Tag Archives: tufa

Tufa, Sky, Passing Birds

Tufa, Sky, Passing Birds
A small flock of birds flies above tufa towers and the vast expanse of Mono Lake beneath summer morning sky

Tufa, Sky, Passing Birds. Mono Lake, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A small flock of birds flies above tufa towers and the vast expanse of Mono Lake beneath summer morning sky

It is easy to think of the tufa towers and being the iconic features of Mono Lake, and arguably they perhaps are. They are certainly the destination for many visitors to the lake, and I have often been to them before dawn to photograph the first light striking their forms. A small group of the towers are included in this photograph, too, though I don’t feel that they are necessarily the predominant feature here.

When I think of Mono Lake, other things come to mind before the tufas. One of the first associations is the immense space encompassed by the lake itself, the larger basin that contains it, and the huge expanse of sky overhead. Very close to that are two related non-visual associations — a great stillness (interrupted only perhaps by a few birds) and a profound silence. For me, this is a place to approach quietly and without hurry.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pinnacles, Searles Valley

Pinnacles, Searles Valley
Trona Pinnacles, Searles Valley, Desert Mountains

Pinnacles, Seamless Valley. Near Trona, California. March 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Trona Pinnacles, Searles Valley, Desert Mountains

These remarkable pinnacles stand just off to the side of a route I often use to get to Death Valley National Park, and that’s where I was reading on this day back in March. The pinnacles are just outside of their namesake town of Trona, a rather isolated and seemingly decaying old town whose main business seems to be extracting minerals from the playa holding Searles Lake. A drive through the town reveals that it is still alive, but that it is suffering the malady of so many isolated desert towns depending on extraction industries, namely an eventual decline. There are many buildings that have clearly just been abandoned.

The pinnacles are visible a few miles away from Trona, out in the valley just south of the lack. They appear as a long row of huge, tooth-like formations. I understand that they are ancient tufa formations, related to but much larger than the similar formations in some other well-known California locations. I have been contemplating photographing them for years, and from time to time I stop and drive out there. The main challenge has always been the lighting, and every time I’ve been there the light has been the stark, clear sky light of desert day, which is not always conducive to photography. This time that light was softened a bit but a few high clouds and some haze, and as we explored the pinnacles I saw this juxtaposition of near and far towers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dawn, Eastern Sierra, Mono Lake

Dawn, Eastern Sierra, Mono Lake
Dawn light comes to the eastern escarpment of the Sierra Nevada and Mono Lake.

Dawn, Eastern Sierra, Mono Lake. Sierra Nevada, California. July 3, 2007.© Copyright 2007 G Dan Mitchell – all rights reserved.

Dawn light comes to the eastern escarpment of the Sierra Nevada and Mono Lake.

Some years back I visited Mono Lake very early one morning with my brother, Richard, who is also a dedicated landscape photographer. My recollection is that we had arrived separately in the eastern Sierra and somehow ended up meeting here near the town of Lee Vining and heading out to this familiar spot before dawn to make photographs.

I never know exactly what will turn up here. Yes, I can always photograph those tufa towers, but I’m usually often interested in special atmospheric effects: haze, clouds, broken dawn light, the glow on the peaks of the eastern Sierra, reflections in the morning-smooth water. We began by photographing fairly conventional photographs of the tufa towers before the light arrived. It was a cloudy morning, though the deck of clouds was broken, allowing some light to make it through the gaps and a momentary band of light to strike the mountains as the sun came up beneath the far edge of the clouds in the east. I must have made this photograph fairly close to that moment. Most of the scene is in shadow, but bands of light appear on the peaks, and a bit of softer light illuminates the foreground tufa.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell or others where indicated. Any use requires advance permission from G Dan Mitchell.

Dark Hills, Death Valley

Dark Hills, Death Valley
Dark Hills, Death Valley

Dark Hills, Death Valley. Death Valley National Park, California. April 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dark hills contrast with surrounding salt flats and alluvial fans

I know that “dark hills” is not a very poetic description for this landscape… but it does seem, at least, to be accurate! These formations have intrigued me for a few years, and I’ve been surprised to be able to photograph them all alone — despite visiting them regularly, I have never encountered another person there. I’m not sure why, except that there are some better known icons nearby, and perhaps they attract all of the others in the area.

In the past I tried to find out more about the source of the formations and my recollection (which I was unable to re-verify this time) is that they are the result of some kind of ancient tufa-like deposits formed on the bottom of the lake that once filled the basin that is now Death Valley. Their darker color contrasts strikingly with the surrounding terrain, and the material of the mounts has a finely layered quality. This example sits on a small playa where pooling water seems to have left salt deposits behind, though similar forms can also be found in slightly higher terrain nearby. In the evening the low light from the west angles across these mounds and makes their textures and curves a bit more visible.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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