Tag Archives: yosemite

Edge of the Light – Yosemite Valley

Edge of the Light - Yosemite Valley

Edge of the Light – Yosemite Valley. Yosemite National Park, California. October 31, 2009. © Copyright G Dan Mitchell – all rights reserved.

Late afternoon autumn light falls across a grove of trees on the Merced River with the cliffs of Yosemite Fall beyond.

On the weekend of October 31 and November 1 I made my annual “Yosemite Valley Fall Color” trip to The Valley – to photograph autumn subjects including the maple, dogwood, oak, and cottonwood trees. While some say that these trees may not provide the same kind of color found in New England, they still draw me back to the Valley every autumn.

This photograph was made in one of the busiest and most popular tourist viewpoints in the Valley, in Leidig Meadow near the chapel. On a busy high season day, perhaps hundred of people will briefly park their cars here, get out, point their cameras up, and make (another) photograph of Yosemite Falls. In some ways this sounds like just about that last place that I would want to photograph, but I’ve come to like the late afternoon light in this meadow, especially in the autumn as the grasses turn brown, the cottonwood trees along the Merced start to lose their leaves, and the low angle of the sun creates interesting back-lighting and shadows.

I’d like to say that I planned to capture exactly this lighting, with the edge of the sun/shadow line falling just across this band of trees and picking up the small tree to the left of the larger group, but that would be a bit of an exaggeration. In truth, I did plan to shoot the trees against the shadowed background, but I was thinking more about having the background cliffs in shadow than I was about the trees right behind the cottonwoods. So I was shooting something else when I happened to look up and see that these trees were just barely catching the last light and that the small tree on the left was set off from the others – so I quickly set up this composition and managed to make a few exposures before the light quickly faded from the trees.

Like so many lighting effects in landscape photography this was a fleeting moment. Far from being a sedate and relaxed process, capturing “edge” light like this is often a matter of being in the right place, getting exactly the right moment, and often requires not only good fortune but close attention to ones surroundings and very quick work!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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First Light: Five Photographers Explore Yosemite’s Wilderness

So, you like landscape photography, right? And you are aware that some of the most beautiful photographic subjects can be found in the back-country of California’s Yosemite National Park, right? And you very much enjoy looking through and absorbing the work of photographers who know the place especially well, right?

You need to pick up a copy of First Light: Five Photographers Explore Yosemite’s Wilderness, published by Heyday Press.

The book features the wonderful photography of a group of photographers whose experience in the park is extraordinary and varied: Charles Cramer, Karl Kroeber, Scot Miller, Mike Osborne, and Keith S. Walklet. Right now copies of the book autographed by all five photographers are available from the Ansel Adams Gallery.

(For the record, I have no financial interest in this book and if you purchase through the links in my post I receive no compensation from the sale. I just like the book and the photographers a lot and think you might, too!)

Last Gasps of Eastern Sierra Fall Color?

Last week I decided not to head over to the east side for more aspen photography – a combination of still working over the many photographs I brought back from earlier visits, some other responsibilities, and continuing reports that the bizarre and unusual progress of fall color was continuing. (But see Michael Frye’s “Lazarus” blog post for hints of a different set of possibilities.)

Along those lines, the recent reports seem to fall roughly into two categories. On one hand we have continuing reports that the aspens are still turning to fall colors very, very late and, in some cases at least, reportedly going almost straight from green to brown or dropped leaves. On the other hand, during the past week I’ve seen reports and photographs of some possibly isolated but very striking aspen color. Without having been on the scene recently I’m going entirely by second- and third-hand reports… but it sounds like you might be able to find a few good trees still if you act quickly and are willing to look around a bit. (And don’t forget that not all trees are aspens – there are other fall color opportunities at lower elevations.)

My attention now turns to other subjects including other opportunities to photograph fall color. My target date for visiting Yosemite Valley to shoot meadows, oaks, dogwood, and maples in fall color has always been the very end of October or right around the first of November. That had been my plan again this year… but during the past week or so I’ve started seeing photographs and reading reports of some good fall color already appearing there. Is the next phase of the “Strange Fall of 2009” going to be early color in the Valley? I’m hoping to head up there this weekend to find out.

Corn Lily Leaves, Early Fall

Corn Lily Leaves, Early Fall

Corn Lily Leaves, Early Fall. Cathedral Lakes, Yosemite National Park, California. September 26, 2009. © Copyright G Dan Mitchell – all rights reserved.

Dry corn lily leaves and plants as Sierra Nevada summer plants go dormant at the beginning of the fall season – Upper Cathedral Lake, Yosemite National Park, California.

On the first evening of my brief two-day visit to Upper Cathedral Lake, I wandered up a narrow ravine near where we were camped, hoping to eventually get up high for some photographs of dome-like formations and the lake and Cathedral Peak beyond. But almost immediately I became distracted by much more intimate subjects closer at hand in the shaded and diffused light of the gully. Near the top of a narrow section I came across a large bed of old corn lily plants that had reached the end of their short summer-season lives and had fallen over in interesting and complex patterns.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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