Tag Archives: wall

Doorway, Heidelberg

Doorway, Heidelberg
A graffiti-covered doorway on a narrow Heidelberg street

Doorway, Heidelberg. © Copyright 2018 G Dan Mitchell – all rights reserved.

A graffiti-covered doorway on a narrow Heidelberg street

To the extent that a photograph can be “about” things — I tend to think that a photograph “is” a thing — this one is perhaps about my obsession with geometries, about light, and about the door, with its graffiti, and what that might tell us about the door and how people here treat this “street art.” And by “about” I don’t necessarily mean that it tells us about these things — more that it may be about questions raised by such things.

The doorway is on a back street in the old part of Heidelberg, where we wandered on an August day earlier this year. These colors and this sort of paint and decoration seem fairly characteristic of this area. As we walked, the left side of the street was in shadow and the right was struck obliquely by sunlight that was somewhat softened by hazy cloudiness. Without that filtering the light would likely have been almost to stark for the photograph. Here I notice, as I did with an earlier photograph from Amsterdam, that there seem to be some “rules” constraining the application of the graffiti. It is on the door but not, for the most part, on the walls. Oddly, it all seems to be in black or other very dark colors. (I actually wonder if it was created by the people who live/work in this building.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Unfun

Unfun
Weathered wall with graffiti, Amsterdam

Unfun. © Copyright 2018 G Dan Mitchell – all rights reserved.

Weathered wall with graffiti, Amsterdam

For the most part I don’t photograph graffiti, and on the rare occasions when I do in the US I may alter the painted “tags” in post in order to avoid giving publicity to folks who, it may be argued, are basically vandalizing the property of others. I’m also sometimes a bit uneasy, when the marks transcend mere graffiti and become street art, about simply capturing an image of someone else’s art and presenting it as my own.

But sometimes I can’t help myself. In fact, on our 2018 European travels we encountered so much graffiti that it would almost be dishonest to pretend that it isn’t part of the urban landscape. (Especially in Berlin. Very much especially in Berlin…) This little example comes from Amsterdam, and I appreciated several things about it. I was intrigued to see that it was mostly constrained to the blocks or rectangular material on the right side of the frame and mostly not on the bricks — almost as if these were somewhat well-mannered graffiti artists. The juxtaposition of shapes and colors interested me in its own right. And then there is that enigmatic “UNFUN” inscription in a somewhat neat sans-serif font, contrasting with the other colorful scrawls on this wall.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Fractured Rock

Fractured Rock
Detail of a fractured rock wall in the John Muir Wilderness

Fractured Rock. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail of a fractured rock wall in the John Muir Wilderness

There are quite a few “photographer jokes” that you’ll hear if you hang out long enough with these folks. (I should make a list sometime!) Some of them come up in answer to the common question, “What did you photograph?” (A variation on, “What are you photographing?” and not totally unrelated to, “Did you get anything good?”) In a lot of cases, when asked the “what did you photograph?” question, you have choices: given a long answer (often the truest response) and make your questioner wish they hadn’t brought it up, give a very short superficial answer, or make a joke. One joke answer among some folks I know and sometimes photograph with is a cheery, “Rocks, water, and trees!”

If you have been watching recent photographs from this location in the Eastern Sierra Nevada, you may be forgiven for noting that in some cases I seem to have been reducing the subjects from “rocks, water, and trees” down to the minimal, “rocks…” This is — obviously! — one such example. It is the sort of thing that most folks would probably not see, since it wasn’t in an obvious place and is in a location where you could easily walk past while looking at other, larger things. But I wasn’t looking for the obvious, at least not only for the obvious, so I stopped here and poked around a bit, discovering a small section on a larger rock fact where the remnants of an old layer of pink rock were gradually breaking away from the underlying gray material. One more thing — when I make a photograph like this one, focusing on some compositional aspect of some small and non-iconic thing, I often think of the photographs of Mike Osborne, one of the original “First Light” photographers and a person with a unique and wonderful way of “seeing” the Sierra Nevada landscape.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Couple With Roller Bags

Couple With Roller Bags
A couple of tourists pulling roller bags on a Paris sidewalk

Couple With Roller Bags. © Copyright 2018 G Dan Mitchell – all rights reserved.

A couple of tourists pulling roller bags on a Paris sidewalk

I photographed this couple in Le Marais, Paris, not far from where we stayed for a few days near the end of August. If I recall correctly it was Friday evening, and I suspect that these folks were just arriving for the weekend. (I could be wrong — perhaps they live here and were returning from travels.) Their appearance in this scene was fortuitous. I had noticed the monumental weathered wall in the background. I was intrigued, but it hardly seemed like a photograph by itself. But with people in the frame such a surface can add interest.

Being a relatively light travel — at least when traveling by air — I can also identify a bit with these folks. This European trip was nearly six weeks long, yet we managed to restrict ourselves to carry-on luggage — one backpack-style bag plus a smaller “camera” bag that fit under airline seats. (We cheated a bit, too. We did ship some more formal clothes ahead of time for one special event that we attended in Germany.) Even with our relatively light loads, sometimes at the end of a day of travel those bags just… weigh you down. These folks look like they just might be having a similar moment…


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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