Tag Archives: story

A Photograph Exposed: Photography and Luck

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

I have never been shy about admitting the role that luck plays in producing effective photographs of many subjects, and especially photographs of the natural world. Vision and knowledge and experience and planning and all the res are important, but we kid ourselves if we imagine that we are in control of our subjects to any great degree. The topic came up in a recent forum discussion, so I thought I’d share an edited version of my response here.

I can tell you with certainty that luck plays at least some role in many, if not the majority, of my landscape photographs. It is not the only thing, and preparation of all sorts is critical, but in the end almost every photograph depends on conditions and circumstances that are largely not in our control. I’ve written quite often at my blog about the sudden unanticipated appearance of magical light or atmosphere, snap decisions to go there instead of here, showing up in a place to find the key element that I could not have predicted, and random decisions that led (or not!) to special photographs.

The following photograph is one of my favorite illustrations, though I could use scores of other photographs to make the same point.

Fisherman, Winter Surf - Big Sur fisherman casts into the roiling winter Pacific Ocean surf.
Fisherman, Winter Surf

(To make the story even wilder, I ended up with three images of this scene, among which I still have a hard time selecting a favorite.)

So, how did this photograph come about? It sure looks like it must have taken some planning to get that individual fisherman posed in front of the stupendous winter surf, right? Or else some serious Photoshop trickery ? No, on both counts.

One morning I decided to photograph at Point Lobos along the Central California coast – a bit less than an hour and a half from where I live. Why Point Lobos on that day? It is hard to say for sure since even though I knew that high surf was possible, I could have gone to many other coastal locations to find it. It is a place I photograph often, but so are at least a score of other locations within the same radius of my home. So, for no clear reason that I can articulate, other than it is one of the places I like to shoot, I headed that direction.

I got there  too early, and the park entrance was closed. I pulled up to the entrance, joining the short line of cars waiting for the gate to open, and figured I’d wait. As I sat there, I realized that I might just as well go drive around and see what else I could find while waiting. So I started the car, made a u-turn, and returned to highway 1, the Pacific Coast Highway. Should I go left (north) or right (south)? No idea. Oh, what the heck, I guess I’ll go south. (Less traffic to worry about when turning right onto the highway…) Continue reading A Photograph Exposed: Photography and Luck

Apartment Windows, Brooklyn

Apartment Windows, Brooklyn
Apartment Windows, Brooklyn

Apartment Windows, Brooklyn. Brooklyn, New York. August 20, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Two apartment windows look out from an upper story apartment in Brooklyn, New York.

Looking through the curtains of this upper story apartment in Brooklyn, New York, the upper walls and rooftops of surround apartment buildings are visible.

G Dan Mitchell Photography
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Laundry, Fire Escape, Chinatown

Laundry, Fire Escape, Chinatown
Laundry, Fire Escape, Chinatown

Laundry, Fire Escape, Chinatown. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Laundry is hung to dry on fire escape above the streets of Chinatown, San Francisco.

This is a photography from one of my early morning photo-walks in San Francisco last summer. I take the train to the City very early in the morning and then walk. A lot. On this morning I passed through Chinatown on my way to the North Beach area fairly early in the morning – well before the tourist crowds showed up. A few blocks from the main tourist area it is a different world with markets opening up, deliveries being made, and busy people everywhere. I was working in more or less traditional street photographer style – to the extent that someone armed with a DSLR can do that ! – and shooting with just a 50mm prime lens on the camera and trying to work quickly as images presented themselves.

I imagine that many people who pass through here may easily be so focused on the activity at the street level that they might not look up. It often strikes me as surprising that in areas where so much is going on at street level – many people, colorful shop fronts, lots of action – the fronts of buildings right above present a completely different appearance. The first thing that caught my attention here was the laundry festooning the fire escape landings. But I also like the geometry of dark landings, ladders, and pipes against the lighter stucco wall, and the wonderful light coming through the morning haze from upper right and casting the lined shadows across the walls of the building.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

‘From Film Holder to Memory Card’ at TOP

The Online Photographer (a.k.a. “TOP”) is one of the blogs I follow regularly – lots of great thought-provoking posts show up there on a regular basis, frequently written by folks who know what they are talking about. Take a look if you don’t already follow TOP.

I enjoyed a recent article (“From Film Holder to Memory Card”) by photographer Charles Cramer in which he describes his transition from large format film gear to using medium format digital systems. My favorite example of Charlie’s ironic humor in the post is his “apology” to those who haven’t made the switch: “Note to my large format friends: O.K., I sold out—but I get to use zoom lenses!!!”

In any case, this post is another data point to consider if you happen to be one of those folks who is certain that great photography must be created using traditional film gear and processes. While there is absolutely no question that great work can still be done that way, it is equally possible to do wonderful photography with newer technologies… and, as Charlie illustrates, there are some things that can simply be done more effectively, less expensively, and with better results.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.