G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.
“Alfama Street Art” — Detail of street art on a wall in the Alfama district of Lisbon.
This detail of a bit of Portuguese street art comes from the Alfama district of Lisbon. This is the oldest neighborhood of the city, with tightly spaced buildings and streets so narrow and twisting that vehicles cannot pass. It was (and reputedly still is) a neighborhood where the poor are more likely to live — though one can see a creeping urbanization occurring around the edges.
I don’t generally photograph graffiti — the “I am here” initials and other personal marks made in public spaces. But there’s a fine line between that and what I think of as street art. I will photograph the latter. Here the imagery covers of a mundane wall — look closely and you can make it out beneath the paint — and uses wildly exuberant patterns and colors.
“Trees in Morning Light, Granite Dome” — Trees grow on a bit of talus at the base of a Yosemite dome.
Scenes like this are a big part of what characterizes Yosemite, especially the park’s high country: trees growing on granite, domes, forests, and that “range of light” atmosphere. The features are so common that it is possible for a longtime visitor to almost take them for granted.
I have paused at this spot on virtually every visit to the Yosemite high country for decades. The dome rising to the left in the photograph was my original interest — it is a beautiful dome in an especially aesthetic location. But later on the trees became an equal attraction — easy to overlook among millions of other trees, but once you see them you don’t forget.
“Night Street, Santiago de Compostela” — People stroll along quiet streets in the early evening, Santiago de Compostela
Santiago de Compostela was one of two Spanish cities we visited on this trip almost on a whim. We knew almost nothing about it, aside from the fact that it is the endpoint for thousands of Camino participants, who take weeks or months to walk there. We ended up loving the town, with its old central district that is charming and has a different feel than other cities — in part due to the connection to the caminos.
When traveling we walk a lot and often just head out with no well-defined plan, expecting to see and discover things as we go. My recollection is that this was a post-dinner walk — though given Spain’s late dinner our it could have been pre-dinner! This street, with its old stone buildings, porticos, and narrow passages was almost deserted.
“Shoreline Forest” — Trees grow along the shoreline of a Yosemite high country lake.
When I plan to spend a morning photographing in an area like this in Yosemite, I figure I have perhaps 3-4 hours of interesting light for morning photography. I typically start with a subject that works well in predawn light, move to one that focuses on the actual sunrise, then move around to find other subjects when their best morning light arrives. A subject like this one typically comes later and is often the final one of the morning.
I made the photograph in full sunlight, though it was slightly muted by some thin haze. I was interested in the interplay between the shapes of the trees and their shadows. In order to create this composition I had to photograph essentially directly into the morning sun light, though I positioned myself so that the shadow of one of the trees blocked the direct light.
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