Tag Archives: tall

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Tall Aspen Grove, Autumn

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Tall Aspen Grove, Autumn
A small group of tall aspens with long, white trunks and colorful autumn foliage, Eastern Sierra Nevada.

Tall Aspen Grove, Autumn. © Copyright 2022 G Dan Mitchell.

A small group of tall aspens with long, white trunks and colorful autumn foliage, Eastern Sierra Nevada.

This photograph is yet another example of the variety of colors during the Sierra Nevada autumn aspen transition. There’s still a bit of green, a lot of brilliant yellow, and highlights of red and orange here and there. Earlier in the season the predominant colors tend to be the yellows set against the greens. But by the second half of the month much (though not quite all) of the green is gone, and the more characteristic autumn colors clearly dominate.

This photograph is also another example of the value of long lenses for landscape photography. I use everything from 16mm to 400mm and sometimes longer for landscape. The long lenses let me photograph subject that are simply not accessible. They allow me to work at a distance from an elevated perspective that isn’t available closer to the subject. They are useful for narrowing down the scope of a composition and eliminating distractions. All of those were in play when I made this photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Tall Autumn Aspen Trees

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Tall Autumn Aspen Trees
Tall aspen trees with long, white trunks on an Eastern Sierra Nevada hillside.

Tall Autumn Aspen Trees. © Copyright 2022 G Dan Mitchell.

Tall aspen trees with long, white trunks on an Eastern Sierra Nevada hillside.

The large grove of which these trees are a part is one that I’ve photographed for a long time. For the Sierra, it is a very large expanse of aspens, and they rise from a valley up the lower slopes of rock-strewn mountains. Most of then I have photographed them earlier in the season where the more colorful trees are mixed in with trees that are still green. But this time I visited later in October, and virtually the entire hillside was yellow, gold, and red. Note also the tall and straight aspen trunks — many Sierra aspens are much shorter.

I photographed these trees, as I often do, in soft, shaded light. The sun had not risen above the ridge behind them, so there were still fully in shadow — though the sunny edge of that shadow was rapidly approaching as I worked! Photographing aspens in these conditions reveals the difference between our own visual perception and what the camera “sees.” Looking at the scene you would say you saw colorful aspen leaves and white or gray trunks. But a photograph made in these conditions renders the trunks intensely blue. So the photographer faces a quandary for which there are several possible answers. One is to “go with the blue,” with the risk that viewers will be struck by what seems like unnaturally intense blue tones. Another is to shift the yellow/blue balance in post to produce something that better approximates the experience of looking directly at the trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: France, Photographs: Travel, Photographs: Urban/Street

Two pedestrians, Sidewalk and Buildings

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Two Pedestrians, Sidewalk and Buildings
Two pedestrians stroll past buildings in Le Marais, Paris.

Two Pedestrians, Sidewalk and Buildings. © Copyright 2022 G Dan Mitchell.

Two pedestrians stroll past buildings in Le Marais, Paris.

I went back and forth on whether this should be a color or a black and white photograph. (We’re so lucky today that we can make this kind of choice after pressing the shutter release!) In the end, everything about the scene seemed to me to call for monochrome… though I did have to give up the colors of the flowers growing in the row of window boxes.

I think this is one of those “photographs of nothing special” that evokes the feeling of the place. I have nothing at all against specialness in a photograph — it is often something to strive for! — but that can give us a less than true sense of the subject. This photograph is also an example of how being ready to “capture” a fleeting moment is so important in street photography… and, for that matter, in many other sorts of photography too.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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right 2022 G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dune Summit

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Dune Summit
Sand slopes leading to the summit of tall sand dunes.

Dune Summit. © Copyright 2022 G Dan Mitchell.

Sand slopes leading to the summit of tall sand dunes.

After sharing a lot of color photographs from Death Valley (along with one or two in monochrome), this one seemed to work best in black and white. It might seem counterintuitive to those who associate black and white with old-school “realism,” but monochrome often allows and even demands greater levels of “manipulation” than color and is even further removed from that illusive concept of realism. (Hint: The world is not monochromatic!)

Working in monochrome allowed me to produce a high key version of the subject, a layering of dune lines and curves leading toward the highest peak. Overall the image is rather light, but I was able to emphasize some of the darker textures, too. (Because the image is light, gray can almost imply black.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.