Tag Archives: valley

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Pas de Deux #1

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Pas de Deux
“Pas de Deux #1” — A pair of sandhill cranes performing “the dance.”

Sandhill cranes have become perhaps my favorite bird subject. These large and ancient birds behave in ways that fascinate me more and more over time. (Their distinctive call is the first thing I listen for when I arrive at my favorite bird photography locations.) Geese that first drew me to photographing birds, but the more time I spent in the field the more the cranes attracted me. (Perhaps the earliest push in this direction came years ago, long before I had even seen a Sandhill crane, when I read about them in the writings of Aldo Leopold.)

It is a constant challenge to try to figure out their behavior and its logic. For example, even though I’ve spent a lot of time watching them around sunrise, when they generally fly out for the day, almost every lift-off comes as a surprise. I learned to be strategic about where I placed myself when photographing birds. After watching groups of cranes fly successively over a particular spot, I would move quietly to that location and wait… at which point they would all avoid that location, sometimes diverting the place I had just left! The “crane dance” seen here also seems to be a bit of a mystery — and not just to me. From what I read, while there is a courtship angle to the behavior, that may not be its only context.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Architecture, Photographs: Central California, Photographs: Structures and Objects

Silo and Shadows

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Silo and Shadows
Morning shadows fall across the curving surface of an agricultural silo, Central Valley, California.

Silo and Shadows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning shadows fall across the curving surface of an agricultural silo, Central Valley, California.

This photograph comes from the area where I first learned about bird photography. I’ve told the story before, but here’s the outline. I had almost no interest in photographing birds — it was completely outside my experience. One morning I was at my local espresso stand when I struck up a conversation with a friend who was also in the line. She happened to mention a birding location that she liked just south of Sacramento, California. For some reason, I was intrigued, and since I had some time to drive a few days later I headed out there, not knowing what I would find. It was a winter morning and as the sun rose I found thousands of birds everywhere — on the ground and in the sky. I had not idea what kind of birds they were (I think I assumed that all birds were geese…) but I was hooked. This was the start of a passion for photographing them.

You may wonder how that connects with this photograph. As I explored that area I came to some flooded rice fields, and nearby found a structure including several silos. I photographed it, and periodically I’ve returned to photograph it again. I photographed this view on a sunny morning, when the reflections of angled pipes, ladders, supports, and wire produced a complex pattern across the curving, corrugated metal skin of this silo.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada, Photographs: White Mountains

Owens Valley and the White Mountains

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Owens Valley and the White Mountains
The morning view from the base of the Sierra Nevada, looking across Owens Valley to the White Mountains.

Owens Valley and the White Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

The morning view from the base of the Sierra Nevada, looking across Owens Valley to the White Mountains.

Our recent road trip began in the Eastern Sierra Nevada. The reason for starting here was aspen color, and whether or not that ended up being the primary photographic focus the fall aspens are always worth a visit. Having photographed that subject for quite a few years, going to only the “usual places” is no longer quite enough, so I invariably end up heading out and exploring some places where aspen hunters typically don’t go. On this morning we headed up toward the base of the Sierra, passing through lots of aspen-free high desert terrain, and finally reaching a high enough point that we found some small, isolated groves.

In places like this, aspens can take a back seat to the larger and even monumental vistas along the eastern escarpment of the Sierra. With a bit of elevation, views open to the north, south, and (especially) to the high ridges of the White Mountains along the eastern side of Owens Valley. Although this range is in the rain shadow of the Sierra, and thus lacks the Sierra forests and deep snow, it is just as high and rugged. The photograph looks straight across Owens Valley toward the range, where White Mountain, the highest point, is just nudging Into the base of the morning clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada

Owens Valley Trees, Sierra Nevada, Evening

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Owens Valley Trees, Sierra Nevada, Evening
The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Owens Valley Trees, Sierra Nevada, Evening. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Landscape photography often feels a bit like hunting to me. I may go to a particular location with a general sense that something worthwhile is likely to happen there — and that sense is often based on some combination of long-developed intuition and knowledge of the antecedent conditions and the current situation. But I often do not have a specific subject or composition in mind. (Sometimes I do, but that is less likely.) In other words, I believe that there is a good chance that I’ll find the sort of thing that appeals to me photographically… so I go to a place at a time because I think the odds are good I’ll find something interesting.

One result is that I have to be ready to discover, change plans, improvise, and respond quickly to whatever I discover. (It also means that there are occasional dead-ends, but I digress…) We went to this spot with something entirely different in mind, but within minutes of arriving I decided that the “something else” was not going to work… and I saw that the line of sunlight coming across Owens Valley was striking this group of trees and that I only had a moment or two to photograph before the light left them. I made an initial exposure in landscape mode, then switched to portrait mode when I noticed more light on the foreground than the background. In the end, I came away with two rather different photographs of these trees — in the landscape version they lie near the bottom of the frame with only more distance subjects above them, while here they are situated beyond the stretch of foreground plants and the distant peaks occupy less of the frame.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.