Tag Archives: surf

Black Sands Beach, Coastal Cliffs

Black Sands Beach, Coastal Cliffs
Black Sands Beach and the Lost Coast, Shelter Cove, California.

Black Sands Beach, Coastal Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

Black Sands Beach and the Lost Coast, Shelter Cove, California.

Previously I have shared my dark secret: for decades I barely visited the portions of California north of the San Francisco Bay Area, Sacramento, and Tahoe line. Sure, I visited Lassen National Park with my family when I was young, and I’ve been on Mt. Lassen a few times, and — of course — I have driven north out of the state on Interstate 5. But the Northern California coast remaining mostly off my radar for decades. A decade or two ago this began to change — slowly — as we visited areas in Mendocino County and along the path to and from there, and when we pushed a bit further north from that base on some day trips.

Finally, during the last decade or so, I began to get more serious about this wonderful region and, among other things, I began photographing in the redwoods. (I have photographed closer redwoods for decades.) And then I pushed out toward the coast. On this year’s visit we finally made it to the edges of the Lost Coast area below Eureka, a portion of the coast so rugged that even “the coast highway” takes an inland jog. In the middle of this region lies the isolated (but surprisingly large) community of Shelter Cove. Black Sands Beach extends from this local toward the northern section of the Lost Coast, and no roads touch the coast again for many miles.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Shoreline Boulders, Big Sur

Shoreline Boulders, Big Sur
Jumbled shoreline boulders at the base of rugged cliffs, Big Sur coast.

Shoreline Boulders, Big Sur. © Copyright 2021 G Dan Mitchell – all rights reserved.

Jumbled shoreline boulders at the base of rugged cliffs, Big Sur coast.

The largest scale of the landscape attracts me when I visit the Big Sur coast of California — the mountains, steep cliffs, and long vistas. These were the first things that attracted me to photographing the place, and they still draw my attention and appear in quite a few of my photographs. However, I have become so familiar with some of those features over time that they start to see… a bit too familiar as photographic subject. I don’t entire eschew them, but I look for other things, too. On my most recent visit I spent much of my time stopping at what might have seemed like the most unlikely pull-outs, gazing over the edge to see what new sights I might find.

I found these boulders at one of those nondescript stops. I had walked to the edge of the cliff where there was a longer view down the coast, but my attention turned to a small bay directly beneath me and these rocks right at the waterline. We tend to regard the landforms of this coast as being mostly static, even though in the back of our minds we are aware that they are transitory and subject to change. There’s a good chance that these rocks are a either a vestige of a former section of the land that perhaps fell into the sea at the water’s edge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Surf, Sand, and Fog

Surf, Sand, and Fog
A wave breaks on a Big Sur coast beach on a foggy morning.

Surf, Sand, and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

A wave breaks on a Big Sur coast beach on a foggy morning.

This may be one of the “quieter” photographs I’ve posted in a while, but maybe that’s a good thing. It comes from another recent visit to the Big Sur Coast below Monterey, California. While it has been historically hot and dry in virtually all of California this year, the coastal areas have provided a welcome exception. Even on some of the days when heat (and dryness) records were toppling further inland, along much of the coast it was typical summer weather, cool and foggy. (Some folks are now referring the the current month as “Fogust.”)

We live in a San Francisco Bay Area location that, while not on or ever all that close to the water, is near enough to pick up the ocean influence, which here typically means high fog in the mornings and a breeze in the evening. On the day of this visit to the coast there was fog (and some wildfire smoke and haze) almost everywhere, but it was the thin sort that simply mutes and softens the features of the landscape rather than rendering them invisible. I stopped here to photograph something else, and after finishing that task I looked at the beach and saw this very quiet and peaceful scene of a bit of beach, a single breaking wave, and the ocean extending toward the foggy horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Coastal Pinnacles, Fog

Coastal Pinnacles, Fog
Rocky pinnacles rise above the rugged Big Sur coastline.

Coastal Pinnacles, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky pinnacles rise above the rugged Big Sur coastline.

On some days photography is easy. It seems that subjects are everywhere, and all of them are obvious, compelling, and beautiful. But most days aren’t like that. This week’s day trip to the Big Sur coast was great but it had its challenges. Ironically, the major challenge came from the trigger for this visit: fog. California summers can be “too beautiful,” if your idea of beauty is perfect warm blue sky days. (Though such days are increasingly affected by wildfire smoke, but I digress…) I prefer more interesting conditions, and coastal fog fills the bill. But it presents some challenges, often related to fickle local conditions. The ideal is to have just the right amount of fog, which means enough to be interesting but not so much as to kill all directional light. (A tourist stopped while I was making this photograph and, obviously distressed by the near invisibly of the nearby ocean, asked “is it always like this?)

On the plus side, there is virtually always something to see no matter where you stop along the Big Sur coast, and I “discover” some new features on every visit. For no particular reason I stopped above a small bay filled with fog, and when I walked to the edge I spotted this dramatic feature below near the edge of the surf — a peninsula with pinnacles running out toward a small island nearly obscured by the fog. I set up and made a few exposures, then settled in to way for a bit more clearing. The for was right up against the coast, and there was occasional sunlight only feet behind me, so I figured that the fog would continue to dissipate. I was wrong. Even though it was midday, when the sun usually wins out over the fog, the view became more obscure and this photograph, on of the first I made, turned out to be the keeper.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.