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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands, In Shadow

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Badlands, In Shadow, Death Valley
“Badlands, In Shadow” — Badlands formations in early morning shadows, Death Valley.

This is another is a series of photographs I made one morning at Zabriskie Point during my late February visit to Death Valley National Park. Previously I mentioned that I rarely photograph at this spot any more — after a couple of decades it takes some pretty special conditions to persuade me to join the crowd there. I stopped when pre-dawn clouds suggested the potential for a very colorful sunrise. Alas, that did not happen, but I did get some interesting light before the direct sunlight came to the formations at Zabriskie.

I’m a big fan of photographing in subdued light and especially in shade and when reflected light fills in the shadows. That is what we see here. The morning sunlight was striking nearby subjects, but it had not yet penetrated down into this little valley. The light produced a kind of soft glow and it picked up colors from the sky and reflected light from nearby prominences that were in the sun. Once again, the Death Valley landscape is a sort of canvas that is colored by light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Europe, Photographs: Germany, Photographs: Travel

Henkersteg, Pegnitz River

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Henkersteg, Pegnitz River, Nürnberg
“Henkersteg, Pegnitz River” — A covered bridge spans the Pegnitz River, Nürnberg, Germany

Walking around in Nürnberg on a day that began with slowly dissipating fog, I saw this scene as we crossed a bridge over the Pegnitz River. There is still a bit of the fog in the sky above the buildings, an old covered bridge crosses the water, and the buildings, bridge, and a few trees are reflected in the smooth surface of the river.

Often when photographing in a location like this I sometimes cannot determine the name of the subject or I photograph quickly and move on without checking. That was the case here, and it was only later that I used maps to locate the bridge and found out that it is called the “Henkersteg.” I understand that this roughy translates to “hangman’s bridge.” Additional reading suggests that it got the name because long ago the town hangman lived in a tower near one end of the bridge.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Fractal Landscape

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Fractal Landscape, Death Valley National Park
“Fractal Landscape” — A Death Valley landscape of layers of eroded ridges.

This view has intrigued me for years. At one popular Death Valley National Park location, one comes upon it quickly and often briefly. Because it is the coda of visits to this area that has many other attractions, it is easy to overlook it. It is harder to photograph than it seems that it should be — there are some compositional challenges, and unless the light is right the scene can have very low contrast and tricky colors.

The variety of pattens and details in the scene is remarkable. The first four ridges are low and consist of soft, easily eroded material. The more distant ridge is far away, across an intervening valley, and its details are almost always muted by haze. The foreground formations are deeply eroded and cut by gullies — which might seem like an odd thing at first when you consider that you are in an extremely hot and arid desert.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: New York City, Photographs: Travel

Balcony Bridge, Winter

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Photo of Balcony Bridge, Central Park, in winter snow.
“Balcony Bridge, Winter” — A winter scene at Balcony Bridge in Central Park, Manhattan

I have photographed and walked across Balcony Bridge in Central Park frequently. It is near the edge of “The Lake” in a popular area of the park, and in warm weather it is common to see lots of people pausing on the bridge to enjoy the view and take pictures. But it had a very different feeling on this cold and snowy winter day.

It only snowed for a few hours on the late-December morning, but it was enough to cover the ground with an inch or two of white, transforming the appearance of the park. The snow and the mostly-barren trees presented a starker landscape, one that reminded me of some well-known Bruegel winter paintings.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.