sodium vapor lights, and a gentle wash of mixed light sources from a nearby city. A question might be: “How do you accurately render the lighting of the scene?” My answer is, “You don’t.” Even if you could achieve an “accurate” rendering it would look nothing like what your night vision affected eyes “saw” since your eyes do not see the same way the camera does.

For me, one of the fun things about night photography – especially when artificial light sources are part of the scene – is that I can render to colors in whatever way makes the most sense for me.

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