Tag Archives: stone

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Fractured Sandstone Cliff, Plants

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Fractured Sandstone Cliff, Plants - Plants grow among craks of a fractured sandstone cliff, Zion National Park
Plants grow among cracks of a fractured sandstone cliff, Zion National Park

Fractured Sandstone Cliff, Plants. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Plants grow among cracks of a fractured sandstone cliff, Zion National Park.

On my first morning in Zion (we had arrived there the previous afternoon) we headed up into the park and Zion Canyon, though which the Virgin River flows. Although I was more or less not looking for icons to photograph, I had stopped along the way to photograph that icon, the view of the Watchman from the bridge on the Mt. Carmel highway. (At least I could console myself that I was not shooting it at the usual sunset time, but instead in the early morning. ;-) After a brief stop for that purpose, I headed up the canyon with a plan of visiting the Weeping Rocks and seeing what sort of photographs might be possible there.

After a short walk up to the rocks, I figured out that it wasn’t going to quite be my photographic “cup of tea.” However, along this walk I did find some other interesting subjects. One that I’ve shared previously was a very close view of some brand new spring leaves on the trees that grow along the trail. Another subject was the nearby sandstone cliffs that here come down close to the level of the trail. One area nearby featured immense vertical blocks of the striking red sandstone, with interesting crack systems and some plants growing in the cracks. I made several exposures of this area in full shade, and this vertical composition is one that I like a lot. I’ve probably said this before and I’ll no doubt mention it again, but for a guy who is so used to shooting the equally impressive but much less colorful granite of the Sierra, the colors of these rocks proved irresistible! And the color variations are amazing – here you can see some areas where the color trends toward purple.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California, Photographs: Structures and Objects

Cook Bank Ruins, Rhyolite

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Cook Bank Ruins, Rhyolite - The ruins of the Cook Bank in the ghost town of Rhyolite, Nevada, with barren desert hills under a pre-sunrise sky.
The ruins of the Cook Bank in the ghost town of Rhyolite, Nevada, with barren desert hills under a pre-sunrise sky.

Cook Bank Ruins, Rhyolite. Rhyolite, Nevada. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The ruins of the Cook Bank in the ghost town of Rhyolite, Nevada, with barren desert hills under a pre-sunrise sky.

This was the closest to the winter solstice that I’ve visited Rhyolite, so I shouldn’t have been surprised by several things. First, the sun came up not only later, but also a bit further south along the horizon – and the light that would usually strike these ruins at sunrise was blocked for a while by a large hill that sits next to the town. Second, it was cold! Third, no one else was there at sunrise! This is a bit unusual since in the Death Valley high season (which arrives a bit later in the year), Rhyolite can be a pretty popular place… for a ghost town… in the middle of the desert… in Nevada. :-)

Because I have photographed here several times before and for the reasons mentioned above, I took a bit of a different approach to photographing the place this time. The winter light, some high clouds, and the different point along the horizon of the sun rise meant that the light was quite different from what I’ve occasionally had to work with in the past. At first I was a bit disappointed to realize that the direct dawn light was not going to strike the old Cook Bank and other nearby buildings. But when some clouds to the east obscured the direct light and high, thin overhead clouds begin to pick up color and fill in the shadows, I saw that other interesting lighting was going to make up for it. At the moment that I made this photograph, those clouds to the east (right) of my position beautifully softened what might otherwise have been some stark and harsh light on the pinnacles beyond the town. They also created an unusual and beautiful quality of light for a few moments – a reddish-pink quality from the light reflected from the clouds but with a few soft quality.

I decided to shoot from a distance with a long lens so as to control the position of the ruins against the background hills, and the longer focal length makes these hills more prominent than they would be if I shot the building with a shorter focal length from a closer position. This also allowed me to more carefully eliminate some distracting elements that invariably appear at old sites like this. (The first times I visited, access to most of the ruins was quite unimpeded. Now fences have been erected around some of them. Part of me regrets the loss of access, but the greater part of me understands that this will allow these buildings to be around longer so that more people will get to see them. I stayed behind the fences.) If you look around on the web a bit, you can find some wonderful old photographs of this town when it was a bustling place with thousands of residents, and when the Cook Bank was a very impressive and modern-for-the-time building.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Desert, Photographs: Southern California

Petroglyphs

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Petroglyphs - Petroglyphs on a rock face overlooking desert terrain
Petroglyphs on a rock face overlooking desert terrain

Petroglyphs. Death Valley National Park, California. January 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Petroglyphs on a rock face overlooking desert terrain.

