Exterior detail of the Cathedral Church of Saint John the Divine in New York City.
After traveling uptown to the general area of Columbia University for a breakfast visit to a bakery that had been recommended to us we wandered across the street to the grounds of this famous and imposing cathedral. We began in the sculpture building next to the church, and this photograph was made from that general area, taking advantage of the soft and diffused light of this overcast day.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Buildings of the lower east side of Manhattan, seen through the cables of the Brooklyn Bridge.
My son kept suggesting a walk across – or at least on to – the Brooklyn Bridge, so when the weather finally cleared up on our last full day in New York City and we found ourselves wandering around Lower Manhattan near the entrance to the pedestrian walkway across the bridge, we really had no choice.
It is hard – perhaps impossible? – to make a truly new photograph of the bridge, at least for this first time photographer of this New York icon. I do have a few frames of the masses of cables ascending to the tower closest to Manhattan, a scene we’ve all seen before, and I probably won’t be able to resist posting at least one of them eventually
I have no idea whether or not a shot like this one is familiar to those who have seen more photos of the bridge than I have, but it wouldn’t surprise me if it is a typical view. In any case, I was fascinated by the dense web of cables, the fact that they are much thinner than bridge cables that I’m familiar with, and the appearance of the many buildings along the east short of Manhattan Island both north and south of the bridge.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Ridgetop trees and boulders along the trail catch the afternoon light at Artist Point, Mt. Baker-Snoqualmie National Forest, Washington.
I had been admiring this steep, rugged, and distant ridge all afternoon, starting with our first shooting location down lower on the mountain. As we hiked up the Artist Point trail, we took a detour to the right and I noticed this low rocky ridge covered with trees and the ridge in the distance. At first I couldn’t quite see a shot and I looked elsewhere, but soon I came back to this spot and thought that something with the foreground rocks and trees along with the clouds and more distant ridge might be interesting – but as soon as I saw this a large cloud floated over and blocked the sun from my position, leaving the nearby trees and rocks in shade!
Sometimes when this happens it makes more sense to move on and look for a photograph that works with the conditions you have, but other times it can be worth waiting. It is hard to know for sure which is right, but I decided to set up and sit tight, waiting to see if the light would improve. The light shining around the edge of the cloud was tantalizingly close, but the cloud was stubborn about moving. At one point the light increased a bit for perhaps 15-20 seconds, but then quickly went away. I continued to wait. Finally, the light began to gradually increase, and I got about one minute or less of sun before the cloud again blocked the light – but this was long enough to make a few exposures of this scene.
I have a favor to ask of anyone who is familiar with this area – help in identifying the trees and, even more, help in identifying/naming the distant ridge and the peaks that sit on it. I’m not great at plant identification, but I’m really out of my league in the Cascades. One person walking by as I made the shot seemed to think that the trees are mountain hemlock – but I’d be grateful if anyone can confirm this… or set me straight. Although I was impressed with the peaks on the ridge in the distance in this photograph… I do not have any Washington topographical maps or guide books, so I’m completely in the dark about what to call this ridge or the peaks. Here, too, I would be grateful if anyone can help me identify the ridge, the peaks, and any other important features in the photograph.
Update: A Facebook reader shared information about the peaks on the distant ridge in this photograph…
Alan Majchrowicz writes: “From left to right, Tomyhoi Peak, Canadian and American Border Peaks, Larrabee Mountain. Nice photo Dan, hope I can break away this week and spend some time up there!”
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Sunset on cloud-shrouded summit of Mt. Shuksan with Picture Lake in the foreground, Mt. Baker-Snoqualmie National Forest, Washington.
Icon alert! I understand that photographing Mt. Shuksan from this locale is, in the Pacific Northwest context, perhaps almost equivalent to photographing the Golden Gate Bridge from the Marin Headlands or photographing Yosemite Valley from Tunnel View. As a brand new photographer of Cascades Range subjects, I plead guilty to succumbing to this icon and photographing it. (I’m told that the only thing that this photograph needs in order to qualify for full “yet another photo of an icon” status would be to come back in a month and shoot it when the fall colors appear.)
My brother and I had been up higher photographing the Artist Point area for most of the afternoon, and he suggested that since we were here we might stop at Picture Lake on the way back down the mountain and see what might develop. I’m glad he did since, icon status aside, this really is a stunning and beautiful location and it was a quiet and beautiful evening. Several things made it special, I think. First, while the summit of Shuksan never fully cleared, the clouds shrouding the summit gave it a more dramatic aspect than might have been the case with an unobstructed view. Second, much to our surprise, we were not joined by a throng of other photographers. At first we were the only ones there, and later we only saw a few others in the area.
This was a technically challenging scene to photograph. The lake and foreground trees were in shadow at this point, though on the scene one could still see the details of the forest along and beyond the far shore. Yet the summit of Shuksan and the clouds were in full sun, and making this even more difficult, the red sunset light was extra intense. The eye can take all of this in without a problem as you move your focus from foreground to distant peak, but the camera is not as capable – and the dynamic range of the scene dramatically exceeds the capabilities of cameras. So, again, this photograph is a composite of three exposures manually blended in post to combine the best exposures of bright and saturated highlights with the best exposure of the dark forest along the shore of the lake.
Update on 9/29/10: I recently noticed that I had misidentified the lake in the photograph! I have corrected the post to call it by its correct name, Picture Lake.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
