Tag Archives: wilderness

Curve in the Canyon

Curve in the Canyon
“Curve in the Canyon” — A gravel wash curves through narrows in a Death Valley canyon.

The sensations upon entering one of these canyons after walking in desert heat and sun are striking. It is suddenly much darker and much quieter, and often the air is still. At this bend in the canyon, the walls and edges conspired to create a sort of spiral shape with everything centering on the bigger and warmer-toned section in the upper center of the photograph.

Hiking these canyons they ofcanten start to feel like a steady progression back and forth — a turn to the right is soon followed by one to the left, and so forth. In some canyons this leads to a somewhat humorous “just one more”situation. I might check my watch and note that it is about my turn-around time. I tell myself, “First, just hike to the next curve.” Getting there I tell myself, “You can take a look at what is beyond this section.” So I round the bend and see the canyon continues… and, of course, I just have to continue on to the next bend… and then next… and the one after that.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Canyon Narrows Light

Canyon Narrows Light, Death Valley
“Canyon Narrows Light” — Soft, filtered light illuminates the walls of a Death Valley slot canyon.

Desert canyon light is remarkable. A canyon like this one is a huge contrast with the world outside — the intense, harsh desert light gives way to soft, gentle light and shade. The temperature drops. The color of the ight changes, too. Deep in the canyon it often shifts to ward blue, especially when the canyon walls are black or gray. There are also changes and contrasts where different softs of light come together — as in this photograph where the deeply shaded blue tones contrast with the warmer tones of the higher walls.

I walked quickly to get to these narrows, but once I arrived I stopped, took out my tripod, attached my camera, and ambled slowly while searching for photographs. New possibilities appeared at every bend in the canyon, and my progress stalled to a near standstill as I stopped every few feet to look at a new composition.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Meadow, Storm Clouds

Meadow, Storm Clouds
“Meadow, Storm Clouds” — Sunlight in a meadow as storm clouds build near the Sierra Nevada crest, Hoover Wilderness

After an absence from the Sierra during some 2023 international travel, I was anxious to get back up there again. Shortly after our return I headed to the mountains for a few days of high country camping and photography. By then it was late in the season and the first hints of cold-season weather fronts were arriving — there was “interesting weather” during much of my visit.

I made this photograph as I headed up a drainage in the Eastern Sierra along the western edge of Yosemite National Park. (The distant peaks mark the park’s boundary.) Clouds shrouded the peaks, and some light snow had fallen. The wind was blowing and cloud shadows moved rapidly across the landscape. I set up and waited, and made this photograph as light hit the meadows just in front of me and illuminated the distant ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Bench and Mountains

Bench and Mountains
“Bench and Mountains” — Morning light on a bench near the base of the eastern escarpment of the Sierra Nevada.

Most often as we watch the first sunlight arrive on the eastern face of the Sierra Nevada we are either somewhere out to the east, perhaps in Owens Valley, or actually up in one one of the valleys that cut into this side of the range. There are a few places that can offer a little different view, locations that are east of the escarpment but high enough to view the east side almost straight on from close distances.

I made this photograph from one of those locations, a long ridge that runs roughly parallel to the Sierra crest. The terrain here switches from high desert sage country to large groves of small aspens and then becomes more alpine. (You can see some of those small trees in the foreground here.) I made the photograph shortly after sunrise, when the low sun angle still cast. large shadows across the lower slopes of eastern escarpment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.