Tag Archives: valley

Desert Plants, Black Hill

Desert Plants, Black Hill
Desert Plants, Black Hill

Desert Plants, Black Hill. Death Valley National Park, California. April 7, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning light on desert arrow weed plants at the base of a black hill, with Death Valley Buttes receding into the hazy distance

This was very nearly the last photograph I made on my recent early April visit to Death Valley National Park. I try to go there to photograph at least once each year, and I’ve probably visited during the first week of April more often than at any other time. This tends to be a transitional season in the park, at least in my experience, and the conditions can range from cool to downright hot. On this visit it was, for the season, “downright hot” – temperatures with in at least the mid to high-nineties every day, and rose to just over 100 degrees on one day. This is not unheard of at this time of year, though it is on the high side of normal for the first week in April. This trip was a challenge for other reasons, too. On the second day I encountered a significant sand storm with accompanying winds, and the light was not exactly cooperative. On two mornings and two evenings clouds shut down the golden hour light, and there was quite a bit of general haze.

On this morning I figured I would do an hour or two of shooting before returning to camp to tear everything down and start my drive back home. I started by going up just past the turn off to Wild Rose Canyon, with the plan being to shoot some long distance photographs of sunrise light on some mountains that I have been thinking about shooting. The sunrise itself was more or less a washout – the atmosphere was so murky that I wasn’t even quite sure when the sun cleared the horizon! Eventually I did get some soft directional light from the sun, but I was finished with this subject somewhat quickly. I decided to go with a backup plan to photograph the Mesquite Dunes with a long lens. As I worked this subject I decided to head a bit further east and see if I could get anything from the backlight coming across the low hills above Salt Creek, and as I traveled that direction I passed this small black hill, where I have photographed before, and saw these backlit arrow weed plants and the more distant hills near Death Valley Buttes in the morning haze.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Marsh, Fog

Trees and Marsh, Fog
Trees and Marsh, Fog

Trees and Marsh, Fog. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A clump of trees on a foggy morning and their reflection in the waters of a Central Valley marsh

I made this photograph on New Year’s Day 2013, while on a little “goose chasing” adventure to California Central Valley wildlife refuges. A group of like-minded folks decided that there would be no better way to start the new year than to gather before sunrise along the edges of San Joaquin Valley marshes to hear the pre-dawn chorus of migratory birds and then spend the day photographing them.

As almost always seems to be the case out there, the atmosphere and light continued to evolve in all sorts of interesting ways as the day wore on. Dawn come with high clouds that were broken in a few spots and with fog below. Eventually the light penetrated the high clouds and began to light up the refuge – but the light remained soft and luminous as the fog wasn’t quite done with us yet. We took a midday break, and when we returned we again had overcast, but sunset colors came through near the end of the day. While circling the area looking for geese and other critters I stopped at one point to photograph these trees growing from the marshy land against a background of haze and a bit of fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese and Evening Sky

Geese and Evening Sky
Geese and Evening Sky

Geese and Evening Sky. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A motion blurred photograph of Ross’s geese against the evening sky above California’s San Joaquin Valley

Bird photographers might appreciate the thought I had that it might be appropriate to refer to these “BIF” photographs “blurred in flight” shots. (Among bird photographers, “BIF” is short for “birds in flight.”) I guess I could say that I’m photographing “blinds,” or “blurreds,” – or something. In any case, the experimentation with motion-blur abstractions of flying birds continues.

I photographed these Ross’s geese on New Year’s Day 2013, when I met a great group of friends out in the foggy Central Valley to “chase wild geese” and other migratory birds. I made plenty of the usual sharp photographs of birds, but I’ve felt for some time that those do not always succeed in creating some analog of the ephemeral and transitory character of these critters. Plus, I just sort of like the abstraction of they blurred shapes! Some might say that making blurry photographs is a sign of less the competent photography, but I have to say that this isn’t quite as easy as it might seem. There are a lot of things to consider as I make these images. There is a sort of exposure time sweet spot that blurs the birds sufficiently but which still holds enough of their shape to clearly show their nature. I want abstract shapes, but not so abstract that they no longer clearly suggest birds in flight. Secondly there is the matter of background. Ideally, I think I like to locate the flying birds against fairly plain sky with interesting color. This means tracking the birds as they take flight, close to the ground and with “stuff” behind them, waiting for the moment when they break clear of ground and brush and trees and appear against the right sort of sky, but only for a moment before they move too far away. Finally, as I shoot I watch the constantly evolving relationships of position and shape among the birds of the moving flock, and try to capture moments when they briefly align in interesting ways. This group had stretched into a sort of horizontal cloud of birds when I triggered the shutter.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marsh and Trees, San Joaquin Valley

Marsh and Trees, San Joaquin Valley
Marsh and Trees, San Joaquin Valley

Marsh and Trees, San Joaquin Valley. Central Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Scattered trees grow in the marshland of the San Joaquin Valley, California

This photograph comes from a trip to California’s Central Valley on New Years Day with a group of friends – and I can’t imagine a better way to start a new year then by meeting up with friends in the pre-dawn darkness to begin a day photographing the migratory birds and generally hanging out with good people!

For me, photographing these marvelous birds turns out to be about more than the birds themselves, as remarkable as they are as a visual subject. There is a whole range of sensory associations that come to mind when I think of these winter visits to the marshlands to photograph the geese and cranes and other birds. The sound of thousands of geese never ceases to (literally) make me smile when I first hear it, and the sound of the cranes, especially when it comes from overhead or float through the fog, is evocative. The cold and damp and frequently foggy atmosphere is part of it, as is the long drive through the pre-dawn darkness (sometimes alone) and then arriving to find friends waiting. And the landscape itself draws me, which surprises me given how much it contrasts with the wilder landscapes of mountains and deserts and coastline. Often when I’m photographing birds, I interrupt that work to photograph this landscape, which is what I did here. I lined up a few trees, side-lit by the slightly fog-softened light, against the blue haze of clearing tule fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.