Tag Archives: winter

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Storm Approaches

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Storm Approaches
Approaching storm, sunlight on water, clearing fog along the Big Sur coast

Storm Approaches. © Copyright 2019 G Dan Mitchell – all rights reserved.

Approaching storm, sunlight on water, clearing fog along the Big Sur coast.

While summer is the most popular time for tourists to visit California’s spectacular Big Sur coastline, I’d rather go there in the winter — which is just what I did today. This is the season of the most interesting and dynamic conditions — storms approaching and departing, big surf, clouds and mist, and the low sun reflecting on the water.

To be honest, I initially thought that I might get ahead of the next Pacific weather front, which was scheduled to arrive in the evening. The weather forecast was calling for partly sunny morning conditions, and I planned this little trip with that in mind. But as I headed south from the Carmel area it was obvious that there were plenty of clouds to the south and offshore. Here and there the clouds thinned enough to bring a bit of directional light or reflect off the surface of the Pacific, but overall the sky leaned in the “ominous” direction. I stopped briefly at this familiar spot to photograph this cliff descending steeply into the water, with a few thinning fog clouds dissipating along the ridge of the mountains extending to teh south.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Wildlife

Birds, Sunset Clouds

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Birds, Sunset Clouds
Birds fly in a cloud-filled winter sky

Birds, Sunset Clouds. © Copyright 2017 G Dan Mitchell – all rights reserved.

Birds fly in a cloud-filled winter sky.

This seems to be largely a photograph of sky, but if you look a bit closer you’ll see lines of birds spread across its width. It is a winter sky, looking west very late in the day, just after the sun has set, and the birds are departing in that direction. Surprisingly, the largest group of them are white pelicans, birds that I usually don’t encounter in quite such large numbers. There are a few sandhill cranes mixed in here and there.

As with some much “nature” photography (here I’m also thinking of landscape subjects) a lot happens very quickly at the margins between day and night, the time when arguably the most interesting light is available. Closer to the middle of the day things tend to change more slowly and there may be more time to contemplate. But during that time between not-enough-light-for-photography and middle-of-the-day stability, the conditions are in constant flux, and it is “now or never” for many photographs. In this image an additional dynamic element was added as I timed the exposure to place the birds beneath the curving shapes of the clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Wildlife

Geese, Pond, Dawn Sky

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Geese, Pond, Dawn Sky
Ross’s geese in a wetland pond on a foggy morning beneath dawn sky

Geese, Pond, Dawn Sky. © Copyright 2019 G Dan Mitchell – all rights reserved.

Ross’s geese in a wetland pond on a foggy morning beneath dawn sky.

There is often a particular esthetic around bird photography that concentrates on close photographs of individual birds. I’ve often thought that the reasons for this particular approach are several. For some bird photographers – though not so much for me — this work is an outgrowth of “birding,” and in that endeavor being able to view individuals close up is a goal. There’s also an element of the technical challenge. It isn’t easy to get in position to fill the frame with one bird, and it is even more difficult when the bird is in flight. On top of that, we must acknowledge that for at least a subset of bird photographers, the acquisition and use of really big and really expensive lenses has its attractions.

I’m not immune to those things, but I often find myself approaching birds in a somewhat different way. Few of my photographs feature a single bird filling the frame. (I can do that, and I have, just not that often.) More typically, the photographs include a group of birds — a couple of them together or perhaps thousands — and place them in the landscape. The latter is quite likely linked to my long interest in the landscape as a subject. This photograph clearly fits that lineage — it is what I think of as a “birdscape,” a photograph including birds in the landscape they occupy. I made this photograph in a water-filled place on a foggy morning when soft and colorful dawn light briefly lit the sky.

David Hoffman and I have an exhibit of “birdscapes” opening very soon at Stellar Gallery in Oakhurst, California, near the southern entrance to Yosemite National Park. If you’ll be in the neighborhood — going to see the Yosemite Valley snow or to photograph Horsetail Fall? — stop by and take a look at our photographs!

February 16th-March12th. Reception February 16 5-8:00PM. Stellar Gallery, Oakhurst, California

Birdscapes — David Hoffman and G Dan Mitchell
Birdscapes — David Hoffman and G Dan Mitchell

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Wildlife

Great Blue Heron

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Great Blue Heron
A great blue heron standing in a winter pasture

Great Blue Heron. © Copyright 2019 G Dan Mitchell – all rights reserved.

A great blue heron standing in a winter pasture.

Great Blue Herons are soloists — I virtually never seem them in groups, with only one strange exception. Both herons and egrets are closely related, and I recall being surprised a few years ago to encounter bird pairs consisting of a great blue heron and a great egret. I particularly remember watching one such pair land and then fly off together.

But this one was definitely alone. Earlier in the season I had seen few great blue herons, but by this point I was beginning to spot more of them, and I had already encountered several on the day I photographed this one — including one memorable critter that flew back and forth in front of me several times, gliding above a shallow bond. The bird in the photograph stood alone in a large pasture that was beginning to green up after winter rains. Up close they are remarkable birds, and their attentiveness to surroundings becomes apparent.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.