The 1 World Trade Center (1 WTC) building under construction on August 23, 2011, New York City.
“When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.” – Ansel Adams
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Black and white photograph of the Chrysler Building and a lamp post in New York City.
Yes, we are in New York City. Needless to say, this is a “target rich environment” for street, urban, and architectural photography. This familiar building is the first post from this trip. It is a black and white photograph for a couple of reasons. First, this turns out to be one of those photograph where I like both the color and black and white interpretations. Second, and more practical, I am working from an uncalibrated monitor and can’t be certain what the colors will look like. With that in mind, it seemed like a good idea to post the BW images first!
The Chrysler Building is an easily recognized Manhattan landmark… especially if you saw “Ghostbusters.” We were out for a “first morning in New York walk” on our first full day here, and the area around this nearby building seemed like a decent objective.
(On a practical note: As with the color calibration issue, I’m not in my usual workflow environment while on the road, so don’t be surprised if some things don’t look exactly like they normally do.)
Early morning light on the wall of an industrial building with black loading dock doors along Townsend Street, San Francisco.
This photograph was made very near to where I made another I posted recently, one of a pair of freeway overpasses near the San Francisco Caltrain station. After making that photo, I headed back on Townsend toward the station and as I walked along a row of industrial buildings these loading dock doors and the bright light from the morning sun caught my attention. So, in a suitable old-school approach, I pulled out the camera with the 50mm prime and found a way to frame the scene.
If you are into this sort of thing, you might relate to a few small details in the scene that I like. One is the faint shadow of the two overhead electric lines that cuts a diagonal from upper right to lower left, which also happens to be along the same dimension over which the sunlit diminishes. Aside from the predominant shades of tan on the wall and shades of gray elsewhere, there are a couple of bits of yellow-orange on the curb and the sign near the far right.
If you can read the signs – hard to do at this small size – you will understand that it would be a very bad idea to park here. :-)
Laundry is hung to dry on fire escape above the streets of Chinatown, San Francisco.
This is a photography from one of my early morning photo-walks in San Francisco last summer. I take the train to the City very early in the morning and then walk. A lot. On this morning I passed through Chinatown on my way to the North Beach area fairly early in the morning – well before the tourist crowds showed up. A few blocks from the main tourist area it is a different world with markets opening up, deliveries being made, and busy people everywhere. I was working in more or less traditional street photographer style – to the extent that someone armed with a DSLR can do that ! – and shooting with just a 50mm prime lens on the camera and trying to work quickly as images presented themselves.
I imagine that many people who pass through here may easily be so focused on the activity at the street level that they might not look up. It often strikes me as surprising that in areas where so much is going on at street level – many people, colorful shop fronts, lots of action – the fronts of buildings right above present a completely different appearance. The first thing that caught my attention here was the laundry festooning the fire escape landings. But I also like the geometry of dark landings, ladders, and pipes against the lighter stucco wall, and the wonderful light coming through the morning haze from upper right and casting the lined shadows across the walls of the building.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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