Tag Archives: sunlight

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Holly in the Sun

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Holly in the Sun
A desert holly plant in sunlight, growing in a Death Valley National Park canyon.

Holly in the Sun. © Copyright 2023 G Dan Mitchell.

A desert holly plant in sunlight, growing in a Death Valley National Park canyon.

Last week I made my first visit of the year to Death Valley National Park. I like to photograph there during the winter and again at the very beginning of spring. Despite the reputation of the place, it can be quite cold there in January, and I experienced a few windy and chilly moments. I made this photograph near the furthest point in a pleasant wander up a lovely wash that I happened into more or less by accident. I was near a ridge and the slanting afternoon light was still just catching the branches of this desert holly plant.

The circumstances of this afternoon’s walk were a reminder about one of the best ways to encounter the wild. I had gone out to scout a location for the next day’s dawn photography, and from my selected location I saw a small canyon dropping away. I almost didn’t enter it, but finally decide to walk “just a few feet” in to investigate. I did, and soon came to a junction with a much larger wash, and I couldn’t resist exploring. I started up, eventually going 15 minutes past my turn-around time, and finally ending up in a narrow, constricted, dark… and altogether fascinating little stretch of canyon that I need to explore again.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands, Morning Light

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Badlands, Morning Light
Soft morning sunlight on colorful badlands terrain, Death Valley National Park.

Badlands, Morning Light. © Copyright 2022 G Dan Mitchell.

Soft morning sunlight on colorful badlands terrain, Death Valley National Park.

This area of Death Valley attracts me on almost every visit to this desert landscape. Unlike many of the places I like to visit in the park, it isn’t in the “back of beyond,” and I often photograph here on a morning when I don’t want to travel too far, for example on the final morning of a visit. Like many badlands locations, this area provides an astonishing wealth of potential photographic subjects, and their appearance changes with the light.

In keeping with the usual practice, we visited early one morning on this trip, arriving in the area before sunrise so that we would be ready for the arrival of the first light. This morning sun can be intense, but a bit of high cloudiness softened the light a bit, and this made the colors a bit more visible.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Creosote, Shadowed Dunes

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Creosote, Shadowed Dunes
Creosote plant in sunlight, backed by shadowed sand dunes.

Creosote, Shadowed Dunes. © Copyright 2022 G Dan Mitchell – all rights reserved.

Creosote plant in sunlight, backed by shadowed sand dunes.

Sand dune landscapes provide all sorts of surprises. After seeing many photographs of impressive blowing sand and dust storms, you might think that is the norm — but most of the time the dunes are quiet and still. In the daytime there often doesn’t seem to be a lot going on in a visual sense. But go there at the earliest and latest moments of the day, and the light changes so quickly that it is almost impossible to keep up. Here there was only a brief moment when the soft light fell on the dune and the creosote plant and left the further dunes in soft, cool-toned light.

It is common to think of landscape photography as a slow and deliberate process. In fact, at times and with certain subjects it can be, and the photographer may have a lot of time to look and contemplate. But in this edge-of-day light things happen so quickly that photography can become a kind of action sport. The light does something “over there” for a brief moment, but when I look up something new is happening elsewhere. I turn my attention, quickly make a photograph or two, and right away some new combination of form and light emerges. And this whole dynamic show itself only lasts for a short time between midday bright (and often harsh) light and darkness.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Big Sur Headlands, Autumn Light and Fog

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Big Sur Headlands, Autumn Light and Fog
Thinning fog, brilliant autumn sunlight , and receding headlands along the rugged Big Sur coast.

Big Sur Headlands, Autumn Light and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thinning fog, brilliant autumn sunlight , and receding headlands along the rugged Big Sur coast.

This is a spot that I visit on virtually every trip to the Big Sur Coast. The place where I pull over and find this view is not a spot where you would likely consider stopping. The view is not really all that visible from the roadway, and I think I first found it by spotting the subject from another place and speculating about where I might need to go to find the angle I was looking for… and then successively trying a series of pull-outs until I found one that worked. I know — figuring out which wide spot on the road to use for my camera position sort of diminishes the romance of the whole thing!

But this view! There is a series of tall and steep headlands that fall directly to the Pacific Ocean here. Beyond there is a shallow bay, and then the coast curves back toward the ocean in the distance. The formation of the successive headlands is mirrored in a series of successive ridges running from the ocean back toward peaks. Of course, based on the photograph I made on this visit you will have to take some of this on faith since you cannot see it. Because the coastline here gradually heads further east as it goes south, by late morning the sun’s light reflects off the water, and when there is a bit of fog, as on this day, the effect is remarkable. The atmosphere truly glows, and it is almost too bright to look at. Since I have photographed this before, I’ll point out that that there are two features of this rendition that are a bit different. First, that glowing fog is unusual. Second, I decided to go with a bit broader composition here, and I included the sweep of the darker near ridge at the bottom of the frame.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.