Tag Archives: soft

Desert Canyon, Morning Light

Desert Canyon, Morning Light
Soft morning light on eroded landscape in a desert canyon.

Desert Canyon, Morning Light. © Copyright 2023 G Dan Mitchell.

Soft morning light on eroded landscape in a desert canyon.

There are places and subjects that I can return to many times and still find new ways to see them. This photograph comes from one of those places, one that I remember thinking I was “done with” a long time ago,. But every time I return I discover something that I missed before. For years I have photographed from the little valley that is the subject here… but only recently realized that it could serve as the subject as well as a camera position.

This photograph, with its subtle forms and colors, is also more or less the result of an accident. I ended up at this camera position for the first time a few months ago when I went there to photograph something entirely different. Finishing with that other subject I turned around and saw this one, on that morning softened by atmospheric haze and backlight.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Three Winter Trees at Sunrise

Three Winter Trees at Sunrise
Three winter trees in soft sunrise light on a misty Central Valley morning.

Three Winter Trees at Sunrise. © Copyright 2023 G Dan Mitchell.

Three winter trees in soft sunrise light on a misty Central Valley morning.

This is another photograph from my first-week-of-March visit to the Central Valley. My objective was to photograph migratory birds one more time before their March departure for the far north. Once on the scene my goals shifted more towards landscape photography, as many of the birds had dispersed a bit more widely than usual and were in areas that were not accessible. Recent heavy California rains had produced pooling water nearly everywhere, so the birds were not all in their familiar locations. Fortunately, the trees had not moved.

In other recent posts I have mentioned the surprise appearance of tule fog on this morning. The day started out crystal clear, and lacking the expected bird subjects I decided to photograph these trees at sunrise. I was so intent on this that the slightly muted quality of the light didn’t trigger my “maybe there will be fog” instincts. But when I look at this photograph now I can see that the conditions were already starting to develop. But at the moment I made the photograph, all I saw was the soft, reddish sunrise light on the trunks of these trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Marshland, Winter Sky

Marshland, Winter Sky
Hazy winter sky over Central Valley marshlands.

Marshland, Winter Sky. © Copyright 2023 G Dan Mitchell.

Hazy winter sky over Central Valley marshlands.

This is what I think of as a “quiet photograph.” It is more about the whole of the scene than any particular element or subject, and the relatively centered composition would not be described as “dynamic.” However, that is more or less the essence of the experience in this place at times like this. Things change slowly or not at all. It is quiet. Scenes are often devoid of obvious icons. I would argue that, at least in part, this is what defines the experience of such places.

When I started doing to such places to photograph birds a couple of decades ago, my first visits were full of Big Moments and surprises — seeing some kind of bird for the first time, learning their calls, experiencing the thick winter tule fog. But over time elements that didn’t register initially became primary features of these visits. These included quiet stillness, long waits between remarkable moments, and the quality of light and atmosphere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Point Sur, Winter

Point Sur, Winter
Winter light and haze at Point Sur, California.

Point Sur, Winter. © Copyright 2023 G Dan Mitchell.

Winter light and haze at Point Sur, California.

This is not the first photograph of this subject from this camera position, to say the least. (Earlier today I ran into an Ansel Adams photograph of essentially the same subject, photographed from a position a short distance to the left.) The feature at the far right is Point Sur, the site of a historic lighthouse that was once one of the most isolated places along this part of the California coast.

Recently I’ve been pondering — not for the first time! — working in ways that focus on the larger forms in a scene and minimize the small details. I’m also interested in how I can produce the glowing, luminous effect of fog and haze that is backlit by low angle sun. This scene seemed right for the approach, since the atmosphere was filled with diffuse fog, and thin high clouds softened and diffused the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.