Tag Archives: tule

Photographs: Central California, Photographs: Nature

Tule Marsh, Fog

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Tule Marsh, Fog
A Central Valley tule marsh on a foggy winter day.

Tule Marsh, Fog. © Copyright 2022.G Dan Mitchell.

A Central Valley tule marsh on a foggy winter day.

My winter exploits photographing migratory birds often place me in beautiful landscape under spectacular skies and in the presence of remarkable flocks of thousands of geese and cranes. But that does not capture the totality of this experience. (News flash: the photographs we share most likely focus on best moments rather than typical moments.) On a cold, foggy Central Valley morning things can be gray and still, though it is rare that the sound of birds isn’t part of the experience.

I have an extensive background in music, and this has taught me something that can be missing from photography at times, namely that there are many kinds of beauty, and that not all of them yell at us for attention. Some are quiet and some, at least at first, may not even seem beautiful at all. I won’t try to explain what I find in this photographs — you’ll just have to trust me that it is there.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature

Winter Wetlands

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Winter Wetlands
Flooded winter wetlands with broken-down tules .

Winter Wetlands. © Copyright 2022 G Dan Mitchell – all rights reserved.

Flooded winter wetlands with broken-down tules .

Places like this fascinate me. The location is in California’s Great Central Valley, a 400+ mile long feature running up and down the state, separating the coastal mountain ranges from the Sierra Nevada. Most people are probably familiar with it from driving through or across it on their way to some other place. It is largely agricultural, though these days population centers are expanding rapidly and parts of the valley are increasingly urban. Bottom line? It is hardly a place that most people would regard as a scenic attraction.

I get it. And most of my visits are more of the “passing through” than the “going there” sort — except in winter when I often make it my destination. Winter provides a relief from the valley’s generally hot and dry climate during most of the year, and wet areas appear when rain falls, especially where rivers meet and were old marshes once existed. The soft light and the expansive sky can be a relief from the urban experience. Here, wetland ponds are full from recent rains, and interesting tule islands stand where someone has chopped town the vegetation before the pond was flooded.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Central California, Photographs: Nature

Winter Trees, Levee Road, Fog

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Tule fog softens the light on a Central Valley levee road winding among winter trees.

Winter Trees, Levee Road, Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

Tule fog softens the light on a Central Valley levee road winding among winter trees.

My usual inclination when photographing a place like this is to focus on the natural and to exclude the signs of the human presence. It is perhaps ironic that I embrace the human world in my street photography but often obscure it in my other work. I think this comes from the desire to imagine a “natural” work without, well, us. There are fine reasons to do this, but there are also some reasons to not imagine that we are not part of the natural world. (This subject likely deserves and article, a book, a small library — not a two-paragraph post!)

During the winter months I often photograph in California’s Central Valley, attracted by the tule fog and by the migratory birds. And I mostly photograph these subjects as examples of nature. But the Central Valley is anything but a natural wilderness! It is crisscrossed by roads large and small, increasingly filled by towns and cities, and dominated by the agriculture industry. The good news is that those things are interesting photographic subjects, too. This road more or less winds along a levee at the edge of a large pond. I paused here to look back and the way I had come, photographing the road winding through a gentle landscape of tule fog and winter trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Agriculture, Photographs: Central California, Photographs: Nature

Dormant Trees and Fog

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Dormant Trees and Fog
Dormant trees in Central Valley winter tule fog.

Dormant Trees and Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

Dormant trees in Central Valley winter tule fog.

This is the second in a series of photographs I made of this Central Valley orchard on a very foggy winter morning. On a typical morning with these conditions, there comes a time when the fog begins to move and thin and the light begins to come through the fog and make it glow. (This is tule fog, which forms at night when the moisture level is right, and ends up producing a thin but often very dense layer of low fog.) I had been photographing birds in thicker fog, and when the thinning process began I moved to this location where I thought the trees might be an interesting subject.

In some ways it is an easy matter to photograph a subject like this one. It is naturally mysterious and compelling, both from the fog itself and from the vaguely anthropomorphic forms of the dormant trees. However, once I begin to work with such a subject, things invariably start to become more complicated than I expected — how to create a balanced composition? What camera position gives the most interesting juxtaposition of trunks? How much to focus on trunks and how much on the upper branches How to deal with inevitable intrusions of branches into the scene. My solution is a combination of looking and thinking, relying on intuition, and trying many different approaches.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.