Tag Archives: sunrise

Dawn Sky, Mono Basin

Dawn Sky, Mono Basin
“Dawn Sky, Mono Basin” — Tufa towers in Mono Lake waters reflecting the dawn sky.

It is difficult to resist a visit to immense Mono Lake when I visit the Eastern Sierra, even when it isn’t the main goal of my trip. OK, it is actually just about impossible to resist making at least a quick stop there. In early July I spent a few days around the Sierra crest along the eastern boundary of Yosemite National Park, and one morning I decided to head down to Mono Lake before dawn and spend a few hours photographing in the early light.

I hade this photograph near dawn, when the pre-sunrise light was deeply coloring the sky, which was reflected in the waters of the lake. I love how the apricot-olored sky near the horizon fades to blue far above. The distant mountains are on the far side of this gigantic lake, many miles away, and this cluster of tufa towers stands a good distance out in the water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Reflected First Light, Panamint Mountains

Reflected First Light, Panamint Mountains
“Reflected First Light, Panamint Mountains” — Shallow salt flat water reflects the first light on the Panamint Mountains.

During my late-February visit to Death Valley National Park, I spent two early mornings photographing the Panamint Mountains in the first light, with the salt flats and shallow water in the foreground. The water is not the ephemeral “Lake Manly” phenomenon that we saw in 2024. This is a slow, shallow flow of water that seems to continue all year, regardless of conditions. It is just enough water to produce these reflections.

These days I photograph almost exclusively with a full frame digital system. (Sometimes I use a smaller APS-C system, often for my street and travel photography.) I usually use a pretty straightforward set of lenses that work well for my landscape photography, but occasionally I bring out an adapted medium format zoom lens and mount it using the Mirex tilt/shift adapter — yes, movements with a zoom lens! That was pretty useful for this photograph given the low light and the extreme distance between the foreground and the distant mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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First Light, Panamint Mountains

First Light, Panamint Mountains, Death Valley
“First Light, Panamint Mountains” — The first sunrise light on Rogers Peak and the Panamint Mountains, Death Valley National Park.

How many times have I watched for this first light as it touches the peaks and ridges of the Panamint Mountains before working its way down to the floor of Death Valley? I have no idea, but I’ve been going there for something like 25 years now, so it must be quite a few times! It never gets old.

The highest point in this photograph is snow-capped Rogers Peak. The highest summit in the park, Telescope Peak, is just out of sight to the left. Surprisingly, there are communications facilities on top of Rogers Peak, and in a higher resolution version of this photograph you can see the towers on the very summit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Zabriskie Before Sunrise

Zabriskie Before Sunrise,Death Valley
“Zabriskie Before Sunrise” — Badlands terrain, distant Panamint Mountains, and Rogers Peak.

I made this photograph right around sunrise. A half hour earlier I had abruptly aborted my drive to a different locationi when I thought I saw some promising clouds in the pre-dawn dusk. I thought that they might produce something exceptional at sunrise. My hunch was wrong — it was a lovely morning at Zabriskie, but nothing particularly out of the ordinary. But since I was there I went ahead and photographed, including this image that includes the short and long views.

As I was standing there waiting for the right light, some women asked about that snow-covered peak. I said it was Telescope Peak, then realized my error — Telescope is hidden behind the dark foreground ridge, and the high point visible here is actually Rogers Peak, a lower summit near Telescope. One of the remarkable things about Death Valley National Park is the range of climates it encompasses. We can stand in an arid desert location like this one and look up to snow-covered alpine peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.