Tag Archives: team

Tour de France: Not there to photograph it… but I do have photos of riders

Lance Armstrong, Prologue, 2009 Amgen Tour of California

Lance Armstrong, Prologue, 2009 Amgen Tour of California. Sacramento, California. February 14, 2009. © Copyright G Dan Mitchell – all rights reserved.

Astana’s Lance Armstrong negotiates the first turn during the prologue stage of the 2009 Amgen Tour of California bicycle race.

If you are following the Tour de France (Go Lance! Second to Contador is great!) you might be interested in some of my bicycle racing photography. I’ve photographed the Tour of California several times and had the opportunity to get up close to riders and racing action. You’ll even see a couple close shots of Lance…

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Before the Dawn, Twenty Mule Team Canyon, Death Valley

Dawn, Twenty Mule Team Canyon, Death Valley

Before the Dawn, Twenty Mule Team Canyon, Death Valley. Death Valley National Park, California. April 2, 2009. © Copyright G Dan Mitchell – all rights reserved.

Before dawn in Twenty Mule Team Canyon with Death Valley and high peaks beyond.

Twenty Mule Team Canyon is traversed by a good but not very busy gravel road. I was in the canyon well before dawn on this morning and torn between shooting detail photographs of the interesting eroded forms nearby and shooting the longer view down the canyon, over low peaks, and into Death Valley beyond. (In the end I worked quickly and did both!) At the time I made this photograph the very first sunlight was barely striking the highest peaks far to the north across The Valley, but the light on the nearby hills was the diffused light that comes from the sky before dawn.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Sunrise Light, Twenty Mule Team Canyon

Sunrise Light, Twenty Mule Team Canyon

Sunrise Light, Twenty Mule Team Canyon. Death Valley National Park, California. April 2, 2009. © Copyright G Dan Mitchell – all rights reserved.

Detail of eroded formations at dawn in Twenty Mule Team Canyon, Death Valley National Park, California.

This photograph is pretty much all about the light – though the interesting and varied patterns of the wildly eroded hills in Twenty Mule Team Canyon also help.

Twenty Mule Team Canyon is just a short distance up the road from the famous and iconic Zabriskie Point (a downright iconic photograph of which I recently posted here). But while the throngs gather at Zabriskie every morning before and at dawn – with good reason – almost no one is to be found here during this time of beautiful light, even though it is in some ways almost as amazing as Zabriskie. I made this photograph at that magic moment when the sun was just coming over a nearby ridge and we see full sun on the formations at the upper right but somewhat subdued light closer in the foreground.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Twenty Mule Team Canyon, Morning

Twenty Mule Team Canyon, Morning

Twenty Mule Team Canyon, Morning. Death Valley National Park, California. April 2, 2009. © Copyright G Dan Mitchell – all rights reserved.

Morning light on the round folds of earth in Twenty Mule Team Canyon, Death Valley National Park, California.

From my point of view, at least based on my one visit there, one of the most interesting features in Twenty Mule Team Canyon has to be the extensive areas of colorful “folded earth” cut with gullies formed by runoff water. This area is hundreds of feet across and extends for a good distance from right to left as well. In flat light the color can be very pastel, but in the warm early morning light the subtle colors become more intense and visible. Here, shortly after sunrise, the light is skimming across the tops of the small hills, lighting them but allowing the gullies to remain shaded.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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