Tag Archives: sunlight

Sandstone Dome, Darkening Sky

Sandstone Dome, Darkening Sky
“Sandstone Dome, Darkening Sky” — Sunlight on a sandstone dome against a backdrop of building monsoon clouds, Northern Arizona.

Working on this photograph from Arizona, it occurred to me that my relationship with the state is a bit like my relationship to Utah was up until about a decade ago. (I had foolishly avoided photographing Utah, for reasons that I’ve explained elsewhere.) Aside from work-related travel to Arizona for conferences years ago, I’ve photographed there only twice — and each time for less than (!) a single day. On this visit I photographed as we drove straight through the northern part of the state between the Moab area and Zion National Park. (The other visit was a spontaneous drive from Kanab to the North Rim of the Grand Canyon one afternoon — it resulted in a 15-20 minute visit to the rim as darkness fell. Then I turned around and drove back to Kanab. Seriously.)

As I continued my pandemic project of revisiting raw files from prior years this week, I came upon the photographs from that one-day drive across the northern part of the state. I’m struck now by what a remarkable landscape it is and by how much of it I missed. It was a spectacular day, with thunderstorms sweeping across the landscape, interspersed with clearing skies. Although I’m no longer certain precisely where I made this photograph, its sunlit dome and darkening sky is emblematic of that day.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Dunes and Mountains, First Light

Dunes and Mountains, First Light
The first sunlight falls across sand dunes with a backdrop of desert mountains

Dunes and Mountains, First Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

The first sunlight falls across sand dunes with a backdrop of desert mountains.

Back in early March I made a trip to Death Valley, partly to meet and camp with family members and partly (of course!) to make photographs. Early March is still in Death Valley’s “cool” season, and I don’t think I saw temperatures above the mid-70-degree range. (By the time of my next visit the highs will likely be well into the 90s. And after that? I stay away from the place!)

When I travel to places like this it isn’t at all unusual to encounter other photographers that I know. (I once ran into a friend walking around a bend in a narrow slot canyon beyond the end of a 25-mile gravel road!) This time I discovered that a trio of photographer/friends from the Yosemite area were camped nearby, and we joined forces for an early morning visit to the dunes the next day. We met up and started walking well before it was light out, and we arrived in the dunes before the sun came up. Soon the first light began to slant across the forms of the dunes and we worked quickly in this ephemeral light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Storm Approaches

Storm Approaches
Approaching storm, sunlight on water, clearing fog along the Big Sur coast

Storm Approaches. © Copyright 2019 G Dan Mitchell – all rights reserved.

Approaching storm, sunlight on water, clearing fog along the Big Sur coast.

While summer is the most popular time for tourists to visit California’s spectacular Big Sur coastline, I’d rather go there in the winter — which is just what I did today. This is the season of the most interesting and dynamic conditions — storms approaching and departing, big surf, clouds and mist, and the low sun reflecting on the water.

To be honest, I initially thought that I might get ahead of the next Pacific weather front, which was scheduled to arrive in the evening. The weather forecast was calling for partly sunny morning conditions, and I planned this little trip with that in mind. But as I headed south from the Carmel area it was obvious that there were plenty of clouds to the south and offshore. Here and there the clouds thinned enough to bring a bit of directional light or reflect off the surface of the Pacific, but overall the sky leaned in the “ominous” direction. I stopped briefly at this familiar spot to photograph this cliff descending steeply into the water, with a few thinning fog clouds dissipating along the ridge of the mountains extending to teh south.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Redwoods in Sun

Redwoods in Sun
A beam of filtered sunlight illuminates redwood trees deep in Prairie Creek Redwood State Park

Redwoods in Sun. © Copyright 2018 G Dan Mitchell – all rights reserved.

A beam of filtered sunlight illuminates redwood trees deep in Prairie Creek Redwood State Park

I had a portion of one day to spend at Prairie Creek Redwood State Park. I could easily have spent more time there, but I wanted to make first visits to several of the redwood parks, so I saved this one for my last day in the area. Arriving at the park my first subject wasn’t redwoods — instead it was a remarkable grove of alder trees. I finished there and moved on into the center of the park, looking for a particular trail that I thought might have some rhododendron blooms. (It turned out that I was probably a few days early for that.)

I arrived at the trailhead, shouldered my camera pack, and started walking… slowly. While I can hike efficiently and cover distance, when I photograph my speed slows profoundly, and what I call hiking might more accurately be described as ambling. As I wandered up this trail, following it up into a redwood-filled valley, the light constantly changed. High fog was breaking up, and one minute it would be bright (too bright for photograph) and then next minute the clouds muted the light. I stopped at this spot where I could look across the valley and focus on a spot many feet up the trunks of the trees. I waited for the clouds to block the sun and mute the light before making a few photographs.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.