Tag Archives: wilderness

Dawn, Pond and Mountains

Dawn, Pond and Mountains
“Dawn, Pond and Mountains” — Sunrise light strikes Sierra Crest peaks and is reflected in the surface of a subalpine pond.

I recently spent a few days backpacking with long-time friends and few new friends. We headed into the mountains just east of Yosemite and the Sierra crest, spending days in a high place — we were just above 10,000′ the entire time. We camped near this pond, so I was up before dawn to be here for the sunrise show as the first light appeared on the high peaks to our east.

Traveling in the backcountry with non-photographers is always a different experience. During the past few decades I have mostly backpacked by myself or else gone out with other photographers. We photographers have our odd rituals: up in the darkness, breakfast at mid-morning, dinner before the good evening light, then out to photograph and not back until dark. Sometimes I wonder if the others think I’m some kind of ghost.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Scot Miller’s ‘First Light’ Videos

A bit more than two decades ago (I believe it was 2001), the Yosemite Fund (now the Yosemite Conservancy) initiated a project to put groups of landscape photographers into the Yosemite backcountry for a week or more at a time. With pack animal support, the photographers were able to bring the range of equipment required to do this work, and to remain “out there” long enough to become deeply acquainted with these places and produce an extensive body of photographic work.

The initial group was comprised of Charles Cramer, Karl Kroeber, Scot Miller, Mike Osborne, and Keith S. Walklet. I started tagging along in about 2008 and eventually became one of the gang. Over the years the group — will occasional others join us — continued to photograph in the Yosemite backcountry and eventually branched out to work in other locations in the high country.

There have been few projects like this one, supporting serious photography in the High Sierra over a period of many years and producing an exception body of work.

Scot Miller is not only a fine still photographer, but also a very accomplished videographer. In addition to making his own beautiful photographs on these trips, from the very beginning he was documenting the group’s work in video form. More recently Scot managed to do a series of interviews with each of us, and he has begun releasing them on YouTube.

Below are links to some of the videos that are currently available. First the “origin story” of the group.

Then pieces on three of the photographers:

Charles Cramer

Karl Kroeber

Mike Osborne.

And a bonus: The Longest Ride

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Light and Dark

Light and Dark, a narrow Death Valley canyon.
“Light and Dark” — A canyon wall lit by reflected sunlight is seen through a dark section of canyon narrows, Death Valley.

Having photographed in the red rock canyons of Utah, I suspect that I have a bias toward that sort of beautiful, warm-toned landscape. In Death Valley I often look for, and enjoy finding, canyons with similar smooth surfaces… though that Utah red rock isn’t something you’ll see very much here. The narrow canyon in this photograph is perhaps more typical of the Death Valley landscape, with much rougher and more angular rocks.

I have written frequently about how wonderful canyon light is and how much it contrasts with the harsh and brilliant light of the desert landscape outside the canyons. In the deepest and narrowest sections the shadowed light becomes quite blue since the blue of the sky that is the main source of illumination. In this photograph we see the contrast between those blue foreground shadows and the warmer colors of the more distant canyon wall that is more open to the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Curve in the Canyon

Curve in the Canyon
“Curve in the Canyon” — A gravel wash curves through narrows in a Death Valley canyon.

The sensations upon entering one of these canyons after walking in desert heat and sun are striking. It is suddenly much darker and much quieter, and often the air is still. At this bend in the canyon, the walls and edges conspired to create a sort of spiral shape with everything centering on the bigger and warmer-toned section in the upper center of the photograph.

Hiking these canyons they ofcanten start to feel like a steady progression back and forth — a turn to the right is soon followed by one to the left, and so forth. In some canyons this leads to a somewhat humorous “just one more”situation. I might check my watch and note that it is about my turn-around time. I tell myself, “First, just hike to the next curve.” Getting there I tell myself, “You can take a look at what is beyond this section.” So I round the bend and see the canyon continues… and, of course, I just have to continue on to the next bend… and then next… and the one after that.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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