Tag Archives: strata

Strata and Folds, Evening

Strata and Folds, Evening
Desert terrain of contorted and folded strata

Strata and Folds, Evening. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Desert terrain of contorted and folded strata

It has been well over a year since I made this photograph, but I remember the evening well. I had arrived in Death Valley earlier in the day, by way of a detour through the Los Angeles area, found a place to camp, and was now starting several days of intensive photography in the area. In the evening I headed south in the park to a particular knoll that I have photographed from before, with the idea of photographing a particular subject in some light that I had in mind.

I found and photographed that subject, though conditions weren’t quite what I expected. A combination of evening haze and strong winds presented some challenges — and I’ll need to return to the spot to make that photograph that I originally envisioned. However, from this elevated position there was a spectacular view of arid and rugged desert terrain in the opposite direction, so as the light on my original subject faded I turned my attention in this direction. There are many things to think about and say about terrain like this, but I’ll mention one thing. When we look at such a place our first impression is of the rugged dryness. But when we look again we see evidence of water everywhere in such a landscape — in those valleys, and in the gullies tracing twisting lines down the faces of the formations.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Canyon, Contorted Formations

Canyon, Contorted Formations
Contorted geologic formations along a narrow desert canyon

Canyon, Contorted Formations. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Contorted geologic formations along a narrow desert canyon

Almost inevitably, one’s first impression of Death Valley National Park is that of huge open desert spaces, with salt flats, occasional dunes, and vast alluvial fans surrounded by rugged and arid mountain ranges. These things are impressive — that scale of the landscape reminds me of visits to The Yukon and Alaska — and the fact that roads run though and past them helps make them seem central. But with time to explore a bit more, it becomes clear that there is more to the landscape than first meets the eye. Among these features are the uncounted canyons that thread their way into the mountain ranges.

We visited a few of them during this year’s spring visit to the park, including this one that we hiked into one afternoon. The terrain of these canyons is remarkable variable, ranging from shallow and open to very narrow with vertical walls. This spot fits somewhere in the middle — the walls here are indeed very high, but they tilt back a bit from the vertical and allow a bit more light down to the gravel wash at the bottom. This particular section especially impressed me with the wildly contorted layers revealed in the cliff above. This spot is near the bottom of one of the ranges in the “basin and range” geology of the area, and the old strata are twisted and folded in all directions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Red And White Strata

Red And White Strata
“Red And White Strata” — Eroded layers of red and white material, Red Rock Canyon State Park, California.

Returning from Utah last fall we decided to make a detour up toward Red Rock Canyon State Park. I’ve driven through/past this park many times while traveling to and from Death Valley National Park, and every time I’ve passed through I have promised myself to stop… eventually. Eventually continued for more than ten years, aside from a brief pause at a road side pullout, so it was about time to make a visit. The terrain is striking, not looking anything at all like other areas nearby. The fluted and eroded structures and occasional layers of red rock bring the Utah geology to mind, though in a considerably less intense form.

We only had a short time there since we had started our day back in Zion National Park. Arriving in the late afternoon we took what seems like the main driving loop in the main part of the park, and followed it back up to a campground which was almost completely deserted on this late-season date. We found these formations along the upper edge off the campground. At first the very soft light — from high clouds — and the subtle colors almost made me wonder if photographs would be worthwhile, but eventually I figured out how to “see” this light and the subdued colors.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Red Rock, Dusk

Red Rock, Dusk
Red Rock, Dusk

Red Rock, Dusk. Grand Staircase-Escalante National Monument, Utah. October 23, 2014. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dusk light on sandstone formations, Grand Staircase-Escalante National Monument

On our first day in this part of southern Utah last October we settled into our primitive camp, hung out for a while, and then headed off to an area of beautifully formed sandstone in the late afternoon, where we planned to do our evening photography. When we arrived the sun was still well above the ridge to our west but its light was intermittently muted by thin clouds that softened the contrasts between light and shadow. For perhaps a couple of hours we worked this landscape of carved red rock, with its gullies, ridges, sand-filled flats, holes and every curving shape and texture you can imagine.

There was much to see, and after I photographed the most obvious subjects I continued to look and began to see less obvious features. As the sun dropped behind the ridge and shadows stretched across this area I first felt a kind of urgency to make photographs while the light was still good. I continued shooting right into the post-sunset dusk hour, when color came to the thin clouds and washed this landscape, already red from rocks and blue from haze, with intense reddish-purple light. I made a series of photographs in this area above a carved sandstone gully, and soon it was too dark to shoot any more. I/we looked up from our cameras, enjoyed the quiet for a few moments, then put on headlamps and found our way across rocks and back to where we started and then drove back to camp.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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