Tag Archives: valley

Trumpeter Swans, Trees

Trumpeter Swans, Trees - Two trumpeter swans fly through trees along the edge of the Skagit River, Washington
Two trumpeter swans fly through trees along the edge of the Skagit River, Washington

Trumpeter Swans, Trees. Skagit Valley, Washington. December 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Two trumpeter swans fly thorugh trees along the edge of the Skagit River, Washington

I was in the Seattle area over the past few day, taking care of some business, but I unexpectedly found myself with a free day on Monday – planned activities were cancelled, flight didn’t leave until Monday night. Fortunately, there is no shortage of things to see and do in that part of the Pacific Northwest, at least if you don’t mind clouds and rain – and I don’t. So I headed up to Skagit Valley, which I had visited once previously, when I spent a day photographing migratory birds there last winter.

I figured I might again see trumpeter swans and snow geese, and I was not disappointed. There were fewer geese this year – though one spectacular flock – but more trumpeter swans. Since this trip had not been primarily about photography, I did not bring the gear I would usually use for photographing these birds, and the longest lens I had was a 70-200mm zoom. This meant that I could not photograph the birds from any appreciable distance, though I was on the lookout for large flocks that might let me do this. (That didn’t quite happen.) So I had to adopt a different approach. As I watched the swans, I figured out that hardly more than a few minutes would go by before one or two or perhaps a few more would make their long, shallow take-off and then fly at a low elevation to another likely spot. So I moved into some likely spots and shot from inside the car so as to make myself a bit less visible. Eventually a few of the birds flew almost directly over the car, or at least passed near by. These two were flying along a row of trees on the bank of the Skagit River.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Kolob Canyon, Morning

“Kolob Canyon, Morning” — Morning light slants over the top of sandstone cliffs above early autumn foliage in Kolob Canyon, Zion National Park

I finally made it into the Kolob Canyon area of Zion National Park this October. From what I can tell, this area is much less frequently visited than the more popular and accessible Zion Canyon area. It seems to me that the park service sort of wants it this way, which makes sense to me. There is almost no formal development of this portion of the park aside from a very modest visitor center near the entrance. Along the dead-end road into this portion of the park, you find little besides a few turn-outs and parking lots at some trailheads. In addition, the entrance to this section of the park requires a significant drive from the most popular lodging areas in places like Springdale.

We arrived on a very cold early autumn morning when many trees and bushes were just beginning the fall color changes. In most places things were still very green, but here and there it was possible to find some nice displays of color. Near the location of this photograph the road made a sort of horseshoe bend across the lower portion of the canyon, and I spotted a lot of things that seemed to be photo-worthy to me: the early morning sun light beams slanting through morning haze across the upper section of the canyon, the dry waterfall at its furthest-back point, the always-beautiful red rock cliffs, and the colorful foliage beginning to appear in the canyon.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Approaching Storm, Monument Valley

Approaching Storm, Monument Valley - A storm front approaches the iconic towers of Monument Valley Navajo Tribal Park
A storm front approaches the iconic towers of Monument Valley Navajo Tribal Park

Approaching Storm, Monument Valley. Monument Valley Navajo Tribal Park, Arizona. October 12, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A storm front approaches the iconic towers of Monument Valley Navajo Tribal Park

Considering that we only passed through Monument Valley on a drive between two other locations and that we happened to arrive when a storm front was passing through, I have to consider myself lucky to have made any photographs of the location at all on this visit. We were on the long drive between Moab and Springdale, so we unfortunately could not afford to hang around long waiting for idea conditions – so I went ahead and shot in the “weather.”

Quite a few of the photographs were made in actual rain – as in, it was raining where I was shooting, or I was shooting into or through curtains for rain. However, the nature of this storm was that a line of weather would come through, there would be a bit of clearing, and then the next squall line would arrive. So between the bouts of rain there were some moments of sunshine, and the sunshine not only dried things out a bit but it also made the clouds more visible Here a very large cell was building over some of the iconic Monument Valley formations. I chose the vertical format and only included a bit of the solid ground so as to emphasize the size and height of the clouds.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Questions from Readers (11/28/12)

(Note: I made a major mistake in one spot in this post, suggesting precisely the opposite of what I meant. I have added a single WORD in bold upper case to correct the error. )

Blog readers occasionally email questions (and comments) to me. I can’t always reply personally to all messages, but occasionally I like to share some answers here, both for those who asked and for others who might have similar questions. Here is the latest edition – including a question about monitor calibration and printing, one about an older Epson 2200, and a request for more information about photographing in Death Valley.

Kent wrote:

“I am hoping you might be able to advise me on a problem. I have been having some difficulty getting my prints to match my computer screen. I have a Canon 5D Mark II, shoot in RAW and use Lightroom to process my photos. I have a IMac LCD screen, about 4 years old. I send my converted JPeg files to Aspen Creek for printing. I have contacted the experts at Aspen
Creek and they suggested monitor calibration software. So I regularly use Eye One monitor calibration but that doesn’t seem to help. I also work in a darkened room to minimize the ambient light.

Have you had similar problems? Have any ideas? I wonder if a higher end calibrated monitor wouldn’t help.”

This can be a complicated issue, but let me at least offer a few ideas.

I don’t know if this is the issue in your case, but it is important to realize that even a well-calibrated monitor will NOT present an image that looks “the same” as the image that gets printed on paper. There are some fundamental issues that differentiate images that are formed by projecting light from behind (they “glow!”) and images that are formed from ink/pigments, etc. that are illuminated from light that falls onto them. In general, I find that prints will seem to have less contrast and less intense colors, and will usually need to be brighter overall than the monitor might lead you to believe. In my view, a calibrated monitor gives you a consistent point of comparison, but you still need to learn to understand how to predict what your print will look like by comparison to what is on the monitor.

Continue reading Questions from Readers (11/28/12) →