Tag Archives: state

Photographs: New York City, Photographs: Urban/Street

Crosswalk People

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Crosswalk People
Pedestrians enter a crosswalk in Manhattan.

Crosswalk People. © Copyright 2022 G Dan Mitchell.

Pedestrians enter a crosswalk in Manhattan.

The thought process behind a photograph like this one is hard to explain, perhaps partly because such photographs are often made instantaneously and with virtually no time for careful thought or planning. They happen almost purely instinctively when I see something in the scene that I react to, but without time to ponder what that “something” is. In fact, there’s a pretty good chance that I made this photograph without even raising the camera to my eyes, or at least without time to really look. If I had waited… the moment would have been gone. I think I’m attracted initially to something in the patterns in the scene, though in retrospect I think the image is a bit more complicated to parse.

Most photography — even landscape photography, despite what some will claim — often involves split-second intuitive decisions about subjects and scenes that are completely ephemeral. It is a matter of “make the exposure now or don’t make it at all.” One thing I like about street photography is that it requires me to make these judgments quickly, and I think that hones my ability to see subjects and compositions — even when they are standing still!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: New England

New England Woods #3

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New England Woods #3
Tall trees and lush undergrowth in Southwestern Vermont.

New England Woods #3. © Copyright 2022 G Dan Mitchell.

Tall trees and lush undergrowth in Southwestern Vermont.

This photograph continues the recent series (which isn’t finished just yet) of photographs documenting my “discovery” of New England woods. As I wrote earlier, I somehow managed to go this many years without visiting this lovely area. On our recent visit I mostly photographed in southwest Vermont, though I was briefly in Massachusetts with a camera, too. (We passed though portions of upstate New York… but we were too focused on getting from point A to point B to stop and make photographs.)

For a person brought up on California woods (which range from the widely-spaced oak trees at low elevation areas to the even more open forests of large trees in the mountains) the New England forests are a revelation. In some ways their moist greenness reminds me of parts of the Pacific Northwest, though the prevalence of deciduous trees sets them apart. Inside the woods, at least from what I saw, things are dense and quiet and overgrown with lush vegetation. I’m not yet quite sure how to photograph within these forests — though I think I can figure it out — and most of the recent photographs I’ll share are looking into the forest from its edge.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Woman on Telephone

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Woman on Telephone
A woman sits against a Manhattan brick wall to talk on the telephone.

Woman on Telephone. © Copyright 2022 G Dan Mitchell.

A woman sits against a Manhattan brick wall to talk on the telephone.

Yesterday’s photograph came from the same trip that produced this photograph. Before we headed off for a family event in the green mountains of Vermont we spent four days in the concrete “mountains” and canyons of Manhattan. New York City is definitely not back to normal yet, but it feels far less oppressive than when we visited last winter during the height of one of the covid variants. Back then the streets were largely empty; now there are people out and about once again. We took advantage of this to wander the areas around the lower half of Central Park and some distance south of the park, where I made this photograph.

To some people it seems strange that a supposed “nature photographer” would want to spend time in a busy urban center like Manhattan, much less take a small camera into the street and make pictures of that life. But I like the contrast — the speed and immediacy of street photography, the necessity of making quick and intuitive decisions, and more. I grabbed two frames of this woman crouched against a brick wall and talking on the phone as we walked by, barely breaking stride to make the exposure.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Monterey Cypress, Fog

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Monterey Cypress, Fog
A gnarled Monterey Cypress tree tops a rocky promontory on a foggy morning and Point Lobos.

Monterey Cypress, Fog. © Copyright 2022 G Dan Mitchell.

A gnarled Monterey Cypress tree tops a rocky promontory on a foggy morning at Point Lobos.

Finally, this should be the last in the four-photograph series of images that focus on this gnarled and weathered tree standing on top of a rocky prominence along the exposed north shore of Point Lobos. The tree is always impressive, but I was fortunate to catch it on a morning when persistent coastal fog was thinning and creating glowing light that was just slightly directional.

Of the four interpretations of this scene, this one fits with the earlier portrait-mode version as one of the two most conventional views. In both cases the tree is clearly the primary subject, more tightly framed in the portrait mode interpretation and including a bit more background in this landscape mode version. (The other two used wider formats and included additional elements of the larger scene — a clearer view of the white rocks and cormorants in one case, and some nearby trees in the other.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.