Tag Archives: sun

Photographs: Central California, Photographs: Nature

Marsh and Sky

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Marsh and Sky
Late autumn sky above a flooded marsh, Central Valley, California

Marsh and Sky. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Late autumn sky above a flooded marsh, Central Valley, California

A winter ritual begins each year about this time. In the late fall the migratory birds return to California’s Great Central Valley and a band of photographers of which I am a part also heads out to the valley. The primary draw is the birds — geese, ibises, cranes, herons, egrets, and more — which gather by the thousands in the wetlands. But the valley itself also has its attractions at this time of year. The tule fog that slows drivers and obscures the sun also makes the landscape quiet and mysterious. The flat terrain is open to the sky and the clouds of winter storms create an overhead landscape.

A few days ago I made my first trip of the season to the valley, joining a small group of friends for a day of photography. We spent the first few hours focused on the birds — mostly geese and cranes on this visit — and then paused in the late morning. It was during this midday pause that I stopped along the edge of one of the marshland ponds and made this photograph of the expansive cloud-filled sky reflected in the surface of the water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Northern California

Drake’s Estero

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Drake's Estero
Summer sun penetrates clearing fog over Drake’s Estero, Point Reyes National Seashore

Drake’s Estero. Point Reyes National Seashore, California. June 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Summer sun penetrates clearing fog over Drake’s Estero, Point Reyes National Seashore

I took my camera for a hike this week. Or at least that’s how it felt. I have to confess that Point Reyes, a place I visit somewhat regularly, has always been a photographic challenge for me. I can’t quite put my finger on why that is. I certainly have good results with seascape photographs from other areas along the California coast. As I hiked today — an eight mile round trip to the entrance to Drake’s Estero* — I pondered this what might explain it. Because the point extends out into the ocean, it is often foggy. This fog is not the mysterious sort that hangs along the ground and partially obscures trees and hills. It tends to be the cold gray fog that hovers a few hundred feed up, simply blocking and flattening the light. Although I’m intrigued by this landscape, much of it can be quite barren. There are forests, but they often consist of slender trees growing closely together, often with dense undergrowth. It is difficult to find the things that attract me to the landscapes of the Sierra and the desert — rugged rocky forms, tall cliffs (there are some of these at Point Reyes), light-filled forests, bare and rocky ground. Oh, and did I mention the wind!?

But I keep going back, frequently returning with only a few photographs. This was one of those days. I very much like the place I hiked — a route that alternates between forest, tramping along the waterline, and traversing high bluffs above the estero. I walked four miles out past the end of the trail, to a place where I could walk along a narrow band at the base of cliffs that front the estero, and across the relatively still water were sandbars with birds. Beyond that the surf broke outside of the entrance to the estero. At this far end of the hike I was completely alone, and I found a rock to sit on and quietly take in this scene before turning around to retrace my steps. The photographic challenges on this walk were primarily the strong winds and the gray light. As I passed along the top of one of the bluffs, the sky cleared enough to produce beautiful, soft light on the water and the far peninsula, providing an opportunity to make my one good photograph of the day.

  • “Drake’s Estero” is, as you probably guessed, an estuary — but here I’m using the word that the park service uses for this feature.

G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Austria

Lamp, Narrow Street

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Lamp, Narrow Street
A lamp, old buildings, and a narrow street, Salzburg, Austria

Lamp, Narrow Street. Salzburg, Austria. July 17, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A lamp, old buildings, and a narrow street, Salzburg, Austria

With this photograph I’m back to that theme of the lamps on the walls of Salzburg, Austria. As I mentioned in an earlier post, once I noticed them I began to see them everywhere, always attached to the exterior walls of buildings and always with the same lamp shape, the same curving stem, and the same two bars to brace it.

This one is actually in part of the Salzburg castle, if I recall correctly. It was getting to be late in the afternoon and the angle of the sun was becoming lower, creating more shadows with their blue-toned light. In the photograph one wall is still lit but the sun, and the foreground wall picks up a bit of the reflected glow of sunlight on a wall behind my camera position. Given that the place was busy with tourists, I had to be patient and wait for a moment when the scene was clear.

G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sand Patterns, Evening Light

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Sand Patterns, Evening Light
Sand Patterns, Evening Light

Sand Patterns, Evening Light. Death Valley National Park, California. March 31, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Low angle evening sun highlights the patterns of a Death Valley sand dune

On my second day in Death Valley National Park — my first full day of photography there on this trip — I made a long journey down into the southern reaches of the place, driving out on some less used back roads and getting into some places I had not visited before. Death Valley National Park is a huge landscape, and getting from place to place there can become quite a production, especially if you get off of the main paved roadways and get into the back-country on the many unpaved roads. In terms of absolute mileage it probably would not seem like I went all that far, but the actual driving time was many hours. I first headed up a canyon toward an abandoned ranch and mine area, then went far to the south and took an alternative route back to the north, using a long unpaved road though high desert country.

Late in the day I made it back to my basic but functional camp at Stovepipe Wells, took a short break, and decide that it might be good evening for some sand dune photography. The closest dunes to this area are iconic and are perhaps among the two or three best known sites in the park. I don’t necessarily avoid photographing that well-known view, but I’ve seen that so many times that these days I’m a lot more interested in looking for other subjects in the dunes. For the most part I pay almost no attention to the icon here, instead preferring to wander off into lower sections of the dunes. I walk slowly, following my instincts, watching to see what might appear. In the end it could be a large view across vast acreage of dunes, or it could be some tiny subject at my feet. There had been a big wind and dust storm during the past 24 hours, and I found lots of newly made patterns in the sand. I photographed this subject in evening light, when the low angle sun highlighted the patterns of newly made ripples in the sand.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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