Tag Archives: valley

Aspen Cascade

Aspen Cascade
Autumn aspen trees spill down a small valley in the Eastern Sierran Nevada.

Aspen Cascade. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn aspen trees spill down a small valley in the Eastern Sierran Nevada.

There is no escaping the fact that this is an iconic Eastern Sierra fall color subject. Heck, even Apple used it for one of their operating systems! It was a bit of a surprise to me that I ended up here on this year’s abbreviated fall color expedition. I had initially planned to photograph much farther north and perhaps even to the east of the Sierra. However, those plans were derailed after I crossed the Sierra crest via Sonora Pass and dropped into the worst wildfire smoke I think I have experienced. I headed south, thinking it might get clearer as I drove, but it actually got worse. Coming into Lee Vining I could barely make out the near shoreline of Mono Lake in the noxious murk. So I decided that I would just continue south until the air improved.

It wasn’t until Bishop, California that it became tolerable, though it was smoky even there. So I headed into the the Sierra from there and ended up in the drainage in which this is one of the three major forks. I mostly photographed other things, and even when I went here the first time I spent most of my time of photographs of individual aspen leaves. When I returned to my camp after sunset a huge and thick cloud of wildfire smoke descended. I almost packed up and left, but I decided I would see what it looked like in the morning. It was still smoky when I woke up, though some light was getting through, so I chose the sure bet and went to this place. This curving grove of aspens winding its way down a shallow gully to the shore of a lake is a remarkable thing, with quite a lot of color variation from top to bottom.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Baton and Score

Baton and Score
“Baton and Score” — Musical score and baton on the conductor’s stand.

Today I’m changing things up a bit and posting a photograph that is not at all like what I typically share. The photograph comes from a project I worked on over the course of three years, during which time I was “embedded” with a couple of professional classical music groups, a symphony orchestra and a chamber orchestra. It was a special and, I think, unusual experience. Lots of people photograph musicians, but I was able to hang out backstage and photograph the parts of musicians’ work and lives that you don’t see from the stage.

In the photograph is the score to one of composer Kurt Weill’s compositions. Because I had fairly free rein to photograph almost anything I was able to wander onto the stage during breaks and photograph vignettes containing items associated with the work of the musicians. A musical score is a completely remarkable thing. It uses a written language that most do not understand, and it notates not text (for the most part) but instead indicates pitches, dynamics, techniques, rhythm, and more — yet it leaves a lot to the interpretation of the musicians individually and collectively. The conductor’s score contains a remarkable density of information. I used to keep a print of two pages of a score by Ravel on my office wall, and it never ceased to amaze me that those two pages, with hundreds of notes and other indications, contained only a few seconds of sound.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

December Geese

December Geese
Migratory geese flock in Central Valley pastures on a foggy morning.

December Geese. © Copyright 2012 G Dan Mitchell – all rights reserved.

Migratory geese flock in Central Valley pastures on a foggy morning.

The experience of photographing winter’s migratory birds in California might be divided into several sorts of exercise. One is looking for the birds, often without finding them or perhaps spotting them too far away to photograph. Then there is the experience, after not finding them, of waiting for their hoped-for arrival, perhaps spending time doings something else entirely. When they do show up we then watch, often making a few hopeful initial photographs as they do the same things we’ve photographed before.

Sometimes we manage to get very close — occasionally because the geese, by some miracle, come to us, rather than due to our skills are finding them. The geese have work to do, and they seem almost oblivious to our presence as they feed. The flocks often move slowly across the landscape, producing a remarkable low, droning sound. If you have watched them long enough you know that eventually they will move, sometimes by leaving in groups that follow one after another, but sometimes in a sudden and virtually unpredictable eruption of flight that produces first a sort of “ripping” sound as thousands of pairs of wings flap and the flock becomes airborne.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Water Plants

Water Plants
Water plants reflected on the surface of a wetland pond.

Water Plants. © Copyright 2012 G Dan Mitchell – all rights reserved.

Water plants reflected on the surface of a wetland pond.

In another post that I queued up recently I mentioned some aspects of the experience of photographing migratory birds, pointing out that a lot of “down time” is part of the experience — times when there isn’t a lot of action going on. The birds may be static — or missing! — and one waits. In that other post I point out that these slow times are certainly not a bad thing! The quiet stillness can grow on you eventually, and there are other things to see and photograph, too.

I’m not at all a “pure bird photographer.” When I’m in the field photographing this subject I spend a good portion of my time thinking as a landscape photographer. Even when the primary subject is a bird or birds, I often consider how that bird is part of the landscape. But I also frequently switch gears entirely and focus on the space in which the birds live… and I photograph landscapes. On this occasion I was working a wetland area and the reflections of plants in the water caught my attention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.