Tag Archives: thick

Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Edge of the Forest

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Edge of the Forest
Deciduous trees at the edge of a forest, Redwood National Park.

Edge of the Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

Deciduous trees at the edge of a forest, Redwood National Park.

This photograph comes from a section of forest that always surprises and pleases me when I visit Redwood National Park. In a place where the giant coast redwoods are everywhere… here there aren’t any! Instead these densely-spaced deciduous trees with their thick green foliage line both sides of the road. Although the spot is not marked as an iconic location, there are always others stopped there when I arrive.

Part of the attraction of subjects like this is the challenge of finding some sort of logical composition in all of the extremely complex detail of trunks, branches, and leaves. It is there, but I often have to look for it. Typically I spot something that seems like it might anchor the photograph… and then as I look over the scene I discover some element that doesn’t fit or a spot that is too dark or otherwise seems empty. At the same time, I don’t want it to be too perfect — without some formal tension the scene can easily become completely static.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Redwood Grove, Humboldt Redwoods

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Redwood Grove, Humboldt Redwoods
A dense grove of old- and new-growh coast redwoods, Humboldt Redwoods State Park.

Redwood Grove, Humboldt Redwoods. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense grove of old- and new-growh coast redwoods, Humboldt Redwoods State Park.

When photographing new locations, there is a tension between knowing enough and knowing too much ahead of time. In most cases, some preparatory research about a place is useful — it lets you find your way to (and back from!) interesting locations, and it alerts you to their existence. On the other hand, knowing too much about a place limits opportunities to experience the feeling of “discovering” something unexpected. When we arrived at this grove near the end of an exploratory loop to the far Northern California coast, the unexpected stillness and quiet of this magnificent grove was magical.

Another tension concerns the best way(s) to interpret coast redwood forests in photographs. For me, the path usually lies somewhere between the (hopeless and uninteresting) idea of “capturing” supposed objective reality and fascinating and extravagantly subjective and even fantastical interpretations that may be problematic. I don’t think that there is a right answer, but extreme cases raise important questions. On this visit I focused on carefully considering what I see without the camera — how cool/warm the light appears in these places, how much detail can I really see, how much light is really in the scene. These observations inform how I render these subjects — and my thinking about the boundaries between what was there, how the camera “saw” it, and how I want you to see it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Flock of Cranes, Tule Fog

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Flock of Cranes, Tule Fog
A flock of lesser sandhill cranes reflected in a pond on a winter morning of tule fog.

Flock of Cranes, Tule Fog. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of lesser sandhill cranes reflected in a pond on a winter morning of tule fog.

This photograph comes from late last year, a few days before Christmas, when I spent a day photographing birds in the Central Valley of California. I picked a particularly lonely day — a good thing right now! — and arrived well before dawn after driving through thick tule fog. When I arrived in the first faint light I could hear birds but I certainly could not see them. I set out to see if I could find any that were close enough to be visible in the fog, and eventually I came upon a very large group of lesser sandhill cranes that had settled in and around this pond.

On most mornings the cranes tend to depart as soon as the sun rises, but perhaps the thick fog persuaded them to stick around a bit longer. In any case, although it was well after sunrise by this point, a very large group of cranes seemed to be feeding and generally milling about slowly. At one point this group seemed to adopt a common goal of walking across the scene from right to left, and I was able to photograph them lined up and facing the same direction.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature

Fog and Reeds

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Fog and Reeds
Dense winter tule fog, tule islands, and a wetland pond.

Fog and Reeds. © Copyright 2021 G Dan Mitchell – all rights reserved.

Dense winter tule fog, tule islands, and a wetland pond.

From time to time I like to do visual experiments, seeing how minimal the content of the image can be and still work. Sometimes these photograph balance on an edge between portrayal of the real and pure color and form. I feel that images like this can portray or evoke the mood of a subject, even if they don’t include much detail at all. The idea is to suggest more than to tell.

The winter tule fogs of California’s Central Valley often do a fine job of minimizing landscape details. (They also do a fine job of minimizing the details of the roads I drive to get there, but I digress…) These shallow fog layers settle in during the winter and can be some of the thickest fogs you’ll ever encounter. Oddly, because they are so shallow, sometimes your vision straight upwards is barely impeded at all — and as I made this photograph the nearly-full moon was clearly visible overhead. But the view out into the landscape was radically limited, hardly extending more than a few tens of feet and muting details of closer subjects.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.