Tag Archives: visitors

Photographs: Nature, Photographs: New York City, Photographs: Travel, Photographs: Urban/Street

Central Park, Spring Rain

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Central Park, Spring Rain
People pause by the edge of a lake on a rainy spring day at Central Park, Manhattan.

Central Park, Spring Rain. © Copyright 2023 G Dan Mitchell.

People pause by the edge of a lake on a rainy spring day at Central Park, Manhattan.

Who says that all landscapes must be natural landscapes? No one, actually, though there is a long tradition (starting way before photography existed) of depicting the landscape inclusive of the human presence: small figures, structures, bridges and roads, ships, and so on. Although I usually categorize my photographs in various ways (if for no other reason than searching is easier), this series cuts across a few of the usual categories.

It was a rainy morning among a series of rainy spring days in Manhattan, and many of us were anxious enough to get out and enjoy New York’s “spring” that we went out even as rain threatened. At times the rain was heavy but mostly it just sprinkled steadily, as it was when I made this photograph, with people standing on the banks of the pond and clouds shrouding the upper stories of Manhattan buildings.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: People

Waiting for Sunrise

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Waiting for Sunrise
Four people await sunrise in California’s Central Valley.

Waiting for Sunrise. © Copyright 2023 G Dan Mitchell.

Four people await sunrise in California’s Central Valley.

Waking up in the darkness, perhaps many hours before sunrise, strikes many people as being somewhere between barbaric and impossible. They literally cannot imagine themselves doing it, and perhaps they never have gotten up early enough to watch the first light appear. The odd thing is that most of us who do get up “that early” understand that the reward of watching sunrise makes the discomfort well worth it. In fact, it seems to us that NOT getting up for sunrise is the tragedy.

This was an exceptionally brilliant pre-sunrise experience, though it did not last long at all. In fact, friends of ours who arrived only a little later found the skies mostly gray. But the clouds in the east, leading out toward the Sierra crest, where as brilliantly colorful as I have ever seen them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes, Mountains, Footprints

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Dunes, Mountains, Footprints
Footprints of previoius visitors cross sand dunes beneath desert mountains.

Dunes, Mountains, Footprints. © Copyright 2020 G Dan Mitchell – all rights reserved.

Footprints of previoius visitors cross sand dunes beneath desert mountains.

If I had my druthers I suppose that I would have preferred dunes that were untracked, but that was not the case. So here, I think, the footprints of those who visited before me may be interesting in their own way as they trace the paths that those people followed — across the foreground dune, up the face of steeper sections, and along the highest ridges.

My visit on this occasion was brief. After spending nearly a week on the road I decided to make my final night in this park be in the far backcountry, so I drove to a location that was interesting on its own account and which gave access to an alternative route out of the park. I had an afternoon, a night, and a morning here before I headed over to the east side of the Sierra and started home.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco

Museum Lobby

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Museum Lobby
Visitors milling about in the lobby of SFMOMA

Museum Lobby. © Copyright 2018 G Dan Mitchell – all rights reserved.

Visitors milling about in the lobby of SFMOMA

It has been a while, and I was more than due for one of my periodic walking days in San Francisco. As per the usual plan, I was out the front door of our house long before dawn, to the train station by bus, and then by train to San Francisco, arriving just before sunrise. There were clouds over the City to my north and west, so I headed to the edge of the Bay, where the skies were clear to the east and early sun shone through on the shoreline and the City. I photographed along the waterfront for a while, and eventually wanted past the Ferry Building and up into the City north of Market Street.

I had a plan to circle back to SFMoMA by late morning, since the expansive Walker Evans show ends there in about a week. I arrived and took a break from my own photograph to view his and that of his contemporaries. (To anyone in the SF Bay Area who likes this sort of thing, go now! There is a ton of work in this show, and it ends a few days into February.) Evans evokes a mixed response for me. I share an interest in some of the subjects that interested him, including certain kinds of shops and other urban structures. His photographs of common tools are exquisite, and the WPA photographs of sharecroppers are really great. Other work impresses me less, and some of the photographs of objects and buildings (though not all of the latter!) impress me at times as being snapshots. But still, there’s a lot of great work in the show, and Evans had a big influence on the ways that many of us see. Once I completed my time in the Evans exhibit, it was time to leave and head back to the train station. But before I left I made a few photographs inside the museum, where I saw for the first time the patters of these lights reflecting on the floor in many places.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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