Tag Archives: three

Trees in Morning Light

Trees in Morning Light
Trees in monring light, backed by rocky slopes, Ansel Adams Wilderness.

Trees in Morning Light. © Copyright 2022 G Dan Mitchell.

Trees in morning light, backed by rocky slopes, Ansel Adams Wilderness.

Have I mentioned that I like backlight and that I especially like trees in morning backlight? Well, yes, I think I have. Even more, I like this subject when the background is filled by distant, rocky mountain slopes in shadow. This little group of trees was nestled against a rocky promontory not far from our camp.

After nearly two days of rain, this was the first morning when we had sun. All of us were more than ready for this development, and soon everyone was out and about, enjoying the dry weather and warm light. (We also continued to be impressed by the unusually high creek levels and the nearby lake that was now completely full of sediment washed down from the peaks.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Three Cranes in Formation

Three Cranes in Formation
“Three Cranes in Formation” — Three lesser sandhill cranes against blue winter sky above California’s Central Valley.

As I posted this I was considering the title… and it occurred to me that “Three More Cranes” might be the appropriate modification, considering how many crane photographs I have been sharing! And I’m not done — there are still a few more in the queue. Think of it as a sort of end-of-season (at least in Central California) crane fest, with the photographs coming from my final two visits to local crane areas this winter.

Getting a good, close photograph of cranes in flight is more of a challenge than you might think. On a day like this one, the cranes are everywhere, and they are quite active. But a whole bunch of things have to fall into place for it to work, and most of them are decidedly not under the photographer’s control. There must be some sort of good light, and the cranes must be flying in a good direction relative to that light. Their flight must take them near (and preferably over) my position, but cranes are notoriously finicky about flying directly over people. The individual birds must align themselves in aesthetic ways — not blocking one another or creating awkward shadows, wings in an interesting position, yet close enough to one another to fit in the frame. The truth is that a day of photography may not produce a photograph with the birds aligned as beautifully as this trio.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Three Cranes, Winter Sky

Three Cranes, Winter Sky
Three lesser sandhill cranes against winter blue sky, Central Valley.

Three Cranes, Winter Sky. © Copyright 2022 G Dan Mitchell.

Three lesser sandhill cranes against winter blue sky, Central Valley.

This is another “just plain birds” photograph, in this case of a small group of lesser sandhill cranes that flew past my position in mid-morning light on a late-winter day near the end of the migratory bird season at this location. I often try to photograph the birds in some context, whether it is against the landscape of the Great Central Valley or a dramatic winter sky or in tule fog. But sometimes I just go ahead and make a straightforward, no-apologies photograph of birds. Like this one.

At one point some years ago I realized that cranes would often follow the flight paths of other cranes that had just passed by. It occurred to me that instead of waiting for the birds to come to me, I could just move to one of these spots, then sit and wait for them to fly over. I quickly learned that cranes do not like flying over humans. They may begin on a trajectory headed straight for you, but they will almost always divert and curve around. (The direct oversight is so rare that it always surprises me when it does happen.) This trio deflected later than most and flew past quite closely.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Three Women, Grant Street

Three Women, Grant Street
Three women stand in front of a Grant Street storefront at night, San Francisco.

Three Women, Grant Street. © Copyright 2021 G Dan Mitchell – all rights reserved.

Three women stand in front of a Grant Street storefront at night, San Francisco.

At this point I’m not sure I recall the exact circumstances that had me in this part of San Francisco after dark, but from the group of photographs that I have in my archive I can tell that I had made my way to the Chinatown district by evening, and after photographing there headed south past the Moscone Center, all of which suggests I had gone up there and back on the train. Taking the train to San Francisco for a day of street photography has long been a favorite activity, though I think it has now been about two years since the last attempt, aside from a few brief forays when I was up there this past fall for a couple of shows.

This San Francisco district, and others like it, are great places to photograph after dark, especially if you can work quickly, in street photography style, using a small handheld camera. There is often a fair amount of light from the combined sources of street lights, passing traffic, and the often-colorful lights spilling from commercial storefronts. With a small camera, especially at night, I can photograph without being so obvious that I intrude on the scene myself. One theme in my night street photography is people doing seemingly unusual things in a very normal human fashion. This appears to be a group of three friends passing through this area, but pausing to look in an unusual direction for just a moment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.