Tag Archives: tufa

Dawn, Mono Lake and Sierra Crest

Dawn, Mono Lake and Sierra Crest
Dawn light on the Sierra crest at South Tufa, Mono Lake

Dawn, Mono Lake and Sierra Crest. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dawn light on the Sierra crest at South Tufa, Mono Lake

There is a bit of a story behind the choice to post this photograph today. And that story may help explain the posting of more than a few older photographs this month. Every December, like so many other photographers, I prepare a set of “favorite photographs” from the year that is about to conclude. (Something happened this past December and I was delayed in this process. One thing led to another and I never did post my annual set of favorites for 2017!) Part of my process for preparing the list of favorites is to go through ALL of my raw files from the year, and I often discover interesting work that I missed as I engage in this process. I didn’t do that either… so I’m now digging back into the older files to see what I missed. So expect a mixture of current and older work through August and possibly into early September.

To make things a bit more confusing, this photograph is even older! It comes from 2007. Once I get into this process of looking at old files, I never know where it will lead! I made the photograph on a lovely, quiet morning at Mono Lake, when the water was still and the first light was shining on the eastern Sierra Nevada.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tufa Hill, Twilight

Tufa Hill, Twilight
Twilight and evening clouds above a tufa hill in the Death Valley landscape

Tufa Hill, Twilight. © Copyright 2018 G Dan Mitchell – all rights reserved.

Twilight and evening clouds above a tufa hill in the Death Valley landscape

A day or two earlier than this I had been out in a location not far from this spot at the end of the day, hoping to photograph end-of-day color. Just before sunset the sky went “dead” — some haze, no color in the sky, and a generally flat-looking landscape. I was about to pack up when “someone” (thanks, Patty!) pointed out, perhaps more than once, that I really should stick around “just in case.” And, yes, within moments a dull, gray cloud began to pick up pink tones, and before long sufficient color appeared to produce an interesting photograph. I know not to “pack before it is black,” but I need reminding from time to time!

The evening when I made the photograph seen here was challenging in many ways, and it began with perhaps even less promise than that evening a few days earlier. This time the sun went behind clouds to the west as it descended, turning the light completely flat. On top of that, the wind was absolutely howling, and sand was just beginning to blow. If I hadn’t had that reminder a couple of evenings earlier, I would have been out of there! But I stuck around, switching out the long lens that I had been using for a wider lens used for this photograph, and when the post-sunset, early twilight glow and color began I was ready. (A note regarding the title of this photograph. I’ve wondered about the source of these fantastical hills on the floor of Death Valley. As near as I can tell, they were formed many thousands of years ago, at the bottom of what was then a giant prehistoric lake.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Mono Lake Shoreline, Evening

Mono Lake Shoreline, Evening
The last light on hills beyond the Mono Lake shoreline

Mono Lake Shoreline, Evening. Mono Basin, California. October 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The last light on hills beyond the Mono Lake shoreline

I’ve long been fascinated by the view across this section of the Mono Lake shoreline. It contains a lot of things that I consider essential to the Mono Lake experience — tufa “towers” (though these are more like islands), the shallow shoreline with its curving edges, the larger islands and buttes, the distant mountains in the east, the immense open sky, and the textured and reflecting surface of the water.

In a way, this photograph was sort of (but not exactly!) the result of “killing time” between photographing two other subjects. I had been at a nearby area with colorful aspen trees, and had finished up there — the light was gone sooner than expected when high clouds moved in. At that point I knew that the full moon was going to rise close to sunset, so I decided to find a location along the Mono Lake shoreline to photograph it. I arrived there too early — better than too late! — and had some time to photograph other things as I waited for the moon. I went ahead and set up tripod and camera with some urgency as I noticed to last sunlight on some of those distant hills.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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From Tufa To Mountains, Dawn

From Tufa To Mountains, Dawn
Predawn light above high desert mountains, reflecting on the surface of Mono Lake

From Tufa To Mountains, Dawn. Mono Lake, California. July 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Predawn light above high desert mountains, reflecting on the surface of Mono Lake

Mono Lake is famed for several things, among them the remarkable tufa towers found in several locations along the shoreline of this great land-locked lake east of the Sierra Nevada. And, yes, this photograph includes a few of those towers — a small group that lies far enough from the shoreline to make them less accessible and interesting to most photographers. (No, that isn’t Nessie — or a band of Nessie lookalikes — at the lower left corner.)

But tufa towers are not my primary or strongest association with this place. Mine include more ephemeral things — the sense of huge space, the expanse of the sky (accentuated by the distance and smallness of surrounding mountains), the deep quiet that is broken only by the sounds of birds and wind. In my experience, to understand those things about this place you must find a quiet place away from other people and perhaps just “be” there quietly, long enough to let its stillness begin to affect you, too. On this morning I arrived in Mono Basin before dawn, ending up at a spot that is not typically regarded as being iconic. Being early, I was in no hurry, so I set up my camera and tripod and just looked for a while before beginning to make photographs of the predawn light from beyond the eastern mountains as it reflected on the breeze-ruffled surface of the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.