“Jumbled Rocks and Strata” — Stratified rocks and piles of jumbled boulders line the shoreline of a cove, Point Lobos.
This geology is found along the edges of one of the famous coves at Point Lobos, on the California coast between Monterey and Big Sur. Here deeply stratified rock formations meet the sea, curving and bending as they gradually drop into the cove. The surf continuously erodes the rocks, depositing broken pieces of these formations on the shoreline, along with driftwood and bits of rock from other locations.
I rarely photograph the “all” of this subject. More typically I wander slowly among the rocks and driftwood and other things cast up by the surf, looking for small “intimate landscape” subjects. A close look at this scene may reveal some of the elements of those photographs.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
It had been too long since my last visit to the coast. The Pacific Ocean is barely more than a half hour away, and the Big Sur coast is only about twice that far. This coast has been part of my life since my parents took our family there when I was a child. When traveling, two things make me nervous – being too far from mountains and being too far from the coast. So this morning, after too long of an interval, I headed over there and ended up at Point Lobos.
Much to my surprise, my first stop was at the place known as Weston Beach. (It always feels like it should be called Weston Cove, but I digress.) As I began photographing I felt a bit like perhaps I was revisiting a place that has been done, and overdone, and overdone again. But I have a personal connection to this little cove and its rocks and pebbles, and I ended up enjoying a rather long period of slowly poking around, checking out rocks, looking for stuff washed up on the shore. (About that title: I had to look up what to call this stuff, and I learned that the closet thing to an official term for natural things washed up on the beach is “wrack.”)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
This is another photograph from our very recent visit to areas of California just north of San Francisco. If you follow the news, that description perhaps calls to mind the recent (and current, as I write this) major wildfires burning in California, including the disastrous fire in the Santa Rosa area that killed dozens of people and destroyed thousands of homes and other structures. In fact, we were very close to that area on this trip. We might not have gone at all, except that one of the reasons for going there was to participate in a wedding — and since the wedding went on despite the first, we went. We had planned a few days after that for photography, and we decided to stick to that plan, too.
The effects of the fires were obvious in many ways: signs in shops and elsewhere about people needing a place to stay or raising funds for fire relief, the traffic heading to the coast to try to find relief from the smoke, and the constant presence of that smoke in the air. We ended up doing much less photography than we usually would, but on one day we did manage to make a few photographs. We had driven north up that coast a ways, turning around just north of Jenner where the smoke became quite severe, and we were returning to the area around Point Reyes National Seashore. We arrived alongside upper Tomales Bay, which separates Point Reyes from the rest of California, not long before sunset. Here the smoke thinned a bit, mostly just producing some atmospheric haze, and the scene was quiet and still in the early evening light.
Wildfire smoke from northern California wildfires colors the evening sky at upper Tomales Bay
In what is perhaps an example of astonishingly bad timing, we were in the region just north of San Francisco for the past few days — near the areas afflicted by the terrible wildfires that have taken lives, destroyed property, and burned over huge swathes of wild land and agricultural areas. The scope of the damage is virtually unprecedented in California, and the events are not yet over as I write this. We were in Petaluma on Friday and most of Saturday, where Patty was to participate in a long-planned wedding of one of her former oboe students. The fires were close enough to Petaluma that breathing masks were provided to those attending the wedding, and at times ash fell from the sky like very light snow flurries.
On Saturday we moved closer to Point Reyes National Seashore. Our original plan had been to spend a couple of days photographing there, but the conditions were not conducive to photography for the most part. We visited the Seashore on Sunday, but the smoke and the naturally brown October conditions, combined with a complete lack of moody for or other clouds left us a bit uninspired. We found a few things to photograph, but we finally decided to just drive north up that coast a ways. We got just past Jenner, where the smoke become even thicker — and we turned around. The smoke was not the only evidence of the fires. Signs were up everywhere — restaurants and similar places — with announcements of fund-raisers, requests for donation, notes from people looking for a place to stay. It was also clear the folks from inland had headed out toward the ocean to try to escape the fires. We left Jenner and headed back toward our lodgings in the Point Reyes area, and just at sunset we arrived at upper Tomales Bay. It was quiet and still as we stopped at a high point from which we could look out over the bay and north toward its mouth. It was still smokey, but here the smoke merely softened the features of the landscape and added color to the sky and the reflecting water.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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