Tag Archives: sunrise

Junipers, Sierra Crest Before Sunrise

Junipers, Sierra Crest Before Sunrise
Soft pre-sunrise light on a pair of junipers and the peaks of the Sierra crest, topped by Mount Humphreys.

Junipers, Sierra Crest Before Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Soft pre-sunrise light on a pair of junipers and the peaks of the Sierra crest, topped by Mount Humphreys.

The Sierra Nevada has many faces, and the east and west sides almost look like two different ranges. The west side is approached via the flat, agricultural Great Central Valley, and it begins with almost imperceptible hills that gradually rise to foothills, then to forested mountains, and many miles later finally culminate in high, rocky peaks and ridges. The personality of the east side is entirely different. You regard it from what is essentially high desert, hot and dry country, and in many place the entire upward thrust of the eastern escarpment is visible at once, rising as much as 10,000 feet from valley to peaks.

I made this photography early on an autumn morning, from a place high on the gigantic hills rising toward the eastern face of the range. In the foreground are a couple of juniper trees, one of the common trees of the dry Southwest terrain. Further above, open and sparse forest dot the rising slopes. Above it all are the high, alpine peaks of the Sierra crest, here topped by the recognizable profile of Mount Humphreys.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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First Light, Eastern Sierra

First Light, Eastern Sierra
Pre-sunrise light on the eastern escarpment of the Sierra Nevada.

First Light, Eastern Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

Pre-sunrise light on the eastern escarpment of the Sierra Nevada.

As I queue up photographs for future posts this morning I seem to be alternating, in a way, between the ridiculous and the sublime. The previous image I posted was one of a broken pumpkin, cast aside next to the curb on the morning after Halloween. The photograph shown here comes from a rather different sort of morning, before dawn in a high place just below the eastern face of the Sierra Nevada, awaiting the arriving of sunrise light on an autumn morning.

Photographs (and, arguably, especially landscape photography) is largely about the light. The great subjects are always there, and many of them stand still for hours, days, seasons, years. But the light is never really the same twice, even though we can recognize certain categories of light. One beautiful sort is the softly colored light that may appear just before sunrise when the conditions in the sky are just right to produce some color. I had arrived at this location quite early, having made a prior plan to photograph here, but I could not know exactly what the light would do. Although my plan was to photograph the first sunrise light on the tops of the peaks, it was this soft, early light that turned out to be the most fascinating.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Red Wall Sunrise

Red Wall Sunrise
Saturated sunrise light on sandstone cliffs and ledges, Zion National Park.

Red Wall Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Saturated sunrise light on sandstone cliffs and ledges, Zion National Park.

If you have been reading my posts about Utah recently, you may recall that I mentioned the striking contrast between my home range, the Sierra Nevada, and the far more colorful landscapes of Utah. Every time I return from red rock country the California landscape seems so… gray. (Don’t worry. I get over this quickly, and there’s plenty to photograph here, too!) But in many places in Utah the combination of blue sky, red rock, and green foliage — often with a few other colorations mixed in — produces a landscape of remarkably varied coloration.

But sometimes things go just a bit over the top. I have a few photographers here and there in my archives where the colors were so intense or so unusual that I hesitate the share them, as I know that someone will inevitably doubt that the photograph represents something close to what happened. (To be sure, photographs do not simply “capture” what the camera saw, and most good photography involves some level of post processing… just like good writing involves some degree of editing.) This sunrise light in Zion Canyon produced something that seems, at least in a photograph, to be unbelievable and even impossible. But red dawn light on red rock walls actually can look like this, at least for a brief interval. The truth of the matter here is that I had to reduce the color saturation!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Below Humphreys, Autumn Snow

Below Humphreys, Autumn Snow
Autumn snow dusts the eastern Sierra Nevada escarpment below Mount Humphreys in morning light.

Below Humphreys, Autumn Snow. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn snow dusts the eastern Sierra Nevada escarpment below Mount Humphreys in morning light.

The Sierra Nevada eastern escarpment meets the valleys that run roughly north/south on that side of the range in a variety of ways. In a few places the junction between high desert and Sierra is abrupt. I recall hiking out over one particularly difficult Eastern Sierra pass some years ago, spending the better part of two days walking from a spot just west of the crest to the trailhead, and being able to identify exactly where the rocky range ended. In other places the transition is more complicated or more gradual. In the area where I made this photograph, a huge mass of what must be alluvial and glacial remnants rises gradually for thousands of feet before finally arriving at the base of Sierra peaks.

We drove up here early in the morning, taking a variety of rough gravel roads just about as far as we could reasonably go before stopping to make photographs. Our immediate visual target was a couple of small, isolated aspen groves set in this sagebrush country, but it is hard — OK, impossible — to ignore the massive peaks just over your shoulder!The last of the relatively gentle rise ends in the shadow at the bottom of the frame. From there the slopes quickly steepen and soon rise to rugged and Rocky Mountains which culminate here in some of the highest peaks of the Sierra crest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.