Tag Archives: wire

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Chrysler Building and Street Lamp

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Chrysler Building and Street Lamp
Chrysler Building and Street Lamp

Chrysler Building and Street Lamp. New York City. August 18, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Black and white photograph of the Chrysler Building and a lamp post in New York City.

Yes, we are in New York City. Needless to say, this is a “target rich environment” for street, urban, and architectural photography. This familiar building is the first post from this trip. It is a black and white photograph for a couple of reasons. First, this turns out to be one of those photograph where I like both the color and black and white interpretations. Second, and more practical, I am working from an uncalibrated monitor and can’t be certain what the colors will look like. With that in mind, it seemed like a good idea to post the BW images first!

The Chrysler Building is an easily recognized Manhattan landmark… especially if you saw “Ghostbusters.” We were out for a “first morning in New York walk” on our first full day here, and the area around this nearby building seemed like a decent objective.

(On a practical note: As with the color calibration issue, I’m not in my usual workflow environment while on the road, so don’t be surprised if some things don’t look exactly like they normally do.)

G Dan Mitchell Photography
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Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Loading Dock Doors, Townsend Street

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Loading Dock Doors, Townsend Street
Loading Dock Doors, Townsend Street

Loading Dock Doors, Townsend Street. San Francisco, California. July 8, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Early morning light on the wall of an industrial building with black loading dock doors along Townsend Street, San Francisco.

This photograph was made very near to where I made another I posted recently, one of a pair of freeway overpasses near the San Francisco Caltrain station. After making that photo, I headed back on Townsend toward the station and as I walked along a row of industrial buildings these loading dock doors and the bright light from the morning sun caught my attention. So, in a suitable old-school approach, I pulled out the camera with the 50mm prime and found a way to frame the scene.

If you are into this sort of thing, you might relate to a few small details in the scene that I like. One is the faint shadow of the two overhead electric lines that cuts a diagonal from upper right to lower left, which also happens to be along the same dimension over which the sunlit diminishes. Aside from the predominant shades of tan on the wall and shades of gray elsewhere, there are a couple of bits of yellow-orange on the curb and the sign near the far right.

If you can read the signs – hard to do at this small size – you will understand that it would be a very bad idea to park here. :-)

G Dan Mitchell Photography
About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Laundry, Fire Escape, Chinatown

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Laundry, Fire Escape, Chinatown
Laundry, Fire Escape, Chinatown

Laundry, Fire Escape, Chinatown. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Laundry is hung to dry on fire escape above the streets of Chinatown, San Francisco.

This is a photography from one of my early morning photo-walks in San Francisco last summer. I take the train to the City very early in the morning and then walk. A lot. On this morning I passed through Chinatown on my way to the North Beach area fairly early in the morning – well before the tourist crowds showed up. A few blocks from the main tourist area it is a different world with markets opening up, deliveries being made, and busy people everywhere. I was working in more or less traditional street photographer style – to the extent that someone armed with a DSLR can do that ! – and shooting with just a 50mm prime lens on the camera and trying to work quickly as images presented themselves.

I imagine that many people who pass through here may easily be so focused on the activity at the street level that they might not look up. It often strikes me as surprising that in areas where so much is going on at street level – many people, colorful shop fronts, lots of action – the fronts of buildings right above present a completely different appearance. The first thing that caught my attention here was the laundry festooning the fire escape landings. But I also like the geometry of dark landings, ladders, and pipes against the lighter stucco wall, and the wonderful light coming through the morning haze from upper right and casting the lined shadows across the walls of the building.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Night, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Shacks and Ship Yard Structures

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Shacks and Ship Yard Structures
Shacks and Ship Yard Structures

Shacks and Ship Yard Structures. Mare Island Naval Ship Yard, California. February 12, 2011. © Copyright G Dan Mitchell – all rights reserved.

Shacks, trestles, pipes and other shipyard structures against a night sky – Mare Island Naval Ship Yard.

Several years ago I shot more or less this scene and created a black and white photograph from it, and since then I’ve been thinking of trying to work with the scene again. I’ve been back, but ended up not shooting it for a variety of reasons, including a tall fence that now blocks the view a bit. On another occasion I decided not to shoot it since there was no moon… and the original photograph was done in full moon light. (“It wouldn’t look like my other photograph.” What a silly reason to not shoot it!)

This time I wandered over to this area to shoot a different subject, the companion structure that sits just north of this one. (Both support large overhead “tracks” along which some sort of machinery was able to lift and move large things like ship engines from the shop to the waterfront.) With my tripod cranked up to a foot or so above my head, the camera could “see” over the fence, so I decided to go ahead and shoot this subject again.

Technically, there are a few challenges in the shot. The bright light is very close to the first building and it ends up being very bright and the light is a very saturated yellow color – so that limits the maximum exposure. At the same time, there are some deeply shadowed areas in the structure that you can probably spot – come of the areas under parts of the tower for example. In addition, the city of Vallejo lies beyond this facility – you can see a bit of the glow from its lights in the distance – and some of the city lights would be directly visible if I wasn’t careful with camera placement.

I’m intrigued by several things about this subject. As a decommissioned ship yard, it is interesting to think about what it must have been like here in the past when all of this was in use. (Mare Island’s history goes well back into the 1800’s when it was the first west coast naval ship yard.) I also marvel at the “stuff” that I see that I can’t understand at all. I have no idea what many of those pipes were for or even what must have gone on in these little buildings. And the weathered, rusted, decaying character of the structure itself is interesting to me.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.