Tag Archives: stock

New York Street, Child with Toy Car

New York Street, Child with Toy Car
New York Street, Child with Toy Car

New York Street, Child with Toy Car. New York City. August 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A child playing with a toy car on the sidewalk of a busy Manhattan street

I made this photograph on my first real day of shooting in Manhattan. We had arrived the night before, late enough that we only had time to take a cab to where we were staying, have a bite to eat (thanks, Timothy and Margaret!), and fall asleep. The next morning we went over to NYU, where Patty was participating in a music conference for the next five days, and after she got registered I was on my own in Manhattan, and on the prowl with a camera for a good part of the next few days. I often started out with very general plans, but then mostly sort of followed my intuitions as I wandered up and down the island. On this first morning I simply headed uptown toward Grand Central Station with my camera at my side, and began to get in the flow of photographing this busy, dense, and compelling place.

When shooting street I often think a bit like the landscape photographer than I am. This means that I find what I think is a visually interesting place, consider how to compose a shot, and then wait until something or someone interesting enters the frame. However, this shot worked more or less the opposite way. I saw this child, incongruously pushing his combination play car and stroller on a section of this very busy urban sidewalk. Fearing that it might be more than a little creepy to walk up and point my camera at this interesting child, I moved closer to the building wall so that I could instead include him near the edge of a shot of the overall street scene. Placing him so close to the lower left corner obviously made for an unusual composition, though I think it is somehow interesting to see him in a position that seems so peripheral to the rest of the scene. I watched to see if he would do anything interesting, and I made the exposure when he leaned over and looked in my direction. Initially I thought that the photograph might be in color, and as I worked with it the bright colors of taxis seemed to complement the cooler tones of the shaded sidewalk area. But there were problems — that interesting yellow also distracted from the child, and his little “car” was a dark shade of blue. In the end, I had a lot more control over the relative tonality of different parts of the scene with this black and white conversion.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Flooded Field, Winter

Flooded Field, Winter
Flooded Field, Winter

Flooded Field, Winter. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The stubble of last year’s crop in a flooded San Joaquin Valley winter field

This photograph comes from a season that seems quite remote today, during the warm late-summer days of mid-August. I made the photograph back on New Year’s Day 2014, when a group of us met in the San Joaquin Valley to welcome the dawn (literally — we arrived before sunrise) of the new year by spending a day photographic migratory birds and the flat and moody Central Valley landscape. Looking at photographs like this one now always reminds me of how quick and how regular the annual cycle is, since we are now considerably closer to New Year’s Day 2015 than the first day of 2014.

This photograph could also be a reminder to the stresses to wildlife from a third drought year and the conversion of the overwhelming majority of the important Central Valley wetlands to farm land. On the positive side, this location is an example of how agriculture and wildlife protection can coexist, since it is farmed in the dry season and then flooded for the birds in the winter. And does it ever attract birds! Here the patterns left by farm machinery are visible in the waters of the shallow ponds where birds were floating on this day.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Napping Elephant Seals

Napping Elephant Seals
Napping Elephant Seals

Napping Elephant Seals. Point Piedras Blancas, California. July 24, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A crowd of elephant seals napping on the beach near Point Piedras Blancas

This is (yet another!) photograph of elephant seals lolling about on the beach near Point Piedras Blancas just south of the Big Sur coastline. This location is well-known for providing easy access to viewing of these remarkable animals. They are found in many other locations along the coast now that their numbers have recovered, but in most places access is much more difficult. Here there is an “elephant seal nursery” mere feet for the Pacific Coast Highway, with short observation trails that give good views of the action and which protect both the seals and the human visitors.

I visited a bit earlier in this season when the pups were still rather small. This visit was almost an afterthought — after a morning of photographing landscapes and seascapes along the Big Sur coast I found myself at the southern end of this area with a few hours to kill in midday light, so I decided to drive a bit further and visit the seals. There were not nearly as many there at this later point in the season, but there were still plenty for me to make photographs. Images of the animals lying almost motionless on the sand not only evoke our own pleasant thoughts of doing the same thing (!) but they can also create a false impression that the lives of these creatures are lives of ease. In fact, the reality seems quite a bit different. In contrast to what seems like a life as a big chunk of sleeping blubber, these animals become quite sleek and graceful once in the water — where I understand that they have to be on the lookout in order to avoid become a snack for a great white shark!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Museum Atrium

Museum Atrium
Museum Atrium

Museum Atrium. New York City. August 11, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Light patterns on the atrium wall at the New York Museum of Modern Art

I think I end up visiting the Museum of Modern Art (MOMA) every time I visit New York City. It may be partly out of habit, but it is also because there are always things there to see. MOMA always features photography — though the work on display this time was not quite my cup of tea. There are special exhibits, and we were especially surprised and please by the Lygia Clark show. It is always hard to resist — we inevitably fail — visiting the regular collection of famous work in the main galleries.

For me, the space itself is an interesting photographic subject. To some extent it is a good place to photograph people, and I did a bit of that in one particular gallery displaying work that did not particularly impress me — though I noticed one particular museum attendant keeping a very close eye on me. She never said a word, but it seemed like she was always watching me, to the extent that she shows up in perhaps half of the photos I made in that exhibit! The building itself is fascinating, in terms of its own architectural details, how people inhabit the space, and how light plays on its shapes and surfaces. This photograph features the central atrium, which I have photographed in the past, crisscrossed by light patterns stretching down from the roof.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.