Tag Archives: talus

Talus, Reflection

Talus, Reflection
A talus field of large boulders meets the shoreline of an alpine lake

Talus, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field of large boulders meets the shoreline of an alpine lake

And, yes, another “going with the blue” photograph of talus boulders. It is, I admit, turning into a bit of a theme among my photographs from the September backcountry Eastern Sierra photography week. If you follow my posts you probably already know the following, but for anyone who hasn’t read the previous text… we were camped at a lake in a deep north-south oriented valley with very high peaks on either side. Immediately to the east of our camp, across a nearby lake, was a huge talus slope, full of randomly arranged boulders from top to bottom.

Because of the north-south trend of the canyon, early morning and evening direct light was blocked, and we had long periods of “blue hour” shaded light to work with every day. Yes, the light actually is very blue. It comes from having only the blue sky — a sort of giant natural light panel — as the light sources. The question in post is always how blue to let the scene be, since the actual blue can be shocking to viewers. (Our complex sensory system sees this as less blue — the mental process subconsciously says, essentially, “Yes, this is blue, but I know the actual color of rocks, so I’ll pretend I don’t see the blue!”) The photographer gets to make the subjective call on how blue things should be. At times I’ve gone so far as to completely neutrally the blue tones, and if I did so here you would probably feel that it looked natural. On the other hand, it is interesting to me to “go with the blue” and think about the real color of light and the effect that it has on our perceptions. (To be honest, I have actually reduced the amount of blue in the scene!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Alpine Rock Garden

Alpine Rock Garden
An outcropping of shattered rock in the Sierra Nevada alpine zone

Alpine Rock Garden. © Copyright 2018 G Dan Mitchell – all rights reserved.

An outcropping of shattered rock in the Sierra Nevada alpine zone

My favorite Sierra Nevada backcountry terrain is just a bit lower than this scene — it is the country right at tree line, where small, scattered trees are separated by meadows and rocky areas. But when it come to exhilarating “high and wild” country, places like the one in this photograph cannot be beat. They are so rugged and unadapted to our human way of living that they remind us that this is not entirely “our” world. Yet, with care and persistence, you can enter this country, pass through it, enjoy and even be changed by the experience.

Here I found this outcropping of weathered and shattered stone at the base of a huge talus slope that led up toward the highest peaks. One of those higher ridges blocked the sun, and the scene is softly illuminated by gentle light reflected from nearby high peaks. Looking at this scene it might seem completely impassable. Yet I watched a couple of backpackers slowly make their way across it. This is the sort of country where progress is no longer measured in miles per hour — it is more likely a matter of hours per mile. I recall one such place I crossed a few years ago where our progress dropped to perhaps a quarter-mile per hour as we picked our way past boulders, along benches, and across talus. It was one of the most memorable hikes I’ve had.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Alpine Lake, Evening Reflections

Alpine Lake, Evening Reflections
A rocky peninsula, an alpine lake, reflections of the headwall in evening light

Alpine Lake, Evening Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

A rocky peninsula, an alpine lake, reflections of the headwall in evening light

In high places like this, where cirque walls tower over alpine lakes and block the light early and late in the day, evening quiet can come early. I had been walking to this spot almost daily for several days to try to make a photograph of a particular group of trees that caught the last sunlight in the late afternoon. On this day my timing was (finally!) right, and after I made that photograph I turned my attention to the rest of the scene, which was now in shadow.

To my left a small rocky peninsula pushed out into the lake near its outlet stream and supported a few trees and small plants that could gain a foothold it its cracks. Across the lake piles of talus lay at the bottom of the solid rock face of the valley’s headwall, where one snow patch remained, reflected in the quiet surface of the lake. That surface also reflected the rest of the face, including parts so high that they are not in direct view. The entire scene was illuminated by the soft blue light coming from the open sky above and behind me.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Rocky Shoreline, Reflections

Rocky Shoreline, Reflections
Sky and high peaks reflected in the surface of a lake in rocky alpine country

Rocky Shoreline, Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky and high peaks reflected in the surface of a lake in rocky alpine country

This is (yet another!) photograph from my September week in the John Muir Wilderness backcountry with a group of photographer/friends. We set up a base camp at a lake in a long valley running north/south, and photographed the immediate area and further subjects that we could reach on day hikes. The orientation of this valley gave us an unusual lighting condition — hours of blue hour light in the morning and early evening after the sun dropped below the tops of the two giant ridges to the east and west.

Our lake was mostly a fairly rocky place. The gentler portions of the shoreline featured small trees, often separated by open space and both rocky and meadowy areas. The more rugged side of the lake was the base of a gigantic talus field that extended far up the mountainside to the east. I made this photograph when light still illuminated the upper slopes of the ridge while the lake itself was in shadow. The effect was to make the landscape seem even more stark, so I photographed to emphasize the large forms of light and dark, and then chose to render it in black and white.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | FacebookEmail


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.