Tag Archives: surface

Alcatraz, Sunrise

Alcatraz, Sunrise
Alcatraz, Sunrise

Alcatraz, Sunrise. San Francisco Bay, California. March 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Alcatraz Island silhouetted against reflected sunrise light on San Francisco Bay

On this morning I crossed the Golden Gate Bridge heading north around dawn, on my way to redwoods and the coast. As I cross the bridge I’m always on the lookout for potentially interesting conditions of light or atmosphere or interesting things happening on the bay. Having heard a weather forecast of “no fog,” I was a bit surprised to find… fog in the hills on the north side of the bridge, along with a slightly opaque atmosphere over the bay. I wouldn’t call that “fog” exactly – more like “could have been fog if the wind had blown a different direction or the temperature had been a bit colder.” In any case, it was an interesting development – more interesting to me than the potential for perfectly clear air.

So I left highway 101 on the north side of the bridge and detoured briefly up into the Marin Headlands, not sure what my subject might be but certain that the light looked interesting. I started to wander out to a spot where a view across the “Gate” is found, but didn’t get that far. Instead, I found interesting light in other directions – down toward Sausalito, across the Bay toward the Embarcadero and the Bay Bridge and, as in this photograph, Alcatraz. By good fortune it happened that on this morning the reflection of the rising sun was just in line with the left edge of the island. This light is almost too bright to look at, but with a long lens and the right exposure the camera can look at it just fine! The water tower on the island casts a shadow on the reflections in front of Alcatraz, and beyond the flat area of Treasure Island is visible, with even more reflective bay water beyond that. Oakland and the East Bay hills and shoreline are completely lost in the golden haze.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pacific Ocean, Clearing Storm

Pacific Ocean, Clearing Storm
Pacific Ocean, Clearing Storm

Pacific Ocean, Clearing Storm. Central California Coast. February 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sun breaks through clouds as a storm clears above the Pacific Ocean along the California coast.

On this mid-February day, we did a long looping drive down from the San Francisco Bay Area to the lower end of Big Sur coast and back up along the Coast Highway. It seems that for a good part of the past month or two, my photographic trips have been excellent predictors of awful weather, usually of the gray, flat, and cloudy type. (Fortunately, I’ve seen enough great days that I feel like this is a matter of balance in the universe, and I know that I’ll get my good light days again soon enough.) Although I proclaimed that by going south we would escape the northern California fog that was around that day, by the time we got out to the coast near Piedras Blancas… it was raining! And rain wasn’t even in the weather forecast.

When I encounter such weather or other impediments to photography, I have a series of ways to cope with the situation. I tell myself that I’m “scouting” locations that I’ll come back to in better conditions – and, frankly, this often turns out to be true. Sometimes I might just decide not to focus on photography so much and perhaps try other things. But most often I keep looking, and sometimes I start seeing small things that sort of sneak up on me and are then gone. Looking at this photograph you might imagine a day of glorious light passing through broken clouds to light the ocean. In reality, it was moments of such light, with many moments of gray in between. But when this light does shine though a cloud deck that is thinning and produces reflecting patterns stretching to the horizon, such a moment may make a long day’s drive worth it.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Reeds and Reflected Sky

Reeds and Reflected Sky
Reeds and Reflected Sky

Reeds and Reflected Sky. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Reeds and blue sky reflected in the surface of a San Joaquin Valley pond

This image could serve an example of how puzzlement, patience, and good luck can lead to a photograph. I have looked at precisely this clump of reeds perhaps a half-dozen times, thought about how I might photograph them, but could not make it work. They grow in a marshy pond in a San Joaquin Valley wildlife refuge, near a spot where I almost always stop at least once each time I visit. The usual reason for stopping at this precise spot has little or nothing to do with these plants, and more to do with the wildlife that might be around or with the interesting light that often appears here at certain times of the day.

When I have stopped here to photograph those other things, or perhaps just to look around, I have noticed the reeds and wanted to photograph them, but remained puzzled about how to make the photograph work. It may seem odd that such a simple subject would be challenging, but it is hard to find a sight line to one clump that isn’t interrupted by others, the water is often a bit stirred up by wind and birds, and getting the right reflections and light on the water is a challenge. But each time I think about it, and I had even tried a few previous photographs. But this time I had some luck on my side. First, it was a very calm and still morning, so the surface of the water was almost glass smooth, with just very subtle ripples. Second, the morning fog and haze distinctly muted what could otherwise be an overpowering blue in the reflection from the sky. (I’m almost embarrassed to admit it, but I didn’t even go back to my vehicle to get a tripod to make this shot, instead just shooting it handheld.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fog and Blue Sky, Drakes Bay

Fog and Blue Sky, Drakes Bay - Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore
Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore

Fog and Blue Sky, Drakes Bay. Point Reyes National Seashore, California. August 18, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore.

One more “minimal seascape” from my mid-August visit to Point Reyes National Seashore – a short visit of mostly an afternoon, on which I headed to Limantour looking for sun along the coast. That’s not quite what I found – but you can never be sure what the weather will do along this section of the Pacific coastline. Descending on the final bit of road to the beach, it was apparent that I was going to be dealing with fog. This photograph is looking more or less southwest, but straight to the west and to the northwest things were already completely socked in. After making this photograph I finished the drive to Limantour and then took a walk out toward some of the nearby estuaries – and that entire walk was under fog and in cold wind.

I have been doing a series of minimal seascape photographs for some time now, making a few more images of this type whenever I happen to be near the coast and conditions are right. These photographs are a bit trickier than they might appear. It almost looks like I could just point that camera out toward the ocean and make them – and, in fact, when I started this it almost seemed like it might be that easy. Before long I figured out that if I worked that way I would end up with… photos that looked like I just pointed the camera out toward the ocean. So I look for scenes, usually involving some sort of clouds, fog, or mist and often some interesting lighting that seem to create, for the most part, nice stable images that may have a bit more going on in them if you have time to look closely, and which also usually might evoke some sense of the calm and stability of the sea. Here I was mostly interested in the clouds, but I decided to anchor the sky to just a thin strip of water, darker blue but also partly obscured by the lower edge of the fog bank. I aimed toward a boundary area between the blue sky and the thicker fog, and captured an area of transition where both sky and fog are in play. Believe it or not, there was a fair amount of work to be done in post, including getting the right amounts of contrast and pushing the brightest parts of the clouds just far enough to create a feeling of light, but not so far as to look fake.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.