Tag Archives: submerged

Rocky Shoreline, Lower Young Lake

Rocky Shoreline, Lower Young Lake
Rocky Shoreline, Lower Young Lake

Rocky Shoreline, Lower Young Lake. Yosemite National Park, California. September 14, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Morning light shines through the forest on the rocky shoreline of Lower Young Lake, Yosemite National Park.

The three Young Lakes are among my favorite places in the Yosemite back-country, and I visit them pretty much every summer. As I did when I made this photograph, I most often to in the last season – I like to visit after Labor Day weekend, when the crowds begin to diminish, the weather is a bit cooler, fall colors begin, and everything in the Sierra seems to slow down in anticipation of the coming winter.

On this visit I camped for something like three nights at the lower lake, and thus had time to photograph throughout the basin at different times of day. On this morning I got up early as I usually do, and spent a good part of the morning photographing along the shoreline of this lake, starting in the area near where most people camp and where the trail passes along the shoreline. A bit later I crossed the outlet stream and followed the rocky shoreline around to the far shore where the forest opens into rocky meadows near the main inlet stream.

In the photograph, the early light is coming from behind the trees in the shoreline forest and glancing off the tops of the boulders on the shore and in the shallow water. There were two photographic challenges in making this photograph. First, the dynamic range between the brightest sunlit spots on the rocks and the darker areas in the forest is extreme. In some cases I might resort to blending multiple exposures as a way to deal with this issue, but here I was able to recover enough detail from a single frame. The second issue relates to the color of the light. Specifically, while the sunlit areas have a fairly warm quality, the light in the shadows on the rocks and in the shaded areas of the forest turns out to be distinctly blue in a photograph. In fact, these areas end up looking much more blue than you would think if you were there – this has to do with the way our minds process what we see to make it more like what we think it should be… if that makes any sense. In any case, the decisions here ended up being about how much blue would be the right amount.

G Dan Mitchell Photography
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Weeds, Slough

Weeds, Slough
Weeds, Slough

Weeds, Slough. Cosumnes River Wildlife Preserve, California. January 23, 2011. © Copyright G Dan Mitchell – all rights reserved.

Weeds growing in brackish water of a slough near the Cosumnes River.

It is a photograph of weeds! In a slough! ;-)

During my late January visit to the Cosumnes River Wildlife Preserve, the day began with extremely thick “pea soup” tule fog. As the morning wore on it stuck around, though gradually began to lighten a bit. As this process continued I wandered along the railroad tracks beyond the visitor center and at one point I passed by a quiet and slightly muddy slough… where I noticed these interesting (and so far anonymous) plants growing in the water.

I was intrigued by the pattern produced by their stems and the complementary reflections in the water. I also noticed that if I looked more closely I could see the outlines of some underwater specimens of the same plant and that a few odd oak tree leaves were floating here and there on the surface of the still water.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

A Photograph Exposed: “Submerged Boulders, Lake, and Cliffs”

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

Submerged Boulders, Lake, and Cliffs
Sunlight illuminates submerged boulders near the cliff face along the High Sierra Trail – Sequioa National Park.

Submerged Boulders, Lake, and Cliffs. Sequoia National Park, California. August 6, 2008. © Copyright G Dan Mitchell – all rights reserved.

I have backpacked in California’s Sierra Nevada range for quite a few decades. A number (a large number!) of years ago my wife and I went on a two-week trans-Sierra backpack trip that traversed the range from west to east between Crescent Meadow and Whitney Portal,  following a route known as the “High Sierra Trail.” On the third morning we left our camp and began the stiff ascent toward the pass we had to cross to enter the Kern River drainage. Near the top of the steepest part of the climb the trail momentarily leveled out and we found ourselves facing a high, rockbound lake with a perfectly vertical patterned rock face dropping straight into the water on the far side. The view seemed familiar – and I realized that it was a scene captured by Ansel Adams (“Frozen Lake and Cliffs“) in the early 1930s.  (I also later realized that there is a wonderful and well-known photograph of the subject by Vern Clevenger.)

My wife and I were enthusiastic about photography in those days, too, and we carried a couple of Pentax SLRs and a few lenses and many rolls of film into the back-country. But I don’t think I came back with more than a few “snapshots” of this lake on that trip.

Fast-forward a few decades to 2008 when a group of my backpacking friends decided to follow this same trans-Sierra route — and, of course, I had to join them. Once again, I found myself ascending the trail toward that small bowl, but this time I had a plan to photograph the lake and the equipment to do it right. I recalled parts of the climb from my previous trip, but I had probably forgotten more than I remembered during the intervening decades. As the trail traverses a beautiful wet section full of wildflowers (which I had forgotten) I could tell that the lake was just ahead, and soon I topped a small saddle and saw the familiar scene before me.

As planned, I set to work doing some of the photography that I had contemplated before the trip. To be honest, I mainly worked from more or less the location that Adams must have used, though the conditions were a bit different on this day – the light was changeable as broken clouds passed above, and there was very little snow, much less ice, left at the lake. After perhaps 30 or 45 minutes of work, my hiking partners were getting restless and it was time to move on. I felt that I had worked this scene about as much as possible under the circumstances – and I did get a photograph of the “classic view” that I like a great deal — so I loaded up my heavy 9-day backpack load, put away the camera, and strapped the tripod to the outside of the pack. I hoisted the load and slowly started up the switchbacks immediately above the lake.

A couple of switchbacks up the trail I happened to look back at the lake from a slightly higher vantage point, and from here the astonishing deep blue color of the lake and the apron of rocks falling into the water became visible. My first reaction was a combination of “Wow!” and “No way am I taking this pack off and setting all that stuff up again!” Continue reading A Photograph Exposed: “Submerged Boulders, Lake, and Cliffs”

Tarn and Forest, Tioga Pass Road

Tarn and Forest, Tioga Pass Road

Tarn and Forest, Tioga Pass Road. Yosemite National Park, California. June 7, 2009. © Copyright G Dan Mitchell – all rights reserved.

Rocks and their reflections in the still water of an early season meltwater tarn in the high elevation forest along Tioga Pass Road, Yosemite National Park.

I’ve driven past this small seasonal pond alongside Tioga Pass Road many times, and I’ve stopped on occasion. It tends to be a tough subject for me. Either I’m there at the wrong time of day or later in the season when the pond completely dries up. However, the interesting rocks and boulders set in the tarn and the background forest keep drawing me back, and I always cast a glance at it as I drive this road.

It was midday when I passed by on this early June day. Out of the corner of my eye I spotted a group of deer at the far side of the pond, feeding on new grasses against the background of the forest. It took me a moment to find a place to pull over and park, attach my longest lens, put the whole mess on the tripod, grab my pack, and walk back to the tarn. I managed to get everything set up and a nice composition including the deer set up… when they left. Ah, well! I decided to stick around a bit and see what else I could find even though it was midday and the light was somewhat tough.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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