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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Grove, Red and Gold

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Aspen Grove, Red and Gold
Red and gold autumn color in an Eastern Sierra Nevada aspen grove.

Aspen Grove, Red and Gold. © Copyright 2022 G Dan Mitchell.

Red and gold autumn color in an Eastern Sierra Nevada aspen grove.

A small change in a subject can alter how we see it and even make photographs possible in a location that might have not worked in the past. I have driven past this grove scores of times, occasionally stopping to. look at some colorful nearby trees. But I never took the time to walk just a little bit further to this camera position. Why not? Often there are too many people here, and when I usually visit the color is not at its prime. But this time I came about a week later and on a quiet weekday. The color was much more interesting, and the entire time I was there I saw only one other person.

The beginning of the Sierra aspen color season is a special time, and the beginning of the transition never fails to catch my attention. My favorite time frame is usually the first two weeks of October, perhaps because the start of the change is so compelling. But things are different — and equally interesting — a bit later, following that early color peak. I made this photograph in the third week of the month, when trees at the higher elevations had already lost most of their leaves. Even here a lot of foliage had fallen. However, this meant that virtually all of the remaining leaves were shades of yellow, orange, and red… and the thinner foliage revealed the white aspen trunks.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

Autumn Leaves, White Mountains

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Autumn Leaves, White Mountains
“Autumn Leaves, White Mountains” — Autumn leaves and soaring tree trunks in a White Mountains forest.

This photograph illustrates a few important take-aways from fall photography, things that can be extrapolated to other kinds of photography, too. Again, the location was not iconic, even though it is along/near iconic places. We had stopped after seeing a sign for a pond, but I ended up finding the nearby forest even more interesting. Note that not all of the trees have changed color. As overwhelming as a fully fall-colored forest can be, the colors often stand out when there is some “non-color” in the frame, too. Note, too, that I made this photograph in soft light, which intensifies the colors while opening up the shadows. Finally, I think that some non-color structural elements can help with the composition of photographs of the subject — here that comes from the verticals of the tree trunks.

One thing we learned on this trip — our first to New England in the fall — is how quickly the leaves reach and then pass their peak color. The build-up seems a bit slower, but there was literally one day when it was obvious that the peak had arrived. And only one day later the leaves began to fall more quickly, bare trees became more apparent, and the color was in decline. The show wasn’t over, but the process was clear. Fortunately, because the color doesn’t arrive everywhere at the same moment, flexible photographers and leaf-peepers can move on to different locations that haven’t peaked yet.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Sierra Nevada

An Alpine Bowl

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An Alpine Bowl
Rock-filled meadows rise past the tree line towards the rugged terrain of the alpine zone, Eastern Sierra Nevada.

An Alpine Bowl. © Copyright 2022 G Dan Mitchell.

Rock-filled meadows rise past the tree line towards the rugged terrain of the alpine zone, Eastern Sierra Nevada.

This particular corner of the Sierra Nevada backcountry landscape became a bit of an obsession for me during out August backcountry photography foray. We camped nearby for a week, and every day we went out to explore and photograph portions of the surrounding alpine landscape. Our base camp was not far below the high country of open meadows and talus, which is my favorite kind of Sierra landscape.

With that in mind, it should probably be no surprise that I walked up into the area in this photograph several times. Access was quite close — a few hundred yards above our camp, after crossing a creek, I was in the lower reaches of the sub-alpine meadow, and from there it was a pleasant amble across the meadows, occasionally through some trees, and on up to the treelike and beyond. High in this bowl I found what I expected — a shallow lake replenished by snowmelt water coming down from high above.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Nature, Photographs: Sierra Nevada

Lake, Morning Haze

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Lake, Morning Haze
Morning haze glows in a valley beyond the outlet stream of a Sierra Nevada subalpine lake.

Lake, Morning Haze. © Copyright 2022 G Dan Mitchell.

Morning haze glows in a valley beyond the outlet stream of a Sierra Nevada subalpine lake.

As a photographer whose roots are in black and white photography — that’s how I started decades ago — the thought of “going monochrome” with photographs is always there, even though the great majority of what I do these days ends up in color. But every so often a photograph just seems like it should be black and white. The reasons are not always completely clear, but often they are images with a strong formal structure and photographs in which the contribution of color might not be the most important thing. I went back and forth on this one quite a bit, eventually putting the color and monochrome renditions side by side on the screen… at which point the choice seemed clear.

This lovely Sierra Nevada lake has an ideally situated outlet stream for morning photography. At the outlet the broad basin holding the lake pinches off between angled canyon walls. Beyond the valley drops toward the rising sun, and the mountains beyond are seen though the luminous morning light. Other photographs I made of this subject included only a bit of the lake and used the wide landscape format. But it seemed to me that including this bit of the near shoreline strengthens the sense that the viewer is looking out and across the water into that light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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