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Conductor Guillermo Figueroa

Conductor Guillermo Figueroa
Conductor Guillermo Figueroa

Conductor Guillermo Figueroa. San Jose, California. January 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Conductor Guillermo Figueroa directing a rehearsal of the Symphony Silicon Valley

This is one of the photographs from my three-year project photographing professional classical musicians. As part of the project, which is now in its second year, I have been “embedded” with the Symphony Silicon Valley (the descendent of the former San Jose Symphony). Most of my photography has been during rehearsals, when I can work fairly freely backstage, photographing musicians in ways that they are not usually seen. Most people have a limited familiarity with classical musicians, mostly seeing them from a distance in performances when they are formally attired. One of the goals of the project is to show aspects of their lives and work that are not seen as often – the rehearsals, what goes on backstage, even what they do between rehearsals and concerts.

There is a lot of photograph in this world! I’m fortunate not only to have the cooperation of this wonderful group of musicians (thanks SSV people!) but to be personally very familiar with this world. My training is in the field of music. At one time I played professionally, and at another point I worked as an orchestra stage manager. So I have developed some sensitivity to music and musicians that might be difficult for other photographers to achieve. Many interesting things happen so quickly that you might not even see them if you did not know to look. The work of the conductor is but one example. From instant to instant the conductor’s facial expression changes, sometimes radically, to both respond to and anticipate changes in the music. The position and motion of the hands and, for that matter, the whole body, conveys important but fleeting cues to musicians. I studied conducting a bit at one time, but I think I have learned more about it in the past two years by closely watching and becoming aware of the visual elements of the conductor’s work. Layered on top of that is the basic photographic need to be constantly aware of light, both in the technical and expressive sense, and how to place the subject in a context that “works” visually. This is a very different sort of work that photographing landscapes, but it is equally challenging and rewarding!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest, Drifting Fog

Forest, Drifting Fog
Forest, Drifting Fog

Forest, Drifting Fog. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter evening fog drifts among forest trees, Yosemite National Park

Winter is a special time in Yosemite Valley, and during the first weekend of March it was special for all the usual reasons and a few others. The Yosemite Renaissance XXIX opening reception opening took place on Friday and the Range of Light Film Festival was going on all weekend. Not only did this provide opportunities to view beautiful interpretations of the Sierra and the park by a wide range of visual artists, but it also meant that the place was full of painters, sculptures, photographers, and film-makers, among whom were a good number of personal friends. It seemed like wherever I went I found people I knew. Many were doing their work, but there was a relaxed quality that led to plenty of sitting on rocks, looking at views, conversations, and even a few dinners.

But even without all of that, the Valley seems to me to be at almost its most attractive at this time of year. We arrived on a rainy late afternoon, with snow falling along the upper reaches of the Valley. Clouds and fog and mist were everywhere, blocking the light one moment and then moving to allow bits of light here and there to highlight ridges, trees, cliffs, and peaks. Even photographers who usually shoot somewhere else headed to familiar lookouts such as Tunnel View, and I found myself there more than once. For me, the primary attractions of that place at this time of year — in addition to running into friends and yakking it up — are the vignettes of bits of cloud-shrouded ridges and trees above and the frequent fogs floating through the forest on the Valley floor. So I put on a long lens and pointed the camera either up or down towards these subjects and watched the show. As I was photographing the fog drifting among trees down in the Valley, as in this photograph, I remarked to a nearby photographer friend that this subject forced me to toss out any attempt to work slowly and thoughtfully and methodically. The fog was inconstant motion among the trees and momentary compositions would coalesce in one or another part of the Valley below, only to disappear as quickly as they had appeared. In the time it takes to carefully frame and compose an image the momentary subject would simply disappear, either become completely obscured or else losing its magic as the fog thinned. Quick and instinctive work was and is the only thing that works here!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

White-Faced Ibis

White-Faced Ibis
White-Faced Ibis

White-Faced Ibis. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

White-Faced Ibis feeding in San Joaquin Valley wetlands

As I have pointed out in the past, I’m no bird expert – but I do like to photograph them! For some reason the white-faced ibis has intrigued me for some time. The first time I photographed them it was an accident. I was photographing birds flying overhead on one winter morning when the sky was filled with birds – so many that I mostly just photographed without paying too much attention to the specifics of what I was seeing. Sometime later when I got home and looked at the files I saw that one large group of birds flying in a long row, silhouetted against the brighter sky, had the interesting curved bills that characterize the ibises.

More recently I have learned to look for them, and in some of the places I photograph I now know where to find them, down to the acre in a few cases. In mid-February I went to one of these locations and ended up at a spot where I have seen many of them in the past, often feeding in groups. But this time I saw exactly two. One was behind some reeds and did not make a good photographic subject, but this one was feeding alongside a gravel road right at the edge of the water. I stopped my car – which often serves as an effective blind – and opened a window and waited (somewhat) patiently as the bird worked its way along in the shallow water. The trick is to think of this almost as a portrait – I watch for the bird to turn into the best light, to stand in an interesting position, to face the camera, and to be in a spot that avoids distracting or interfering objects. The egret tends to spend a lot of its time with its beak deep in the water as it looks for food – not a very attractive photographic pose! But it periodically lifts the beak and every so often it briefly stands up straight as seen here. The plumage of this bird is very interesting. It can look just plain dull and almost black in some light. But if it turns its body toward the sun, the feathers become iridescent and have tints of green and red.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

The Cloisters

The Cloisters
The Cloisters

The Cloisters. New York City. December 30, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Large stone room at the Cloisters museum, Tryon Park, New York City

The Cloisters is a facility that is a (remote) part of New York’s Metropolitan Museum, located way uptown at Fort Tryon along the Hudson River not too far from the George Washington Bridge. It was constructed as a sort of showplace for various elements from early European architecture and art, and it feels far removed from much of the rest of the New York experience, at least to this Californian. We had visited, or tried to visit, on a previous trip to New York, going all the way up there only to find that we had picked the one day each week when it was closed! So getting back there and going inside was on our agenda during our late 2013 visit.

The weather and light affect my response to such places, and this was a gray winter day. We took the subway up from lower Manhattan, and when we got off at Fort Tryon it was very cold, very gray, and quite windy as we walked to the Cloisters. Once inside, the light coming in from courtyards and windows was soft and diffused, and I thought the light in this room was especially beautiful. Some light was coming in from outside through the small window at the right, but out of the frame to the left there is a large open courtyard that was also spilling light in from that direction.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.