Category Archives: Photographs: Central California

Stones and Pebbles

Stones and Pebbles
“Stones and Pebbles” — Colorful stones and pebbles washed up against coastal formations, Point Lobos.

The rocks in the center of this photograph are large enough that it is hard to believe that they were washed into this position by heavy winter surf along this section of the Pacific coastline. But that’s the fact of the matter. That surf erodes the underlying rocks, moves large rocks and even boulders around like toys, and deposits layers of multi-colored pebbles like those caught between these rocks and the underlying stratified formations.

Photographing at this cove at Point Lobos is always an invitation to slow down and just look. There are potential subjects everywhere, many of them rather small, but they are easily overlooked if you don’t adopt a very contemplative and quiet perspective. And because the area is right at the surf line and often overrun by high waves, I find something new and interesting every time I visit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Sunrise, Central Valley

Winter Sunrise, Central Valley
“Winter Sunrise, Central Valley” — Winter sun rises beyond the Sierra Nevada as thin fog drifts among trees.

This photograph is one of the final remaining photographs from this past winter in California’s Central Valley. (Who am I kidding? There are probably more that I’ll uncover when I eventually revisit the archive.) I made it on my final visit of the season to photograph migratory birds. This photograph is the result of an unfortunate situation that ultimately turned out OK. I arrived before dawn to find that the gate was locked. As I listened to thousands of birds begin their fly-out beyond that gate, I decided that it made more sense to head off to find other opportunities, and I found this sunrise view a few miles away.

These Central Valley locations fascinate me for a variety of reasons — the migratory birds, the fog, the long views of the Sierra Nevada (as in this photo), the open vistas. Years ago I would never have imagined that such agricultural areas could provide so many photographic opportunities, but then I “discovered” the winter birds. I was hooked, and I’ve gone back every year since then.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Wood and Stones

Wood and Stones
“Wood and Stones” — Cast-up driftwood, stones, and seashore detritus on coastal rocks at Point Lobos.

The conditions on this mid-April visit to Point Lobos were a sort that coastal Californians recognize as summer-like: cold, windy, damp, and foggy. Ironic, no? But during the time of year when it is hot in most of California, it is frequently foggy and cool at the coast — which is part of what Californians like about the coast. As the clouds began to thin a bit on this morning at Point Lobos, the light changed from gray to the soft, slightly directional sort that is ideal for subjects like this.

I have photographed this spot — not just Point Lobos itself, but this specific place in the park — literally for decades. I’m pretty sure that the first time I photographed here I was a kid and using 120 film in a cheap Brownie camera. But I still find something here on every visit. Wandering this cove is almost a visual meditation. There’s so much to see, especially when winter’s debris is still plentiful, that I have to give up any pretense of working quickly. Instead I wander slowly, letting my mind slow down enough that I can start to pick out subjects among the rocks, sand, driftwood, and sea wrack.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Flock of Cranes

Flock of Cranes
“Flock of Cranes” — A flock of lesser sandhill cranes feeding in an agricultural field.

Unless and until I return to my old files to review them later on, this is likely this season’s last photograph of migratory birds. I photographed this group of lesser sandhill cranes in an old corn field on my final seasonal visit back in early March. By that date the departure of geese was perhaps a week away and the cranes would leave soon after that. This was nearly the last photograph of them I made this season.

There is a familiar arc to “migratory bird season,” as I think of the period between about November and March. Although the cranes arrive earlier, I usually make my first visit to photograph them in November. At that point they are fewer in number and likely to be off in some distant inaccessible area, and mostly I photograph them during the morning and evening fly-in/out. As the season continues they seem to become more comfortable in their surroundings, and I can often find them close enough to photograph in the middle of the day. But mid-February they and the geese become extremely active in the weeks before their northward migration.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.