Winter dusk light and clouds over the Pacific Ocean at Carmel Highlands near Yankee Point, Pacific Coast Highway, California.
This is the companion image to the black and white photograph I posted yesterday, Before I made the exposures that I used to create that black and white landscape-orientation image, I first made a quick series of bracketed exposures in portrait mode. As I photographed, I knew that the dynamic range was going to be too large for a singe exposure so I quickly made a series of four exposures, from which I selected two that have blended to produce this image.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A Carmel Highlands cypress trees stands at the edge of a cliff above the Pacific Ocean and Yankee Point at dusk.
Oddly, this is a photograph that sort of “didn’t make the cut” the first time I went through the batch shortly after making the photographs in early 2010. I had spent the afternoon photographing further south in the Big Sur area and several other photographs from the set turned out more as I expected – and this one seemed like a sort of problem child photograph, so I didn’t take the time needed to work with it. Eventually I forgot about it as I went on to other projects.
The photo had been almost a bit of a grab shot. As I was heading north back up the coast, thinking I had finished my shooting and was now on the way home, I was stunned to catch a glimpse of some intense post-sunset light as I rounded the bend at the head of this cove in Carmel Highlands. I wasn’t certain that I could find a composition and work out a photograph in the brief interval the probably remained before the light faded, but I quickly put on the wide angle zoom, attached the camera to the tripod, and headed over to the edge of the bluff. Exposure was a terrible problem because the brilliant and very colorful sky was quite bright, while the close side of the foreground tree was nearly black. I made managed to shoot the scene a few times, shifting from landscape to portrait mode and making three bracketed exposures of each composition.
When I got home and looked at the raw files I think I decided that it was just going to be too much work for too little reward, and I instead went to work on more promising shots from earlier in the afternoon. This week I came upon the series of shots again and wondered what I could do with them. My first inclination was to go with the color, and I did come up with a portrait orientation image in color that I will probably post before long. Then, as I began to work on the landscape mode image, I started to see it as having potential as a monochrome image. I tried it. I liked it. And here it is!
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A dense grove of thick and twisy aspens growing along Dunderberg Road in the eastern Sierra Nevada.
This just may be my final new aspen photograph from the 2010 season in the eastern Sierra. (Then again, I do go through all of my raw files during the final couple of weeks of the year, and who knows what might turn up!)
The photograph was made late in the day along the dirt track of Dunderberg Road in a grove of trees that I have visited in the past. Aspen trees can assume a seemingly infinite variety of forms, ranging from the groves of tall and slender trees growing in near perfect symmetry to stunted and twisted specimens that seem more like shrubs than trees. In this grove the trees seem to have endured some real stress – they have thick and strong trunks, but the trees are not tall and the trunks are gnarled and twisted in all sorts of crazy directions. Often when you see a trunk as thick as this one you would expect the tree to be quite tall… but not here.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Trees recede into the distance in a quiet forest in the upper section of Yosemite Valley.
Late in the afternoon, after the light rain had mostly ended, I stopped to try to photograph some dogwood trees that were getting their fall colors. I started by looking at some trees very close to the road, but then saw more interesting trees a bit further into the grove so I wandered a bit farther from the road. Soon I saw a couple of trails leading into more open areas near the river, so I kept walking. This led to a trail that headed up the Valley – I followed it and soon crossed the Merced River. Continuing on (and now well beyond the grove that I originally stopped to photograph!) I crossed again on a second bridge and soon noticed an interesting section of more open forest off to one side. As I wandered down into this area I saw that there were quite a few rocks along the otherwise level forest floor here, and after making a couple of initial shots I also saw that nearby the level forest floor began to give way to more hilly and rounded terrain with occasional boulders and small rocky hills. I left the trail and began to walk about slowly, just watching for interesting arrangements of trees, colorful leaves, and places where the light glowed through the forest canopy.
When I stopped to make this photograph (and several other exposures in the same spot) I was attracted by the relatively open forest through which I could see the vertical forms of the trees receding, and by the interesting arrangement of the foreground trees. The soft forest light on this cloudy afternoon also gave the leaves and needles a luminous quality.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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