Tag Archives: wall

Stage Door

Stage Door
“Stage Door” — The edge of a shadow falls across a stage door.

This photograph qualifies as part of the “postcards from pandemic” group, as I made it while on one of the long local walks that I’ve been taking in and around my neighborhood since the lock-downs began six months ago. Yes, it has been that long. The good news is that if all goes according to plan we might be almost half way to a vaccine and the beginning of a return to something like normalcy.

This photograph is also an example of something that afflicts most (though perhaps not quite all) photographers, namely an interest or even obsession with form, color, and various kinds of patterns, even when seen in mundane locations. This is a side door to a school theater — hardly an iconic subject! But as I walked past at just the right moment, the shadow diagonally bisected this very blue door, and the angles of shadows and stairways converged in interesting ways.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Cliff Detail

Cliff Detail
Diverse fractures and surface patterns on the sandstone walls of a Utah canyon.

Cliff Detail. © Copyright 2012 G Dan Mitchell – all rights reserved.

Diverse fractures and surface patterns on the sandstone walls of a Utah canyon.

On this late-October day, a cold one in this part of Utah, our little band of photographers took a long drive on a gravel road. Eventually we stopped at an inauspicious pull-out — I don’t recall a sign, though there may have been a small one. We loaded packs and set out across some dry terrain, and soon entered a small canyon at the base of tall hills, a canyon that looked much like many other such canyons.

This was not a large canyon, and our walk into it was shorter than the walk into some longer canyons we had investigated. It was also a rough little place, and it did not give up photographs as easily as some other more-picturesque places. Near the far point in our exploration we came upon this remarkable bit of sandstone canyon wall, with patterns on the surface of the rock that reminded me of sunbursts.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Plants, Canyon Light

Plants, Canyon Light
A beam of light catches plants growing on the shadowed walls of a Utah slot canyon.

Plants, Canyon Light. © Copyright 2012 G Dan Mitchell – all rights reserved.

A beam of light catches plants growing on the shadowed walls of a Utah slot canyon.

While much of the time canyon light seems soft, suffused, and stable, there are edge conditions in which the light changes very quickly — appearing suddenly and lasting only minutes or seconds. This is especially true with direct light since the edges of the light are often scores or hundreds of feet above, and shadows from such things can traverse the deep canyon landscape with astonishing speed.

This photograph was made in such a place and in such conditions. The canyon walls were nearly parallel to the angle of the sun, and the beam of light came down from above only inches from the surface of the canyon wall. While the rock remains in shadow, this light manages to stoke the tree bits of vegetation in the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canyon Wall and Reflections

Canyon Wall and Reflections
A vertical canyon wall is reflected in the Utah canyon stream.

Canyon Wall and Reflections. © Copyright 2012 G Dan Mitchell – all rights reserved.

A vertical canyon wall is reflected in the Utah canyon stream.

A small group of photographers spent a couple days exploring this canyon, walking in from its wide mouth and soon being surrounded by tall sandstone cliffs and cut off from the outside world. On the first day it was quite cold and we faced the challenge of wind — which created some big challenges when photographing in the shadowed depths of the canyon. We had some success, but a few days later we decided to return and try for a day with less wind.

In this canyon I recognized a lesson that I suppose I already knew subconsciously. As we worked out way downstream we were balancing the distance we could travel against the amount of time we spend on each subject and calculating our necessary turn-around time if we were to exit the canyon in daylight. But it is hard to stop exploring such a place, and more that once we would round a bend, see another section of canyon come into view, and say, “just this one more section.” Then we’d reach the next bend, feel the need to explore it, catch a glimpse of what was around the next bend and, well, you get the idea. If I recall correctly, this was the final bend at which we realized that we had to reverse course. It was a lovely spot, extremely still and quiet, with the small stream flowing gently past the bottom of a very large and rugged cliff in deep shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.