Tag Archives: trunks

Dense Stand of Bare Aspens

Dense Stand of Bare Aspens
Dense Stand of Bare Aspens

Dense Stand of Bare Aspens. Eastern Sierra Nevada, California. October 10, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A dense stand of nearly bare aspen trees, eastern Sierra Nevada

Those who photograph the eastern Sierra fall aspen color over a period years begin to recognize certain patterns which, in retrospect, are probably somewhat obvious. The color transition begins very close to the same time each year, near the end of September, though there are variations that are probably caused by annual differences in the climate. The first trees to change are found at higher elevations, and sometimes a few transitional leaves can be spotted even in mid-September. Once the change begins it works its way down in elevation, with the peak color occurring between the first week of October and perhaps through the third week in a typical year. If you look for color early, you start high. If you visit later, you look low.

This year the color change seemed to begin a bit early, probably due to a sequence of two drought years in the Sierra. By the time we arrived in the mountains in the second week of the month, most of the high elevation trees had completely lost their leaves, the mid-level color was at its peak, and the low elevation trees were more colorful than in a typical year. Even though we knew that the higher trees were mostly spent, we did head high up into some canyons to see the bare aspen trunks. In a few spots, such as this narrow stand of trees that grows in a valley along a creek, there were still a few golden leaves among the otherwise bare trunks.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, Old Road

Aspen Grove, Old Road - An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah
An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah

Aspen Grove, Old Road. Dixie National Forest, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah

This is another of the “could have been anywhere” photographs, both because little scenes like this can be found all over the American West and because it is a scene that I simply happened to notice while passing by. So, the specific location is most certainly unimportant, though I’ll say that it was along a gravel road running through a section of the national forest in roughly the Zion/Cedar City area, a road that we had turned up more or less randomly and then explored for perhaps a couple of hours before turning back. The goal of that little drive had been to get into or as close as possible to some extensive forests of colorful aspen trees that we had seen from a distance. We succeeded.

There is something evocative on a number of levels about a simple scene like this one – with factors including the literal and subjective aspects of the changing season, the image of the small road disappearing into the grove as it wanders off to an unknown place, and the light of autumn filtered through the golden canopy of aspen leaves. If you don’t pay careful attention when you are there you might miss it, but the golden color suffuses the entire understory when the light is just right. (Photographers and painters may notice this sort of thing more than most people, since we/they are used to dealing with the otherwise blue coloration of the shadow light.) This sort of scene is extremely transitory. While we can permit ourselves to believe that both the green time of summer and the snowy time of winter are relatively permanent, no such illusion is possible during the brief span of literally a few days when the aspen color comes to these groves – they are different every day, and sometimes you can literally see the color going away as the wind blows down the leaves.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove Below South Lake

Aspen Grove Below South Lake
A dense aspen grove in full fall color near South Lake in the Bishop Creek drainage

Aspen Grove Below South Lake. Eastern Sierra Nevada, California. October 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A dense aspen grove in full fall color near South Lake in the Bishop Creek drainage

I have been returning to this little group of trees for several years now. There are many like it throughout the eastern Sierra, but somehow this group has come to seem like “mine” and I shoot it every fall. There is nothing obviously special about it – it is not some sort of landmark location, and you would easily pass right by it if you happened to be there and look in a different direction. It is up a somewhat obscure little dirt road that goes no where in particular.

At the right moment in the fall season the grove turns completely golden-yellow with the exception of some years when it seems to hold a bit of orange or red, if I recall correctly. I like to arrive in the early evening just as the sun is about to dip behind a nearby ridge and bring soft, shadowed light to this spot. This year I had thought that I might be too early, since I would more typically shoot there perhaps a full week into the month of October, but this has been an early season for aspen color in the Sierra and in a number of other areas of the west as well.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Forest, Morning Light

Forest, Morning Light - Morning light shines into forest at the top of bluffs above the Pacific Ocean, Point Lobos State Reserve.
Morning light shines into forest at the top of bluffs above the Pacific Ocean, Point Lobos State Reserve.

Forest, Morning Light. Point Lobos State Reserve, California. March 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light shines into forest at the top of bluffs above the Pacific Ocean, Point Lobos State Reserve.

These forests at Point Lobos are often very appealing places to be, but I find them to be difficult to photograph! They are full of light in the right conditions – while the trees can grow somewhat close together, they tend to form a relatively open canopy that lets the light in. There is often moss hanging down from branches. Various plants grow along the ground – though watch out for the poison oak! And, of course, when you are actually there the constant sound of the surf is never far away, the air is cool, and there is often at least some breeze.

But some of these same attractive features are the source of (for me, anyway) the challenges of photographing these forests. The light, as beautiful as it is, can be very tricky. Because of the thin canopy of the trees, the direct sunlight often makes it down into the lower reaches of the forest and hits trunks and branches, creating spots of very bright light that are hard to manage. I could photograph (and have done so) in overcast or foggy conditions… but there goes that light. And the dense growth makes it difficult to find compositions that show the larger forest itself rather than just isolated elements of it. But on this visit high, thin clouds came to the rescue. While they were thin enough to allow directional sun light into the forest, they were just opaque enough to take the harsh edge off of the light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.