Tag Archives: yellow

Peaks and Autumn Aspens

Peaks and Autumn Aspens
“Peaks and Autumn Aspens” — A forest of autumn aspen trees in the Eastern Sierra Nevada leads toward mountain peaks.

For years I have felt that the best light at this Eastern Sierra Nevada location comes in the late afternoon, just before the sun drops behind the crest of the mountains. Here the high desert and mountain terrains intermingle, and aspen groves alternate with dry “sage brush country.” In the late-day light, the aspens are illuminated from behind and from the side, and this accentuates the autumn colors and makes them glow.

As usual, I arrived here an hour or so before the shadows of the peaks would “turn out the lights” on the fall color show. I photographed from various locations here during that hour, and as the light started to fade I picked out a few remaining well-lit groves against the darker shadows. Eventually the shadows, along with some developing clouds, eliminated the intense backlight and left the soft, gentle evening light on these trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspens and Evening Shadows

Aspens and Evening Shadows
“Aspens and Evening Shadows” — Long evening shadows creep across aspen groves in the Eastern Sierra Nevada.

This photograph comes from one of those evenings when I almost packed up and left too soon. At this location there is beautiful late afternoon back-light on aspen groves in the fall, but then the sun quickly drops behind higher peaks and “turns out the lights.” That had already happened on the trees that were my primary subject, and I thought it was time to leave. But hen I noticed that the long shadows from the peaks were stretching across the trees and the rolling hills of this Eastern Sierra landscape.

It is hard to know when to stick around to see what will happen versus when it is time to move on to a different subject. I wish there was a simple rule to apply to this conundrum, but I’ve never discovered it. Sometimes staying is the right choice, but sometimes I stick around and the light just… goes away. And, of course, sometimes when I move on I do encounter something remarkable that I might have missed. However (you saw this coming, right?) I’ve also driven or walked away to look for a better subject only to be stumped.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Broken Branch and Wildflowers

Broken Branch and Wildflowers
“Broken Branch and Wildflowers” — A broken branch lies in a Sierra Nevada meadow next to wildflowers.

We were camped on a low hill covered with trees — likely an old lateral moraine of some sort. A subalpine lake below our hill was surrounded by meadows, and the wildflowers were still in bloom even though it was late in the season. On several occasions I just wandered slowly around and through the meadow, and on one of those walks I found this broken branch lying on the green grasses next to a few colorful wildflowers.

We had been base-camped at this Sierra Nevada backcountry location for the better part of a week when I made this photograph. Working in a limited area for an extended period reveals details that we miss on shorter visits. With less time I tend to focus on the most spectacular and dramatic elements in the landscape. But given more time I slow down and start to notice the small things like this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Aspen Transitions

Aspen Transitions
“Aspen Transitions” — A small stand of old aspen snags surrounded by young trees transitioning to autumn colors, Eastern Sierra Nevada.

Photographers sometimes debate the “best” moment to photograph autumn aspen color. Some say it is when the first trees start to show golden color. Others prefer the stage where every color from green through yellow, orange, and red is visible. Then the green leaves fall and only the wild autumn color remains. But there’s also something compelling about the post-peak stage when leaves have fallen and stark white trunks are more visible. This photograph is from the “every color”stage. You can follow the “aspen color rainbow” from the closest green trees to intensely colorful trees farther up the valley.

This color range is not the only “transition” in this photograph. Aspens do not last forever — old trees die and new ones quickly spring up. I’ve gone back to burned groves months after a fire to see new shoots already emerging from the roots of the burned trees. Look closely at this photograph and you’ll see a row of old aspen snags near the front of the scene. Perhaps they were burned in a fire years ago, but now they are almost obscured by the colorful new trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.