Tag Archives: street

Windows and Fire Escape Shadows

Windows and Fire Escape Shadows
Shadows from a fire escape system fall across the facade of a San Francisco building.

Windows and Fire Escape Shadows. © Copyright 2012 G Dan Mitchell – all rights reserved.

Shadows from a fire escape system fall across the facade of a San Francisco building.

Yes, another of the photographs I make on walks in San Francisco — or used to make in the pre-pandemic days when I would regularly hop on a train to the City, something that would be unwise now. (The trains still run, on a reduced schedule, but it isn’t worth the risk to spend two hours or more on a train.) I look forward to the time when I can resume this happy habit and head back up there for some wandering!

I’ve thought a bit about what drew me to this subject. For one thing, my landscape-photographer eyes often see urban subjects as a kind of urban landscape full of its versions of peaks, valleys, cliffs, and more. I know that I’m also attracted to certain kinds of geometry and symmetry, usually the sort that is patterned but not quite perfectly. The very subtle colors also caught my attention — it mostly looks gray, but it actually is subtly colored, and in a few places the color becomes strong enough to register as being a bit outside the monochromatic continuum. Finally, those shadows really intrigue me, especially at this time of day on this day and in this season, when they fall almost perfectly across the front of the building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Virtual Surfaces

Virtual Surfaces
Distorted reflections in the windows of a San Francisco building.

Virtual Surfaces. © Copyright 2012 G Dan Mitchell – all rights reserved.

Distorted reflections in the windows of a San Francisco building.

Almost every time I photograph in big city (and sometimes small city…) downtowns I end up getting distracted by the things reflected in the windows of tall buildings, and by how they relate to the forms of these architectural structures.

Buildings of certain styles and vintages have exteriors that are largely glass. While these buildings have physical forms and volumes, what we see of them is more a result of what is around them than of their own shapes. I’m intrigued by how little of what we see when we look at such structures is actually the structures themselves — most of what we see is virtual, imaginary, and transitory. In this photograph, all you see of the buildings actual exterior are a few non-reflective areas between windows — some dark horizontal strips and a few lighter vertical panels. Everything else in the image is either inside the building (a few interior lights seen through the windows) or a distorted reflection of the building’s surroundings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Building and Reflections

Buiolding and Reflections
One Front Street in black and white, San Francisco.

Building and Reflections. © Copyright 2012 G Dan Mitchell – all rights reserved.

One Front Street in black and white, San Francisco.

At this point it is probably no secret that I like photographing urban subjects — not just nature — and that the urban landscape is near the top of my list. I’m fascinated by city subjects, from the bustle of people-filled scenes to the almost abstract possibilities found in modern buildings.

This is an often-photographed San Francisco building that towers above pedestrians in the central downtown area. The parallel curved structures extending skyward capture and reflect light in all sorts of interesting ways. Here the reflections of surrounding structures merge with the forms of the building itself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

4th Street Bridge

4th Street Bridge
Looking across the Fourth Street Bridge toward the lagoon at the outlet of Mission Creek.

4th Street Bridge. © Copyright 2012 G Dan Mitchell – all rights reserved.

Looking across the Fourth Street Bridge toward the lagoon at the outlet of Mission Creek.

This photograph comes from one of my frequent — or so they used to be — walks around San Francisco. My practice is to head up there on the train, arriving early in the morning, then exit the train station and go wherever seems interesting. On this morning I walked south on Fourth Street, crossing the outlet of Mission Creek (which is now pretty much a small bay) and continuing on into the China Basin area.

These San Francisco visits are among the things I miss during this time of pandemic and sheltering in place. I can literally walk to a train station and then be in the City in one hour in normal times — but right now I’m not about to voluntarily spend a couple hours on a train. Once we get this thing under control (and I’m convinced we will) a trip back up there is high on my agenda.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.