Tag Archives: yard

Porch and Shadows

Porch and Shadows
Porch and Shadows

Porch and Shadows. Mare Island Naval Ship Yard, California. November 17, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ambient light, shadows, architecture and vegetation on a night photography shoot.

In November 2012 I joined my friends from The Nocturnes, the San Francisco Bay Area night photography group, for a get-together and shoot at the historic Mare Island Naval Ship Yard. Since this was an “alumni night” event, there was a certain ritual to be followed. Folks who were new to Mare Island arrived early to tour the site – the first west coast naval ship yard, with history going back well over 150 years. A bit later, the “veterans” arrived to join everyone else for events that began with sharing of photographs, continued with pizza, and then led to a night of, well, night photography nearby.

The weather was not promising. We knew that a weather front was on its way, and we hoped – though we probably knew better – that it might hold off long enough to complete some photography. (Those of us with smartphones, checking the weather radar updates, knew better.) The tell-tale south wind was rising as we headed out, and within moments of starting to photograph an old wooden building the rain began. At first I continued to shoot under my umbrella, but soon it was just plain too wet to stay out. Fortunately, we had arranged for access to one of the historic officer’s quarters buildings and photographing inside and around this building quickly became the fall-back plan. I ended up on the front porch with Mark Citret and Tim Baskerville where we intermittently talked photography and made a few shots of things that didn’t require us to stand in the rain. At one point I parked myself near an end of the old porch and made this photograph of the shadow of my rig falling the wall of the building.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

My Kitchen Window

My Kitchen Window
My Kitchen Window

My Kitchen Window. San Francisco Bay Area, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The view through blinds hanging outside my kitchen window.

Yup. My kitchen window. Why, you might wonder, did I make this photograph? I think there might be three reasons.

First, I’ve often said that I believe that I can find something to photograph within a few feet of anyplace I might find myself. A few photographer friends could tell you stories about me shooting from basically one spot for, on occasion, hours. Right now I’m recalling a meeting with a friend in Death Valley. We went to photograph a beautiful canyon area that I had overlooked and which she wanted to show me. We set up to shoot – I was on top of a small rise. As she ran around discovering this and that and the other fascinating thing, I continued to shoot from my original spot, perhaps for as long as an hour. It’s not that I don’t like to move. I can hike as well as the next photographer. But sometimes I can find so much in a small area that I don’t want to move. And I sure didn’t have to move much at all for this shot. I didn’t even have to leave the house!

Second, and speaking of house, there is a bit of a tradition among some photographers of making photographs in their immediately living environment. Here I’m thinking of a post from, if I recall, Cole Weston that I saw recently in which he shared photographs from seemingly mundane places… including his house and maybe even his bedroom. I believe that Huntington Witherill made the initial photographs for many of his beautiful digital manipulations of flowers in a spot in his home. And on and on. So, what the heck, a shot from my home. (Compared to these other photographers, I have to admit that my “home-grown” photographs have a way to go!)

Third, I had a new camera and I was anxious to try it out. The camera is a bit of a departure from the gear I usually use. (Typically I shoot with a full-frame DSLR system.) Because of some situations in which I want to travel and shoot light and fast, I decided to pick up a Fujifilm X-E1 along with a small set of lenses. This is a small mirrorless “rangefinder style” camera with similarly small lenses. (You can read more about the camera and my initial impressions here: “Fujifilm X-E1: From DSLR to Mirrorless. Hint: I like it.”) So this was probably just about the first photograph I made with that camera.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Blue Shed, Evening

Blue Shed, Evening
Blue Shed, Evening

Blue Shed, Evening. Near Vallejo, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A metal-walled blue shade beneath an abandoned industrial building in “blue hour” evening light, near Vallejo, California

This photograph belongs to a genre that might be called Almost-Night Photography. I was at this location to do night photography, in fact, but for once decided to also try shooting the area a bit before the daylight disappeared. So perhaps 45 minutes before sunset I stopped what I was doing (eating pizza, actually…) and drove around a bit looking for “golden hour” photograph opportunities in this abandoned industrial area. I started a good distance from the location of this shot and did my sunset shoot in a more open area full of run down and falling down ruined buildings. After that I headed back towards an area of less-dilapidated but also virtually abandoned buildings.

So I arrived here a bit after sunset as the so-called “blue hour” light was coming on. The structure was open to the west where the post-sunset sky was visible over San Francisco Bay. Some clouds near the horizon still had the bright and orange-yellow colors of sunset, but the larger part of the sky was transitioning toward deep blue. As a result, any place in this image that was in shadow was primarily illuminated by the very blue overhead sky, while the upper windows of the taller building still reflected some of those last bits of color, though they were distorted by the uneven arrangement of the windows to create interesting patterns that are perhaps better seen in a larger presentation of the photograph. There are three buildings in the shot. The foreground round-roofed shed seems to be some sort of storage or work space that might have been added later. Behind that and to the right is a lighter-colored building that seems like it might have held some offices or similar facilities. Beyond that are the mostly glass walls of a very large industrial building that seems to be at least a full block long. These giant old buildings intrigue me in many ways, but the number of windows seems remarkable. I assume that they were designed this way so that people could work inside with little or no supplemental electrical light, and the interior spaces of such buildings can contain beautiful light during the day.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Building 106, Night

Building 106, Night
Building 106, Night

Building 106, Night. Near Vallejo, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Black and white night photograph of Building 106 and surroundings, Mare Island Naval Ship Yard

It has been a while since I have posted new night photography, much less work from this location. I’ve photograph this area extensively over a period of years, often working with my friends from The Nocturnes, the San Francisco Bay Area night photography group. In fact, I was there with them once again on this mid-March night.

Atypically, some of us had begun the evening’s work by shooting in the daylight! Shortly before sunset someone came up with the novel idea, among night photographers anyway, of going out before it became dark to photograph in the golden hour light. So, I started early and gradually worked my way back to the familiar central core of old ship yard buildings. Some years ago when I first visited I was entranced by the most obvious subjects, mostly very large and impressive industrial structures. I still find them impressive and continue to photograph them, but as I returned many more times I began to push out the boundaries of what I know of the place. Eventually I looked for less obvious subjects, sometimes small and out-of-the-way things I had first overlooked, and I began to move beyond the familiar core area to look a bit more far afield. While the location in this photograph isn’t that far from where I started shooting, it is a bit less visited and it was probably the first time that I had explored this particular spot. I was first attracted by some nearby tall structures that look like they might be some sort of hoppers or collection equipment. Then I continued walking and turned up this side alley where nearby artificial lights illuminated the terribly weathered metal walls of old factory buildings, rising from the small one at right, past the taller building just beyond, and culminating that the much taller building near the upper portion of the frame, with its large pipe that must have carried smoke or gas away from its room.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.