Encountering these very old and very mysterious traces of people who lived in this desert terrain many, many years ago is always a special experience. Perhaps you have read the following story here before, but I think of it every time I encounter these things. Well over a decade ago I was camped in a place in Death Valley National Park that lies somewhere between popular and the anonymous wild spaces far out in the back areas of the park. I was with a group of other people. In the morning I wandered away from the place where we were camped. I crossed a wash and walked up onto the base of a great alluvial fan, found a suitable “sitting rock,” and just sat there for a while taking in the immense space and silence. I happened to look down at the rocky ground and I an oddly shaped rock caught my attention. I’m no expert on these things, but it seemed completely clear to me that this rock had been shaped by human hands. (I later came to understand that it was probably a “knife,” perhaps one designed for scraping.)

At the moment I saw and then picked up and held this rock, the place was transformed from a semi-wilderness of rock and scattered plants into a very different sort of thing – a place that had been the home of people, many years before I sat there on my rock. My thoughts turned from the landscape around me to try to imagine the person who had created and held this rock – who was this person? what was it like to live in such a place in such a time? what had happened to them? I returned the rock to the desert floor and walked back to my camp.

The petroglyphs in the photograph are located in another place in the park, and I have visited and photographed them more than once. These are perhaps the most precious and among the most fragile things in this desert, which is why I never write about the specifics of their locations. (I also have photographs of petroglyphs that have been defiled by thoughtless morons.) If you know where these are, let’s keep it to ourselves, OK?

The first time I photographed these examples of rock art, I simply shot them straight on so that the shapes were as clear and large as possible. Since then I had been thinking of trying to photograph them in a way that might reveal them in the context of the larger surroundings – perhaps as the person or people who made them might have seen the place.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Structures and Objects

Crumbling Ghost Town Ruins, Evening

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Crumbling Ghost Town Ruins, Evening
Crumbling Ghost Town Ruins, Evening

Crumbling Ghost Town Ruins, Evening. Rhyolite, Nevada. March 27, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Evening light in the crumbling ruins of an old mining ghost town near Death Valley National Park, California.

Rhyolite is a Nevada ghost town not far from Death Valley National Park. (The bit of distant ridge seen through the “windows” of the structure is probably inside the park.) The story of Rhyolite is interesting, and not all that different from what happened in many other “boom and bust” towns in the desert and in other areas of the west. For a short time, thousands showed up to work in extractive industries, otherwise known as mines, and there was apparently an actual bustling city here. The old railroad station, ruins of bank buildings and a school, and the size of the area occupied by the town are evidence of this. But, as is virtually always the case, the boom couldn’t last and the departed inhabitant left some years ago, leaving the town to the elements.

This is a different sort of Rhyolite photograph than I might usually share. Most are made either at night or in the golden hour period near dawn. This one was made in the evening, when the direct sun was gone. (At this time of year the sun sets beyond a nearby ridge, so the direct light is gone well before sunset.) The soft, bluish evening light creates a different effect and, for me, makes the old buildings a bit more mysterious. Here I shot from outside one of the crumbling structures that is now filled with rocks. I don’t usually say much about what a photograph might mean (and often my photographs are simply what they are) but this one evoked for me some thoughts about the nature of time and the transitory effect of the human presence on the landscape. Not only has this building – which at one time must have had a floor, a roof, a nicely finished interior, and perhaps even comfortable furniture and perhaps art on the walls – decayed to the point where the line between its structure and the rocks of the natural landscape becomes obscure, but even the attempts to declare ones presence by means of graffiti have begun to crumble.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.