Tag Archives: three

Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Three Black-Necked Stilts

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Three Black-Necked Stilts
Three black-necked stilts feeding in a shallow wetlands pond.

Three Black-Necked Stilts. © Copyright 2021 G Dan Mitchell – all rights reserved.

Three black-necked stilts feeding in a shallow wetlands pond.

Often when I go out to photograph birds the potential conditions of light and weather can dominate my thoughts more than the birds themselves. It isn’t that the birds are not endlessly fascinating — they are! Rather it is that I want to photograph them, if possible, in exceptional conditions. That typically means near the beginning or end of the day and, if possible, when the atmosphere is interesting… and by “interesting” I usually mean foggy.

This was not that day. The sky was clear from dawn until dusk. But while the light was perhaps ordinary, the birds were not. There were more of them than I recall seeing in the past. They were mostly geese of various sorts (snow, Ross’s, cackling, white-fronted…) but also cranes and abundant small blackbirds. And, as always, along the edges of the ponds there were black-necked stilts, a bird that I’ve come to enjoy quite a bit. Photographing them is either really easy… or incredibly hard. The hard part comes when they suddenly take flight and tracking them is a challenge. But between those flights they spend a lot of time feeding and moving slowly as this trio was doing when I photographed them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Fall, Photographs: Fall Color, Photographs: Nature

Thinning Tule Fog, Morning

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Thinning Tule Fog, Morning
Autumn trees begin to emerge from thinning morning tule fog, Central Valley.

Thinning Tule Fog, Morning. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn trees begin to emerge from thinning morning tule fog, Central Valley.

As I post this photograph and text it is mid-September, although the post is being queued up for the first day of October. Most of you will see it on October 1. (If you see it earlier, use your imagination!) The onset of autumn in my part of California always seems to take longer than I expect, even after decades of experiencing it. For many years I subconsciously felt that it began when school started again “in the fall,” even though the start dates usually occurred while it was still late summer. This association with fall led me to expect to see fall weather in September, but September in most of California feels much more like summer. I still struggle with this seasonal displacement.

But if you are seeing this on October 1, it now actually is fall, and even though we typically have some warm days ahead of us — and usually the real rains are at least a month away — the change is now becoming more obvious. The nights last longer than the days, mornings are cool, the clouds from incoming Pacific systems start to pass overhead, and the aspens are turning in the Sierra Nevada. This is my favorite season — the time of soft light and clouds and autumn colors. This photograph comes from a late-autumn day in California’s Central Valley, as morning tule fog began to thin. (Note: This is a reworking of an image posted previously.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Three Aspens, Granite

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Three Aspens, Granite
Three autumn aspen trees standing against a granite wall, Eastern Sierra Nevada.

Three Aspens, Granite. © Copyright 2012 G Dan Mitchell – all rights reserved.

Three autumn aspen trees standing against a granite wall, Eastern Sierra Nevada.

Those of us who have spent a lot of time in the Sierra — and the story is similar for other locations — gradually accumulate “personal spots” that might not make much of an impression on others but which we greet like old friends each year. Mine include a particular rock outcropping in Tuolumne Meadows, a particular flat rock in the Yosemite backcountry where I’ve frequently placed my cook stove, a small grove of trees nestled in a bend along an Eastern Sierra road, a high and barren lake in the Southern Sierra, and quite a few more. I’ll bet you have a few such places of your own.

This little group of three slender aspen trees set against a jumble of rocks s is one of those spots. It is very accessible, but there’s an excellent chance that if you were nearby you passed without noticing. Yet virtually every autumn I end up stopping and photographing them again. (Yes, there are other photographs of them in my collection.) They are “the same,” yet they are also different every time I visit — the leaves may be green, yellow, a combination, or gone. The light may be intense in the morning or soft and blue in late-day shadows. So I return, and I photograph them again, and I mark another season with each return.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Travel, Photographs: Utah

Three Sisters, Sheep Rock

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Three Sisters, Sheep Rock
The Three Sisters, Sheep Rock, and other red rock formations, Arches National Park.

Three Sisters, Sheep Rock. © Copyright 2012 G Dan Mitchell – all rights reserved.

The Three Sisters, Sheep Rock, and other red rock formations, Arches National Park.

There are so many things bound up in photographs like this one that it would be possible to write a book about it. This was my first visit to this landscape and, as such, it was part of the rare experience of being in a place that I did not know at all. It also raises questions about the value of photographing icons — hint: there is some, but it is complicated. It is a photograph I made some years ago, bringing up the value of revisiting photographs that were originally left behind or perhaps interpreted differently. It brings up the questions about what landscape photographers do when the landscape is inaccessible.

I made the photograph during perhaps my first hour or two in Arches National Park. For someone who read Abbey’s “Desert Solitaire” decades ago, this visit was a long time coming. And, aside from that book, I came with few preconceptions about the park, and I had not researched before arriving. Consequently, as we drove in late the first afternoon I had almost no idea of what I would see. I was amazed.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.