Category Archives: Photographs: Central California

Evening Geese

Evening Geese
A large flock of geese takes to the air in evening light

Evening Geese. Central Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A large flock of geese takes to the air in evening light

Each day among these migratory birds moves through a kind of cycle, with variations that eventually become familiar but which don’t become any less compelling or exciting. It typically starts with a pre-dawn drive and arrival at a likely spot to find them — preferably in fog! It is always thrilling to catch the first sight and sound of the birds. The day continues, likely passing from fog to hazy sunshine, as the birds tend to settle into midday routines. Sometime after lunch it is (almost always) time for a break, but the work resumes by mid-afternoon. At first things happen slowly, but as evening approaches the pace picks up – more birds coming and going, more frequent take-offs, light that evolves in beautiful ways — and before long it is sunset and then dusk.

Early morning and evening are times of daily transition for the birds, so there is often a lot of action. Although a mass take-off can occur at almost any time if something sets off the flock, they become more likely and more impressive in the evening. They also become more difficult to photograph! As light fades and the subject becomes more interesting, the photographic challenges of low light increase. Rather than giving in to the dimming light I often take a different approach and embrace the motion blur, following the general mass of birds but allowing the fine details to soften and merge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two Geese, Reflection, Fog

Two Geese, Reflection, Fog
Two geese float on a winter pond in morning fog, Great Central Valley

Two Geese, Reflection, Fog. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Two geese float on a winter pond in morning fog, Great Central Valley

As is typical, this morning in California’s Great Central Valley began in fog — for so think that it initially obscured almost all potential subjects, at least if they were more than a few yards off of the route. Many times we could hear large numbers of geese and cranes that were not visible in the fog, but eventually some would break off from the flock and fly over and past us.

The fog is among my favorite features of winter in this valley, especially in the lowland wet areas where it can be foggy on many winter days. The fog transforms the landscape in many compelling ways. By obscuring distant detail, subjects can sometimes be seen apart from their regular surroundings. It is possible to make photographs in locations that would have been far too busy in “good” light — the fog selecting obscures of mutes more distant subjects. Here I stopped in a spot where there were few geese at all, though those that were hanging out here we floating serenely on the surface of the pond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Birds, Fog, First Light

Birds, Fog, First Light
Birds fly above pre-dawn fog at first light

Birds, Fog, First Light. February 15 2016. Central Valley, California. © Copyright 2016 G Dan Mitchell – all rights reserved.

Birds fly above pre-dawn fog at first light

If you think to hard about photography, things can quickly become quite confusing. Why do we make photographs? I have some ideas, but I’m not certain. (They involve searching for ideals, in the classic sense, along with dealing with the inexorable march of time, but it is a long story.) We often focus on the practical matters, partly because it is necessary but also because it is easier. Where should I go? What lens should I use? What are the right settings? What is the best subject? What is the ideal time? What if I come back empty handed? Am I on the right track? And much more.

But occasionally there are perfect moments of clarity, both mental and visual. In my experience, they almost always come as a surprise, though there are ways to increase the likelihood of encountering them. They may come when one is alone or in the company of others. These ephemeral experiences of near perfection may be found in mountains, along the ocean, in a city, almost anywhere if you are looking. Cold, a long drive, waking in darkness — they seem a small price for a few seconds of birds against a softly colored sky in the moments before dawn


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Tree, Fog, Dawn Light

A Tree, Fog, Dawn Light
Thick winter tule fog obscures a wetland tree at dawn, San Joaquin Valley

A Tree, Fog, Dawn Light. Central Valley, California. February 4, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thick winter tule fog obscures a wetland tree at dawn

This photograph belongs to a portion of my work that I think of as (to be non-poetic) the “barely there” photographs — subjects of low contrast, sometimes high key, and soft focus that attempt to evoke a mood and which perhaps allow the viewer to imagine what might be there. The photographs often feature fog or other kinds of atmospheric effects, and may be as much about light and color and form as anything.

This was likely the first photograph that was even possible on this morning. The fog was extremely thick, to the point that even nearby objects were obscured. Earlier the opacity of the atmosphere had been matched by the darkness of the light. But subtle and ephemeral things can happen at the boundaries of light on days like this, and as the sky above the fog began to lighter the fog began to glow with the colors of incipient sunrise light and objects like this tree began to be visible in the soft and colorful light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.